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| | James Taylor and the Boston Pops Orchestra, at Tanglewood, July 17, 2002::newberkshire.com |
 | | The combined draw of John Williams, the Boston Pops Orchestra and James Taylor filled the Shed, the lawn and the surrounding woods and parking lots with concertgoers, who were treated to a one-of-a-kind show that drew lines connecting the American spirit and the ongoing struggle for freedom to the musical heritage celebrating that spirited struggle. |
 | | The tone was set in the first half of the program, when Taylor joined the Pops to narrate an excerpt from Aaron Copland's "A Lincoln Portrait." It was a brilliant choice, underlining what indeed is a Lincolnesque quality in the pop-folk singer-songwriter, seen in public for perhaps the first time in suit and tie. |
 | | The orchestra backed Taylor on the set-closing version of "Fire and Rain," which, taken at a slower pace than the original and with some additional orchestral swells and flourishes and an added crescendo at the end, took on the aspect of a Williams composition. |
| www.newberkshire.com /02jtpops.php (897 words) |
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