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| | Julián Centeya |
 | | That he was not born in Boedo little or nothing matters; Julian lived ("breathing" tense of the verb to live) in Boedo and the adventure of walking the landscapes, that Homero Manzi gave us back in "Sur", was his. |
 | | And it is the environment of that city, within the great city, where he devises his first milonga and where he adopted for himself the name of the character who, according to many, would make him immortal: Julián Centeya, with music by José Canet (1938). |
 | | Horacio Ferrer, besides the biographical data already mentioned, places him "within the stream of writers of Boedo in 1925, that transmuted the "sermo afanaris" of lunfardo into literature with a schooled dimension and he is, together with Cátulo Castillo, Juan C. Lamadrid and Juan B. Devoto, the most far-reaching figure among his contemporaries". |
| www.todotango.com /English/creadores/jcenteya.asp (1357 words) |
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