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| | Black Mountain College |
 | | From its inception in 1933 until its closing in 1955, the college was populated by nonconformists and free thinkers who, for over two decades, furiously argued the issues of democracy, education, African Americans, Communists, and homosexuals amid a flurry of progressive painting, sculpting, music and poetry. |
 | | When BMC emerged as a considerable presence on the literary scene, it was as an impressive contingency of white males; Joel Oppenheimer, Fielding Dawson, Jonathan Williams, Robert Duncan, Robert Creeley, Dan Rice, Michael Rumaker and Ed Dorn were in the fraternity of Charles Olson students during the 1951-55 period. |
 | | The New American Poetry, 1945-1960, which ranked BMC along with the other major literary movements in New York and San Francisco—quite a heady distinction for a small band of misfits operating in an apparent vacuum from an obscure Southern mountain. |
| www.mindspring.com /~lredmond/nclr (897 words) |
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