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	Augusto Boal (Site not responding. Last check: 2007-10-08)
		Boal is quite funny in describing his horror at being picked by his comrades to run for office and relating how, once settled into the idea of a symbolic campaign, he suffered another bout of terror as the campaign picked up steam.
		Boal's interventions in Rio are detailed in a map, charts, and an appendix of the actual laws that were passed using legislative theater.
		Boal insists that his book is only the beta version, an experimental, interactive edition sent out from the eye of the storm he has kicked up.
	www.bostonphoenix.com /archive/books/99/03/11/AUGUSTO_BOAL.html (1021 words)

	"Dave Boal papers-index"
		Boal and G. in, Studies of some thermally unstable complexes of Group V trihalides with trimethylamine and (2H9)-trimethylamine by infra-red, Raman and matrix isolation spectroscopy, normal coordinate analysis and structural methods, J.
		Boal, R. Graham and J. Moffat, Radiative decays of the vector mesons and the meson mixing angles, Phys.
		Boal, A cascade approach to thermal and chemical equilibrium, in Proceedings of the RHIC Workshop, P. Haustein and C. Woody eds.
	www.sfu.ca /~boal/papers.html (1547 words)

	WowEssays.com - Boal, Augusto- Notes
		Boal at ATHE In 1992, Boal was invited to be the keynote speaker for the National Conference of the Association for Theatre in Higher Education (ATHE) in Atlanta, Georgia.
		Boal as Politician; Festival of TO In the fall of 1992, Boal ran as an at-large candidate for the position of Vereador of Rio, a position similar to a City Council seat in the United States.
		Boal is considering a second RSC proposal to direct a Hamlet in London in the summer of 1998.
	www.wowessays.com /dbase/ag4/ykd48.shtml (3040 words)

	Pedagogy & Theatre of the Oppressed
		For Boal this was the birth of the spect-actor (not spectator) and his theatre was transformed.
		In 1992, Boal was invited to be the keynote speaker for the National Conference of the Association for Theatre in Higher Education (ATHE) in Atlanta, Georgia.
		Typical of Boal, he is not interested in the central story but in the characters who are usually cut from the play, and thus imagined a text of the marginal characters, the ones without much power.
	www.ptoweb.org /about/boal.php (2025 words)

	QUB School of Geography: Frederick Boal
		Boal, F.W. and Royle, S.A. An introduction to the continental mosaic.
		Boal, F.W. Exclusion and inclusion: segregation and deprivation in Belfast.
		Boal, F.W. Clamor at the gates: immigration and ethnicity in the urban milieu.
	web.gg.qub.ac.uk /people/staff/boal (386 words)

	Augusto Boal - Wikipedia, the free encyclopedia
		Boal was elected as a Vereador (Brazilian equivalent of city council seat in US politics) in Rio de Janeiro in 1992 but he was not re-elected in 1996.
		Boal's philosophy behind this form of theatre is that the body is the first and primary method of expression, and by using the body rather than speech, the normal 'blockades' and 'filters' of thought can be bypassed.
		In 1994, Boal won the UNESCO Pablo Picasso Medal, and in August 1997 he was awarded the 'Career Achievement Award' by the Association of Theatre in Higher Education at their national conference in Chicago, Illinois, where he conducted a five-hour workshop for conference attendees as well as collecting the award.
	en.wikipedia.org /wiki/Augusto_Boal (2479 words)

	Harvard Gazette: Augusto Boal's 'Theatre of the Oppressed' (Site not responding. Last check: 2007-10-08)
		Oppression, according to Augusto Boal, is when one person is dominated by the monologue of another and has no chance to reply.
		Boal's life is devoted to giving those who are in this one-down position the tools with which to express themselves and discover a way out of their powerlessness.
		The key to Boal's theater is the "spect-actor," an audience member who is invited onstage to take part in the drama.
	www.news.harvard.edu /gazette/2003/12.11/15-boal.html (569 words)

	Brecht Forum, Augusto Boal, Theater of the Oppressed (Site not responding. Last check: 2007-10-08)
		Augusto Boal began his experimentations in participatory theater in the 1950s and 60s while he was artistic director for the Arena Theater in Rio de Janeiro.
		Boal's explorations were all efforts to transform the “monologue” of the traditional performance into a “dialogue” between the audience and the stage.
		For Boal, this was the birth of the “spect-actor” and his theater was transformed.
	www.brechtforum.org /IPE/boal.htm (448 words)

	Cape Heart Boal
		Boal explains that some people stopped themselves from taking political actions because they had "cops in their heads"-fears that persisted after the oppressor no longer had "real" power over them.
		For Boal, dynamization is also connected to catharsis-but it refers to the purging of the fear that keeps the spectator from fighting oppression rather than to the purging of the spectator's desire to act (due to vicarious identification with the actors).
		Boal recently stated that neither Cop-in-the Head nor Rainbow of Desire was the right name for that series but he had not yet determined a name he found more suitable.
	www.capeheart.org.za /boal.htm (2657 words)

	A 30-Year Arc, From Star Student to Principal Dancer and Revered Teacher - New York Times
		Boal is an Apollonian dancer, whose performance as the young god in the Balanchine ballet has been filled with light, grace and, increasingly, the keen thrust and spring of a fine jazz dancer.
		Boal embodied the dark, lost heart of the alienated searcher in Robbins's "Opus 19/The Dreamer." And I remember, as clearly as his appearance in "Quadrille," the sight of Mr.
		Boal alone and still on the huge State Theater stage as Balanchine's Orpheus in a 1996 memorial service for Lincoln Kirstein, who founded City Ballet with Balanchine and was one of Mr.
	www.nytimes.com /2005/06/04/arts/dance/04boal.html?ex=1275537600&en=3d5412a9ce4d6f2b&ei=5090&partner=rssuserland&emc=rss (1108 words)

	Boal, Augusto
		Boal Augusto developed a process whereby audience members could stop a performance and suggest different actions for the actors, who would then act on the audience suggestions.
		In 1992 Boal ran and successfully won the position of Vereador of Rio, and developed a forum type of theatre, the Legislative Theatre, to identify key problems in the city.
		In 1997, Boal was awarded the Career Achievement Award by the Association for Theatre in Higher Education during their national conference.
	www.dartmouth.edu /~montfell/biographies/a_f/boala.html (231 words)

	Boal in Princeton - Dale Brauner (Site not responding. Last check: 2007-10-08)
		Boal brought together a troupe for a season this March at the Joyce Theater of contemporary fare of Twyla Tharp, William Forsythe, Marco Goecke and John Alleyne.
		Boal is one of the great classicists of our time and the choreography sits less well on him.
		Boal pattered about appealingly, much to the delight of the mostly full house, which laughed openly at Tharp’s usual fillips of head bobs, shimmies and shuffles set to several orchestra pieces by Giovanni Battista Pergolesi (the music was taped).
	www.danceviewtimes.com /2004/autumn/05/boal.htm (904 words)

	Augusto Boal and informal education
		In Boal's work around forum theatre, invisible theatre and the theatre of the oppressed we see some fascinating expressions of socio-cultural animation.
		What Boal has done is to work in workshops - perhaps with workers from a particular factory (Forum Theatre) or to take performance to the street (Invisible Theatre) where people are confronted with what at first sight appear to be events - but are revealed as theatre.
		Second, Boal has picked up on the concerns of Stanislavski and the need to move beyond the mechanisation of the actor's body into allowing emotion to shape the final form of the actor's interpretation of a role.
	www.infed.org /thinkers/et-boal.htm (618 words)

	James McLelland Boal (Hallberg Family Data)
		BOAL was a Pennsylvaniiian by birth, and had served a term in the army.
		Boal was a painter by occupation after he left the army, but in 1851 became a trader in St. Paul.
		Boal, a good house and sign painter of some pretensions as a scenic artist, who left the army at Fort Snelling and came to St. Paul in 1846, was elected Councilor over the gifted David Lambert, by a vote of 98 to 91.
	www.visi.com /~tth/genealogy/845.htm (1637 words)

	[No title] (Site not responding. Last check: 2007-10-08)
		Boal There is no certain account of the origin of the Boal line, but a probable one held by the family is as follows: In a small town of Boal (pron.
		It is fitting to note that all concerned have carried on, by their own generous activity, the tradition that distinguished those brave men and women of many lands whose heritage of relics presents a tangible past, an experience of which is a refreshment of the spirit.
		The chapel was inherited by the European wife of Colonel Boal from her relatives in the Columbus family.
	muweb.millersville.edu /~columbus/data/bmc/BOALS-01.BMC (4853 words)

	No experience? No problem. Boal is PNB's man
		Peter Boal was very happy yesterday that his appointment had been made official the previous night, bringing PNB's search for a successor to longtime co-artistic directors Kent Stowell and Francia Russell to an unsurprising conclusion.
		What Boal has done in terms of knowing the inner workings of a large-scale company, he said in an interview, is to observe closely New York City Ballet, one of the great dance companies in the world.
		Boal's commitment to the choreographer's ballets is strong, which is one of the primary reasons PNB hired him.
	seattlepi.nwsource.com /classical/200221_boal19.html?...&searchdiff=1 (843 words)

	boalint.txt
		Yet Boal is confident that the Workers' Party--whose support continues to grow and which includes senators who still live in slum areas, "close to the people"--can still make an impact.
		Boal also stresses the need to tackle international debt, which he calls "a form of modern slavery." As president of Rio's Human Rights Commission, he has been able to release prisoners being held in jail illegally.
		Boal was initially an author (Lean Wife, Mean Husband, 1957), and then pioneered political protest theater with Revolution in South America at the Arena in Sao Paulo in 1961.
	www.toplab.org /boalint.htm (1208 words)

	NYCB - Peter Boal farewell - Susan Reiter (Site not responding. Last check: 2007-10-08)
		The prolonged ovation at the conclusion of the ballet required Boal to appear twice alone in front of the curtain, after several bows with his muses, and before it was over many in the audience were giving him a standing ovation.
		The Sarabande soloist is a role Boal has long performed, and he did it for one last time—with a vibrantly jazzy attack blended with a mature courtliness—earlier in the week.
		The generous program—and Boal's brilliant NYCB career—came to a close with Robbins' "Opus 19." Boal has always seemed particularly in touch with the quiet mysteries of this demanding role, originated by Baryshnikov in 1979.
	www.danceviewtimes.com /2005/Spring/09/nycb12.htm (1452 words)

	Boal Interactive Design (Site not responding. Last check: 2007-10-08)
		Boal Interactive Design is a multi-disciplinary interactive design agency offering a combination of individually tailored design services, complemented by a range of proprietary software systems to help build, enhance and market your online presence.
		With over 7 years experience within the online arena, Boal has the knowledge and experience to deliver maximum impact and performance for your brand, whilst remaining cost effective in order to maximize your return on investment.
		Boal has a range of products that can build, enhance and market your online presence at price points that are a fraction of the cost of custom built solutions, quite often with a much greater range of features.
	www.boal.com.au (170 words)

	Boal
		By day, Boal teaches his pure technique to the next generation of male dancers at the company's affiliated academy, the School of American Ballet.
		Boal learned the part from George Balanchine himself and later grew up to dance the part of the Cavalier.
		Perfectly proportioned with quick feet and expressive arms that sculpt the air, Boal became a member of NYCB in 1983, was promoted to soloist four years later, and a then to Principal in 1989.
	www.balletalert.com /dancers/DTW99/Boal.htm (378 words)

	[No title]
		Boal, the first pediatric radiologist at the Medical Center, was the first to develop an academic section of the radiology department at the Medical Center.
		Boal is an expert in radiologic imaging of non-accidental trauma and as a member of the Medical Legal Advisory Board of the Attorney General has worked closely with coroners with the State of Pennsylvania, developing a statewide database and discovering new information to better understand the relationship of the various injuries.
		Boal is a 1972 graduate of Temple University School of Medicine; Philadelphia, Pa. She completed post-doctoral training at Presbyterian Medical Center, Denver, Colorado, St Christopher’s Hospital for Children and Temple University Hospital, Philadelphia, and at the Children’s Hospital Medical Center, Boston, Mass.
	www.hmc.psu.edu /news/pr/2003/may/Boal_award.doc (502 words)

	Boal and Beyond
		Augusto Boal is known internationally as the creator of Theatre of the Oppressed (TO), a body of theatrical techniques that physically activate spectators and empower them to rehearse alternatives to their collective oppressions.
		While touring agitprop plays for peasants and workers, Boal devised “forum theatre,” a TO technique in which spectators explore their own solutions to collective problems rather than be told what to do by actors who do not share their circumstances.
		From 1976 to 1986 Boal was in exile in Europe where, as a result of the translation of Theatre of the Oppressed into 25 languages, his reputation expanded.
	www.communityarts.net /canu/syllabi/archivefiles/2005/04/boal_and_beyond.php (918 words)

	The God, Boal - Text Only
		Even so, it is unlikely that even one will forsake Boal, but rather will renew a vow of allegiance and hope that by the time another annual festival rolls around, they will have pleased him sufficiently so as to be able to enter into the joy of their salivation.
		As the delegates arrive, and during specially planned intervals during the ceremony, they will be greeted and encouraged in their worship by temple virgins who, by means of erotic dance movements and hand gestures, will call the crowd to raise their voices in praise.
		Whenever this happens, an especially loud roar of praise is lifted up to Boal as this priest hero is ceremoniously removed from the sanctuary, being carried away by one of the specially designed temple chariots reserved for this purpose.
	www.webedelic.com /church/boalt.htm (1190 words)

	The Seattle Times: Arts & Entertainment: Gently stretching PNB in new directions
		Boal hopes to bring Balanchine muse Suzanne Farrell to Seattle, to stage the full-length "Jewels," which has never been performed at PNB (though the company has presented its jazzy centerpiece, "Rubies").
		Boal's passion for dance education is clear from his schedule: he's long carried a full teaching load of 13 classes a week at SAB, as well as a full-time performance schedule.
		Excited about the possibilities for the future, Boal is poised to make his mark on the company, but speaks reverently of his predecessors, enlisting their help in the upcoming season.
	seattletimes.nwsource.com /html/artsentertainment/2002203229_boal13.html (1545 words)

	Peter Boal and Company
		Boal's new company consists of four dancers from the New York City Ballet.
		Boal look awkward was the juxtaposition of short fl socks with the short yellow skirt.
		Boal is as good a curator as he is a dancer: the sequencing of the works throughout the evening was very well chosen.
	www.exploredance.com /peterboal031604.html (950 words)

	Boal Mansion
		The Boal Mansion Museum lets visitors look into the past, but that doesn't stop time from tarnishing the historic landmark.
		In 1909, the family brought the Columbus Chapel from Spain to Boalsburg, where it gives visitors a chance to see historic art, family documents dating back to the 15th century and what is thought to be a desk owned by Christopher Columbus.
		Lee said the museum is in need of about $400,000 worth of repairs, starting with replacing the mansion's roof and repairing the foundation of the pioneer cabin section where David Boal lived.
	www.boalmuseum.com /grant.htm (434 words)

	Fall Arts: Profile: Peter Boal (Seattle Weekly)
		Even when a newcomer shares as many values with his predecessors as Boal does, his arrival at PNB means that everything to do with the company—the repertory, the dancers, their training—is inevitably going to be measured against a new standard.
		In the eight months before his farewell appearances, Boal found himself the object of more plaudits and appreciative analysis of his dancing than he had in the eight years before.
		To judge by those tributes, Boal's dancing is distinguished by its musicality and its purity of line—two of the signal virtues of the style of performance demanded by the NYCB's resident master George Balanchine.
	www.seattleweekly.com /arts/0537/050914_fallarts_boal.php (996 words)

	Boal to speak on campus (Site not responding. Last check: 2007-10-08)
		Boal’s presentation is part of a three-day visit for the internationally known expert in experimental theater.
		Boal’s work at the Arena Theatre in Rio de Janeiro led to his experimentation with new forms of theater that would have a major impact on performance practices on stages around the world.
		In the 1960s, Boal developed a process in which audience members could stop a performance and suggest different actions for the actors, who would then carry out the audience’s suggestions.
	www.uga.edu /news/newsbureau/releases/1999releases/boal.html (304 words)

	The Seattle Times: Arts & Entertainment: Director Peter Boal has brought a new luster to PNB
		Boal has brought youthful energy to the company, as well as a dance bag full of new-to-PNB works, many chosen from choreographers for whom Boal himself danced.
		Boal's selection of many new-to-PNB choreographers brought many new names to the company this season, and the dancers seemed to relish the challenges each presented.
		Boal, as a solo artistic director who is not a choreographer, brought that variety; with Stowell/Russell, PNB out of necessity performed a great deal of Stowell's work.
	seattletimes.nwsource.com /html/artsentertainment/2003021518_pnb28.html (1324 words)

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