| |
| | Austin Chronicle: An Interview With Jan Krawitz |
 | | In almost 25 years of filmmaking, the 46-year-old former University of Texas doc-maker, now at Stanford, has cut a wide swath through topics as diverse as the demise of the drive-in movie ( Drive-In Blues, 1986), women's body images ( Mirror Mirror, 1990), and the life experience of dwarves ( Little People, 1984). |
 | | Your other films, including Little People, are more "fly on the wall," observational-style, where the subjects speak for themselves and the filmmaker's presence is not obvious. |
 | | On the other hand, a hundred different filmmakers could have set out to make Little People --starting from the same point of departure --and made a hundred different films, each with a different agenda and sensibility in terms of what's interesting about the subject. |
| www.austinchronicle.com /issues/vol18/issue46/screens.doctour.html (968 words) |
|