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| | The ballad of Blinky Palermo: he was a student of Joseph Beuys, an early cohort of Sigmar Polke and Gerhard Richter, ... |
 | | Palermo's ethereal yet robustly painted early-to-mid-'60s canvases (both on and off the stretcher), with their intuitively placed squares, stripes and rectangles, and his eccentrically shaped and color-taped objects leaning against a wall or flying high, salon-style, near a cornice still pack a punch. |
 | | At Dia:Beacon, Palermo's work hangs near that of his teacher, Joseph Beuys, as well as his peers, notably Gerhard Richter and Imi Knoebel, members of an original group that helped form the Dia esthetic as it incubated in the late '60s and early '70s. |
 | | Palermo was one of the original "Beuysritteren," or knights of Beuys (a term used contemporaneously by another Beuys student, Jorg Immendorff, whose unabashedly figurative work is notably not on view at Dia), and something of the exalted mood in and around Beuys's class at the Dusseldorf Kunstakademie still clings to that designation. |
| www.findarticles.com /p/articles/mi_m1248/is_6_93/ai_n13822298 (464 words) |
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