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Topic: Borgo San Lorenzo

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	Mucciolo Family History, The Origins of the House of Mucciolo (Site not responding. Last check: 2007-10-30)
		Gregorio Mucciolino was elected Captain Regent (Capitano Reggente) of the Republic of San Marino in 1402.
		Not all of the Mucciolos remained in San Marino and Bologna.
		The cupola of the Chapels of Saints Sebastian and Caterina, in the church of San Domenico of Urbino, was painted by Benedetto Mucciolo from the branch of Ferrara.
	www.mucciolo.net /default.asp?id=3&mnu=3 (1817 words)

	aiwaz.net_institute - Encyclopedia (Site not responding. Last check: 2007-10-30)
		At the end of 15th century there was a general apocalyptic feeling that the end of the world is coming, also preached by the Dominican preacher Girolamo Savonarola who was delivering sermons for repentance and organizing a “bonfire of the vanities” in Florence
		enrolled as a master in the painter's guild of the Compagnia degli Artisti di San Luca.
		Savonarola, who became a Dominican prior in San Marco monastery in 1491, with his sermons against heretics and wealth also helped Florentinians to turn against the reign of Medici.
	www.aiwaz.net /modules.php?name=Encyclopedia&op=content&tid=7 (1468 words)

	Raphael - Wikipedia, the free encyclopedia
		His first documented work was an altarpiece for the church of San Nicola of Tolentino in Città di Castello, a town halfway between Perugia and Urbino.
		It was ordered in 1500 and finished in 1501 (it was later seriously damaged during an earthquake in 1789 and today only fragments of it remain).
		Raffaello, who in Rome lived in Borgo, never married, but it appears that in 1514 he was engaged to Maria Bibbiena (a cardinal's granddaughter); she died in 1520.
	en.wikipedia.org /wiki/Raphael (1779 words)

	CATHOLIC ENCYCLOPEDIA: Benedetto Da Majano
		King Corvinus of Hungary invited him to his court, and it is said that the destruction on the journey of some preciously executed inlay work he was taking to his royal patron induced the artist to seek more durable material.
		In 1471-72 he carved the monumental altar for the Duomo of Faenza dedicated to San Savino; in 1474, the bust of Pietro Mellini, shrewd and life-like, in the Bargello, in 1480, the framework of the doorway at the Palazzo Vecchio, a delicate piece of chiselling still in place.
		In 1433-94 he made carvings at San Gimignano in the chapel of the child-patron, Santa Fina; a bust of Onofrio Vanni in the sacristy, and the beautiful tomb of San Bartolo in the church of Sant'Agostino; the circular high-relief in the arch of the Madonna and Infant blessing in one of his most exquisite creations.
	www.newadvent.org /cathen/09556a.htm (409 words)

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