| |
| | Guardian | Hrishikesh Mukherjee |
 | | Mukherjee was shaped as a filmmaker by Bimal Roy, known for works like Udayer Pathe (The New Dawn, 1944), Do Bigha Zamin (Two Acres of Land, 1953), Devdas (1955), Sujata (1959) and Bandini (The Prisoner, 1963), documenting the exploitation of the rural and urban poor. |
 | | Like Satyajit Ray and Roy, Mukherjee was exposed to the best of the world cinema. |
 | | Roy's Do Bigha Zamin was influenced by Italian neorealism, particularly by Vittorio De Sica's Bicycle Thieves (1948). |
| www.guardian.co.uk /print/0,,329567069-103684,00.html (684 words) |
|