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| | The William Saroyan Society |
 | | Whether directly invoked in the last play or indirectly understood in the earlier ones, the Genocide is the genesis of the two major themes in the trilogy: exile, and the survival of a dispersed nation denied the right of repatriation. |
 | | Though he had never seen Bitlis, it was vivid in his mind through the precise and repeated descriptions of his mother, uncles, and especially maternal grandmother, Lucintak. |
 | | The latter, which begins “Bitlis is a city,” and ends “I was glad to be leaving Bitlis,” was probably the work completed in the summer of 1967 in Paris and mentioned in an inscription from one of Saroyan’s books: “September 19, 1967…during July and August the following works were wrought…6. |
| www.williamsaroyansociety.org /intro.html (10510 words) |
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