
	Where results make sense

Topic: Bolognese School (painting)

	GUIDO RENI - LoveToKnow Article on GUIDO RENI (Site not responding. Last check: 2007-10-29)
		the Bolognese school of painting, and one of the most admired artists of the period of incipient decadence in Italy, was born at Calvenzano near Bologna on the 4th of November 1575.
		Guido was faithful to the eclectic principle of the Bolognese school of painting.
		He had taught as well as painted in Rome, and he left pupils behind him; but on the whole he did not stamp any great mark upon the Roman school of painting, apart from his own numerous works in the papal city.
	www.1911encyclopedia.org /G/GU/GUIDO_RENI.htm (1825 words)

	Bolognese School
		Generally the term Bolognese School denotes the school of Italian painting which in the 16th and 17th centuries was the centre of classicism as taught by the Carracci Academy.
		In the most restricted sense, Bolognese school means the works produced and the theories expounded by the late 16th- and early 17th-century Italian painters Lodovico Carracci and his cousins, the brothers Agostino and Annibale Carracci.
		The activity of the Bolognese school caught the attention of Cardinal Odoardo Farnese, and Annibale was invited to Rome in 1595 to decorate first the ceiling of the Camerino and later that of the Galleria in the Palazzo Farnese.
	www.wga.hu /tours/italpain/bologna.html (527 words)

	ASC 2001 Conference Paper: Frank Galuszka
		The word "yellow" painted blue is simultaneously stressful and delightful, as it seems to pit two parts of the brain against one another: The word evokes the color it intends, while defeating it in transit, eliciting a contrary response among the colors, which itself is defeated upon return to the world of words.
		For Mondrian, the neoplasticist painting sought to be a stargate between the materiality of the earth and the ideals of a higher realm.
		For Cezanne, painting is an act of not duplication of the subject or near duplication of the subject, but of linking to a subject, of coordinating his own pattern-making imaginative process with the subject (or motif) he observed.
	www.asc-cybernetics.org /2001/Galuszka.htm (5468 words)

	Narrative, Perspective and the Orders of the Church
		Perugino painted another version in the convent of Saint Onofrio of the Franciscans said to be of Foligno in Florence (1490) and Andrea del Sarto a further version for the Vallombrosan monks at San Salvi (1519) in the same city.
		Paintings which are spatially convincing are usually the very ones where the artist carefully records the year, month and sometimes even the day on which the work was completed.
		If Giotto's paintings appear on the surface as a conquest of realism: they are really about the death of literalism in the sense of interpreting paintings as direct records of the scenes in question.
	www.sumscorp.com /articles/art29.htm (13704 words)

	ALBANI, FRANCESCO - LoveToKnow Article on ALBANI, FRANCESCO (Site not responding. Last check: 2007-10-29)
		His father was a silk merchant, and intended to bring up his son to the same occupation; but Albani was already, at the age of twelve, filled with sostrong an inclination for painting, that on the!death of his father he devoted himself entirely, to ait.
		Here he painted, after the designs of Annibal Caracci, the whole of the frescoes in the chapel of San Diego in the church of San Giacomo degli Spagnuoli.
		He was among the first of the Italian painters to devote himself to the painting of cabinet pictures.
	75.1911encyclopedia.org /A/AL/ALBANI_FRANCESCO.htm (783 words)

	Annibale Carracci - Wikipedia, the free encyclopedia
		Starting 1597, he led a team painting the ceiling of the grand salon with the secular themes of The Loves of the Gods, or as Bellori described it, "Human Love governed by Celestial Love".
		Annibale was one of the first Italian painters to paint canvasses wherein the landscape took priority over figures, such as his masterful The Flight into Egypt; this is a genre in which he was followed by Domenichino (his favorite pupil) and Lorraine.
		Annibale's art also had a less formal side that comes out in his caricatures (he is generally credited with inventing the form) and in his early genre paintings, which are remarkable for their lively observation and free handling (see The Butcher's Shop) and his painting of The Beaneater.
	en.wikipedia.org /wiki/Annibale_Carracci (1101 words)

	Biographies from famous aritsts in the world (Site not responding. Last check: 2007-10-29)
		The Carracci was a family of Bolognese painters, the brothers Agostino (1557-1602) and Annibale (1560-1609) and their cousin Lodovico (1555-1619), who were prominent figures at the end of the 16th century in the movement against the prevailing Mannerist artificiality of Italian painting.
		Throughout the 17th and 18th centuries the Farnese Ceiling was ranked alongside the Sistine Ceiling and Raphael's frescos in the Vatican Stanze as one of the supreme masterpieces of painting.
		He developed landscape painting along similar lines, and is regarded as the father of ideal landscape, in which he was followed by Domenichino (his favorite pupil), Claude, and Poussin.
	www.euro-art-gallery.com /history/carracci.htm (966 words)

	The Columbia Encyclopedia, Sixth Edition: Carracci @ HighBeam Research (Site not responding. Last check: 2007-10-29)
		CARRACCI [Carracci], family of Italian painters of the Bolognese school, founders of an important academy of painting.
		Lodovico Carracci, 1555-1619, a pupil of Tintoretto in Venice, was influenced by Correggio and Titian.
		The school rapidly became one of the outstanding schools in Italy, and Lodovico remained its head until his death.
	www.highbeam.com /library/doc0.asp?DOCID=1E1:Carracci&refid=ip_encyclopedia_hf (491 words)

	JULIUS S. HELD PAPERS, ca. 1921-1999 (Site not responding. Last check: 2007-10-29)
		Concerning Rubens's painting Virgin and Child of the Rosary, attribution of a painting to van Dyck, an Assumption drawing [Rubens?], and a drawing by G. Franco [Giovanni Battista Franco] from the McGowan collection.
		Concerning the monogram NV [Nicolas Vrints?] on a panel painting, an artwork by [?] Teniers, and the attribution of a painting depicting brawling peasants to Rubens or Peter Bruegel the Younger.
		Also discussd is attribution of several artworks, including a portrait painting of the first Earl of Haddington, a drawing of a male head, a painting attributed to Jan Bruegel, and a drawing of Cleopatra [Hygiea].
	www.getty.edu /research/conducting_research/finding_aids/held_m13.html (1895 words)

	Venice and Northern Italy, 1600-1800 A.D. \| Timeline of Art History \| The Metropolitan Museum of Art (Site not responding. Last check: 2007-10-29)
		Fetti handles the parables in the manner of genre subjects with the freeness and expressivity characteristic of his oeuvre; he is undoubtedly influenced in many ways by the Flemish painter Rubens, resident at the Gonzaga court in the preceding decade.
		In it he extolls the excellence of the Bolognese school, suggesting that it surpasses even Florence in the merit of its artistic output.
		The painted, drawn, or printed veduta depicts a landscape or urban view that is usually topographically correct, while the capriccio combines the real with fantasy elements (often of classical architectural ruins) to picturesque effect.
	www.metmuseum.org /toah/ht/09/eustn/ht09eustn.htm (3518 words)

	ART / 4 / 2DAY
		He painted Adoration of the Magi (1475), on which he depicted members of Medici clan, the ruling family of the Florence, also his Portrait of Giuliano de' Medici (1477) was well known.
		In the next years he painted The Story of Nastagio degli Onesti (1483), a series of 4 frescos based on the novella in Boccaccio's Decameron for the decoration of the Pucci villa, and his most famous mythologic works Primavera (1482) and The Birth of Venus (1485).
		Bon’s painting, especially the mythological work, shows great affinities with the work of the Bolognese school, which was also to be found in the royal collections.
	www.geocities.com /history4may/art/art4may/art0517.html (4450 words)

	Art Critic London (Site not responding. Last check: 2007-10-29)
		Its unbalanced composition and finicky draughtsmanship suggest that it was painted in Bologna under the influence of Albani's master, the Flemish mannerist Denys Calvaert.
		Annibale's success in painting the ceiling of the Farnese Gallery encouraged Albani, Domenichino, and Reni to follow him to Rome for their share in lucrative ecclesiastical and princely patronage.
		Compare it with paintings by Ludovico Carracci and particularly by Bartolomeo Schedoni in the show's first room, and you begin to appreciate the distinctively Emilian character of their art, which owes much to the example of Correggio, whose work they could see in nearby Parma.
	www.theartnewspaper.com /artcritic/level1/reviewarchive/1997/mar_15_1997_main.html (929 words)

	ART / 4 / 2DAY (Site not responding. Last check: 2007-10-29)
		During the period of 1899-1904 Matisse participated in a group exhibition at Berthe Weil’s Gallery (1902), painted townscapes with Marquet in Paris, spent the summer of 1904 working with Signac and Cross at Saint-Tropez, and in 1905-1906 painted views of Collioure.
		This painting, one of many that depicted an artist’s studio, is famous for the warm, deep red that dominates it.
		This curious ‘gigantism’ was first evidenced in paintings of the late 1590s, but the tendency seems to have been reinforced by the monumental classicism of Annibale’s ceiling of the Galleria Farnese in the Palazzo Farnese, Rome, which Ludovico saw on his visit in 1602.
	www.safran-arts.com /42day/art/art4nov/art1103.html (7812 words)

	Bolognese school -- Encyclopædia Britannica (Site not responding. Last check: 2007-10-29)
		Italian painter, a leading artist of the Bolognese school of the Baroque period.
		a leader of the Bolognese school of jurists and one of the few to write systematic summaries (summae) rather than textual glosses of Roman law as codified under the Byzantine emperor Justinian I (6th century AD).
		A late 19th-century movement in Scottish fiction, the kailyard school was known for its sentimental idealization of humble village life.
	www.britannica.com /eb/article-9080502?tocId=9080502 (719 words)

	Giuseppe Maria Crespi - Biography (Site not responding. Last check: 2007-10-29)
		Giuseppe Maria Crespi was born in Bologna in 1665.
		With the financial support of the Bolognese collector Giovanni Ricci, Crespi followed his own version of the Carracci's "studioso corso" to Parma, Urbino, Pesaro, and Venice, in order to study and copy (also for resale by Ricci) the works so important in the initial formation of the Bolognese school.
		His genre painting was the most influential aspect of his art, especially for the Venetians Giovanni Battista Piazzetta, who almost certainly studied in Bologna for a time, and Pietro Longhi.
	www.bonus.com /contour/national_gallery/http@@/www.nga.gov/cgi-bin/pbio?6800 (888 words)

	CATHOLIC ENCYCLOPEDIA: Domenichino (Domenico Zampieri)
		He began his art studies in the school of Calvaert, but being ill-treated there, his father, a poor shoemaker, placed him in the Carracci Academy, where Guido Reni and Albani were also students.
		He immortalized his name by painting (1614) for the altar of S. Girolamo della Carità, the "Communion of St. Jerome", a copy of which, in mosaics, is in St. Peter's.
		In 1630 he settled in Naples and there opened a school, but was harassed, as in Rome, by envious artists (cabal of Naples), who disfigured his paintings.
	www.newadvent.org /cathen/05102b.htm (525 words)

	Biography
		Painter of the Bolognese school who, along with others, introduced the post-Renaissance Italian style of painting known as Mannerism to France and helped to inspire the French classical school of landscape painting.
		Among his later paintings executed for Charles IX were a series of landscapes with mythologies that influenced the 17th-century French painters Claude Lorrain and Nicolas Poussin.
		His work in France is recognized as a principal contribution to the first significant, wholly secular movement in French painting, the Fontainebleau style.
	www.wga.hu /bio/a/abbate/biograph.html (254 words)

	ART / 4 / 2DAY (Site not responding. Last check: 2007-10-29)
		Whereas the concert paintings by Caravaggio's earliest followers, those done during the first two decades of the 17th century such as this one, adhere closely to the original and generally depict a chamber concert with musical scores, paintings in later decades, especially by foreign artists, present scenes which are substantially different.
		This painting was commissioned in 1684 for the Capitole of Toulouse, together with Fondation d'une ville en Germanie par les Tectosages (1685, 273x324cm; 312x380pix, 20kb) by Jean Jouvenet [1644-1717].
		At the time the portrait was painted, Galileo was a master of mathematics at Padua, as indicated by the inscription which it bears: 'Gallileus Gallileus/ Mathus:'.
	www.safran-arts.com /42day/art/art4may/art0517.html (6427 words)

	Recorder Home Page > Recorder Iconography > Artists, C
		Italian (Bolognese) painter, engraver and draughtsman; the moving spirit of the Bolognese school; born Bologna (1557), died Parma (1602); brother of Annibale (1560-1609) and cousin to Lodovico (1555-1619).
		Adoration of the Shepherds, painting, Giovanni Benedetto Castiglione (1609-1670).
		The only other paintings of similarly large size are also early works, and there is a marked difference in the high quality of these paintings compared to many of the later works on a smaller format, some of which have the appearance of studio assistance.
	www.recorderhomepage.net /artc.html (16048 words)

	GUIDO RENI (1575-1642) - Online Information article about GUIDO RENI (1575-1642)
		chapel of Montecavallo was assigned to Reni to paint; but, being straitened in payments by the ministers, the artist made off to Bologna.
		He was fetched back by Paul V. with ceremonious eclat, and lodging, living and equipage were supplied to him.
		Roman school of painting, apart from his own numerous See also:
	encyclopedia.jrank.org /GRA_GUI/GUIDO_RENI_1575_1642_.html (2458 words)

	Arts and Crafts Schools in Florence,jewelry,goldsmithery,restoration,design,graphic,ceramics,music, photography
		LABA Libera Accademia di Belle Arti di Firenze (Academy of Fine Arts) is a school of high artistic education, affiliate of LABA of Brescia legally recognised by MIUR (the Italian Ministry of University Education and Research).
		Professional jewelry school in Florence, the only one in Italy for jewellery were the owners are all Artisans-Artist.
		Founded in 1973, the school was one of the very first in Florence to specialize in the teaching of Italian as a foreign language.
	www.studentsville.it /artscraftschools.htm (1306 words)

	NYU > Spring in New York
		Painting in Florence and Rome from about 1490 to later decades of the 16th century.
		The course emphasizes the patronage, symbolic tasks, and functions of Renaissance painting and critically examines historical concepts such as high Renaissance, Mannerism, and Maniera.
		Topics include the new realism and eclecticism of the three Carraccis and Caravaggio in Bologna and Rome shortly after 1580; other members of the Bolognese school after 1600; the peak of the Baroque style associated with Pope Urban VIII in the sculpture of G. Bernini.
	www.nyu.edu /spring.in.ny/courses-arts.html (1449 words)

	Ludovico Carracci - Wikipedia, the free encyclopedia
		Ludovico Carracci (April 21, 1555 – November 13, 1619) was an Italian painter, etcher, and printmaker who helped reinvigorate Italian art after Mannerism by founding an academy in Bologna in 1585.
		Along with his cousins Annibale Carracci and Agostino Carracci he is considered to be the founder of the Eclectic School of painting (also called Bolognese School) of the late 16th century in Italy.
		Ludovico apprenticed under Prospero Fontana in Bologna and traveled to Florence, Parma, and Venice before founding the Accademia degli Incamminati with his cousins Annibale Carracci and Agostino Carracci with Ludovico at its head.
	en.wikipedia.org /wiki/Ludovico_Carracci (220 words)

	AllRefer.com - Carracci (European Art To 1599, Biography) - Encyclopedia (Site not responding. Last check: 2007-10-29)
		Carracci[kArAt´chE] Pronunciation Key, family of Italian painters of the Bolognese school, founders of an important academy of painting.
		Lodovico Carracci, 1555–1619, a pupil of Tintoretto in Venice, was influenced by Correggio and Titian.
		In 1597 he went to Rome and collaborated with Annibale in the decorating of the Farnese Palace gallery; he executed the admirable frescoes Triumph of Galatea and Rape of Cephalus (cartoons in the National Gall., London).
	reference.allrefer.com /encyclopedia/C/Carracci.html (540 words)

	Tallulahs Directory of Classical Master Artists and Nude Images; Niccolo dell Abbate
		Italian mannerist painter of the Bolognese school who, along with others, introduced the post-Renaissance Italian style of painting known as
		He was one of the first in France to paint landscapes.
		Among his later paintings executed for Charles IX were a series of landscapes with mythologies that influenced the 17th-century French painters
	tallulahs.com /abbate.html (318 words)

Try your search on: Qwika (all wikis)