| |
| | [No title] |
 | | And while he was never doctrinaire, he began to honor American folk culture with pieces such as Rodeo, Billy the Kid, and, of course, Appalachian Spring. |
 | | The RCA series is completed by Gershwin's An American in Paris, a Bernstein signature piece, Stravinsky's Octet and L'Histoire du Soldat, both with members of the Boston Symphony, Milhaud's La Creation du Monde and Copland's Billy the Kid ballet. |
 | | The last, in atypically decent sound, is the gem of the series, brilliantly evoking the gutsy leanness of Copland's idealization of the mythic American West of the pioneers. |
| www.lycos.com /info/copland--african-americans.html (328 words) |
|