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| | Bagatellen: All Watched Over By Machines Of Loving Grace |
 | | Fever in particular was a sugary yet sophisticated pop album, understanding the value of choruses and perky melodies but never dumbing itself down. |
 | | Further, I view both Fever and Body Language, but particularly the latter, as part of a cybernetic musical tradition going back probably all the way to Conlon Nancarrow, but certainly having strong roots in Kraftwerk and Gary Numan—performers who embraced technology not as a tool, but as a home. |
 | | Within the glossy, yet emotionally accessible world of Body Language, she is, indeed, watched over by machines of loving grace. |
| www.bagatellen.com /archives/pdf_file/000440.html (1116 words) |
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