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	Bournemouth Sinfonietta Biography - famous Bournemouth Sinfonietta Classical collection and Bournemouth Sinfonietta ...
		The Sinfonietta, founded in 1968, was awarded a Sainsbury’s Art for All Award in 1995 in recognition for its role as trailblazer for the concept of the Community Music residency.
		The Bournemouth Sinfonietta was created to complement to the work of the Bournemouth Symphony Orchestra, and during its time was considered to be one of the finest chamber orchestras in Great Britain.
		The Bournemouth Sinfonietta toured Spain and Brazil and appeared on Television and radio, at many major British music festivals, for the National Opera Studio and at the BBC proms.
	www.naxos.com /orchestrainfo/416.htm (218 words)

	Bournemouth (Site not responding. Last check: 2007-10-28)
		Bournemouth is without question one of the finest university towns on England’s South coast.
		Bournemouth hosts numerous events during the year, including powerboat races, vintage car rallies, international tennis championships and windsurfing competitions.
		Bournemouth is the ideal place to live and study.
	www.beet.co.uk /Bournemouth\Bournemouth.htm (348 words)

	Bournemouth Sinfonietta
		The Sinfonietta has appeared at the BBC proms, with Glyndebourne Touring Opera, for the National Opera Studio, at the major British Music Festivals, abroad in Europe and Brazil and on TV and radio.
		In short, the Sinfonietta endeavours to combine the traditional chamber orchestra role with imaginative exploration of other musical worlds which can enrich the lives of all who come in contact with these wonderful musicians.
		On the 16th November 1999 the Sinfonietta was closed and all the musicians made redundant ina restructuring operation ordered by the Arts Council of England.
	www.guildmusic.com /artists/bournems.htm (708 words)

	Sinfonietta - Gramophone reviews
		In the Sinfonietta the playing is again first rate, but the diminutive title belies a work which is quite large-scale, and which needs a bigger body of strings than the Bournemouth Sinfonietta possess.
		Del Mar points the reflective passages with his usual skill and sympathy: his tempos are on the whole faster than those of Boult and it is possible to think that he presses too hard in the lively episodes, which in the slightly over-reverberant acoustic become rather blurred and too much dominated by the Timpani.
		In the case of the Sinfonietta, Hickox's comparatively bluff way with the outer movements has much in common with Del Mar's 1986 Bournemouth Sinfonietta version; the former is, however, more acutely responsive to the chimerical mood-changes of the central Theme and Variations.
	www.moeran.com /Orchestral/Gramophone/Sinfonietta.html (453 words)

	Bournemouth Sinfonietta Choir - Concerts
		The tranquillity of Jesu Joy of Man’s Desiring and Sheep May Safely Graze are contrasted with the tempestuous storm of the well-loved Toccata and Fugue in D minor, performed by conductor David Gostick on the magnificent organ at St Mary’s
		Bournemouth Sinfonietta Choir returns to Sherborne Abbey with musicians from Kokoro for the culmination of an innovative two-year project celebrating music inspired by our organic heritage.
		Bournemouth Symphonic Brass, one of the country’s most entertaining and versatile ensembles, joins BSC in a programme spanning five centuries, from Venetian splendour and English pageantry to two exciting recent works that make dramatic use of Beaminster’s historic church.
	www.bschoir.org.uk /concerts.html (600 words)

	-----> Classical Music Reviews
		Ernest John MOERAN (1894-1950) Symphony in G minor (1937) [44'30"] Sinfonietta (1944) [23'03"] Bournemouth Symphony Orchestra Conducted by David Lloyd-Jones Recorded in the Wessex Hall, Poole Arts Centre, Dorset, England; June 2001 NAXOS 8.555837 England, famously the "Land Without Music" produced a surprising rash of symphonists in the late 19th and early 20th centuries.
		The Sinfonietta of 1944 (not 1940 as stated on the back of the CD) is a very different work.
		It is to be hoped that this continues, lest they go the way of their unfortunate colleagues at the now-defunct Bournemouth Sinfonietta.
	mstation.org /reviews_c/moeran.php (521 words)

	Cecilia McDowall - news
		A unique, adventurous collaboration between the Bournemouth Sinfonietta Choir, award-winning composer Cecilia McDowall, poet and novelist Christie Dickason, and five organic farms from across Britain.
		Bournemouth Sinfonietta Choir were joined by players from Kokoro, contemporary music ensemble of Bournemouth Symphony Orchestra.
		The Bournemouth Sinfonietta Choir, in partnership with the Soil Association, sent Cecilia and poet Christie Dickason on a tour of five working organic farms, ranging from Dorset to the Isle of Mull.
	www.ceciliamcdowall.co.uk /news.htm (1337 words)

	Bournemouth Sinfonietta Choir - History
		The Bournemouth Sinfonietta Choir was originally formed in 1972 for Kenneth Montgomery, who was then the musical director of the Bournemouth Sinfonietta.
		The first concert took place in Christchurch Priory and, until November 1978, the Choir worked as the choral adjunct to the Bournemouth Sinfonietta, which sadly ceased to exist in Autumn 2000.
		The adjudicators praised the Choir for its "excellent singing and a confident, accomplished and beautiful performance".
	www.bschoir.org.uk /history.html (279 words)

	London Sinfonietta - Performance/Biography/John Orford (Site not responding. Last check: 2007-10-28)
		John Orford studied in Manchester with Charles Cracknell, and at the Royal Manchester College of Music with William Waterhouse where he was awarded the Hiles Gold Medal for Orchestral Playing.
		After 18 months in the Bournemouth Sinfonietta he joined the BBC Symphony Orchestra, where he remained for eight years.
		In January 1982 John was appointed Principal Bassoon with the London Sinfonietta, and in September 1984 he was made Professor of Bassoon at the Royal Academy of Music and the Guildhall School of Music and Drama.
	www.londonsinfonietta.org.uk /perform/biogs/orford.html (152 words)

	Vaughan Williams Collection CHAN2419 [RB]: Classical CD Reviews- September 2004 MusicWeb(UK) (Site not responding. Last check: 2007-10-28)
		This set is built of two CDs - one generously timed anthology of Bournemouth recordings; the other a briefer thing of attractive rags and patches.
		The first disc has the Bournemouth Sinfonietta as its focus and draws on LPs at first issued by Polydor and RCA (the viola works).
		The dapper and undervalued Hurst (he was the conductor of the first orchestral concert I attended at Paignton's Festival Theatre) delivers vivacious versions of various short pieces.
	www.musicweb.uk.net /classrev/2004/Sept04/RVW2419.htm (1002 words)

	Marin Alsop:New Boss Brings Extra Warmth (Site not responding. Last check: 2007-10-28)
		When the American conductor Marin Alsop raises her baton to conduct Leonard Bernstein's ever-popular Chichester Psalms, the first item in next Wednesday's opening concert of the Bournemouth Symphony Orchestra's current season at its home base in Poole, she will be the first female principal conductor of a British symphony orchestra.
		When Michael Henson, the managing director of the Bournemouth Symphony Orchestra (BSO), arrived three and a half years ago, the financial situation he encountered caused him to close the BSO's sister orchestra, the Bournemouth Sinfonietta, and to renegotiate his remaining band's participation in the Arts Council's lottery-funded Stabilisation Programmme.
		Without the Sinfonietta, for example, the BSO and its spin-off ensembles — a chamber orchestra, a string orchestra, smaller wind and brass groups and the contemporary-music ensemble Kokoro — are required to play in smaller venues across five counties, from Devon to Hampshire.
	www.marinalsop.com /fea_ind_subs.html (1189 words)

	Classical Artists Worldwide - Richard Studt (Violinist and conductor)
		There are currently eight CD's available including a recent recording of popular Mozart concerti including the Sinfonia Concertante for violin and viola has just been released on the Guild label.
		As well as conducting the Sinfonietta in repertoire ranging from Handel's Messiah to Lutoslavski's Preludes and Fugues, Richard has broadcast for the BBC as director and soloist and continues to play the classical violin repertoire of Beethoven, Mendelssohn, Bruch, Mozart, Haydn, Bach and Vivaldi on his 1727 Stradivarius violin known as the 'Dolphus'.
		There is also a lighter side to Richard`s violin playing - as well as recording many film scores, he was featured as soloist with John Williams in Richard Harvey`s televised performance of 'The Plague and the Moonflower' and recorded the signature tune for the Granada Television series `Jeeves and Wooster`.
	www.classical-artists.com /rstudt (451 words)

	Amazon.co.uk: Walton: The Centenary Edition [Box set]: Music (Site not responding. Last check: 2007-10-28)
		Performed by Bournemouth Symphony Orchestra / Bournemouth Symphony Chorus / Inviti / Waynflete Singers with Bryn Terfel
		Andrew Litton conducts the Bournemouth Symphony Orchestra in Walton's two symphonies, the concertos for violin, viola and cello, both Façade suites, and the oratorio Belshazzar's Feast, plus other works in five recordings made between 1991 and 1996.
		The playing is uniformly excellent but the glory of the disc is undoubtedly the oratorio with the Bournemouth Symphony Chorus, Waynflete Singers and L'Inviti semi-chorus belting out the "Gold and Silver" chorus with inebriated pagan passion.
	www.amazon.co.uk /exec/obidos/ASIN/B00005YW0X (643 words)

	The Worldwide Moeran Database - Audio
		From Chandos is the opening of the final movements of the Sinfonietta (1944), recorded by the Bournemouth Sinfonia under Norman Del Mar.
		Sadly the instrumental version is the one most often recorded (I hesitate to say 'played' as Moeran's music gets so little concert hall attention), so I've put the vocal version here, sung by Ann Murray with the English Chamber Orchestra under Jeffrey Tate on the EMI compilation disc "The Banks Of Green Willow".
		I am told that the previously available recording with Moeran's wife Peers Coetmore is interesting but not as well played - it was recorded quite late in her career.
	www.moeran.com /Audio.html (894 words)

	BCMG (Site not responding. Last check: 2007-10-28)
		From 1995-96, Sawer was Composer-in-Association with the Bournemouth Orchestras, and The Memory of Water was reworked and taken on tour by the Bournemouth Sinfonietta.
		The Bournemouth Symphony Orchestra performed Sawer’s 1992 BBC Proms commission, Byrnan Wood, and in 1997, the BBC National Orchestra of Wales gave the premiere of the greatest happiness principle at St. David’s Hall, Cardiff and at the BBC Proms.
		Tiroirs, commissioned by the Michael Vyner Trust, received its premiere in 1997 by the London Sinfonietta, with further performances by BCMG on a UK tour in May 2003.
	www.bcmg.org.uk /sound_investment/composer.asp?fComposerID=42 (348 words)

	Lois Howard & Associates, Inc. - Artist Roster - Frank Lloyd (Site not responding. Last check: 2007-10-28)
		In Great Britain he has appeared as soloist with the Northern Sinfonia, The London Mozart Players, the London Sinfonia, the Bournemouth Sinfonietta and the Bournemouth Symphony Orchestra.
		Internationally, his appearances as soloist have taken him to Winnipeg and to Vancouver in Canada, to all parts of the United States and Europe, and to Japan, Taiwan and Australia.
		Lloyd's horn playing was confident and controlled in its framing of the voice part as well as haunting for that most individual part of the work in the prologue and epilogue." (performance with the Bournemouth Sinfonietta)
	www.loishoward.com /lloyd.htm (843 words)

	Hampshire County Council
		This support was given on the basis that Hampshire County Council would in turn support a tour of Basse Normandie by the Bournemouth Sinfonietta.
		RECOMMENDATIONS (i) That the contribution of £3,000 by the Policy and Resources Grants Panel towards the cost of the tour by Bournemouth Sinfonietta to Basse-Normandie be noted.
		(ii) That a grant of £9,000 be made by this Sub-Committee to the Bournemouth Orchestras towards the cost of the tour, and that the Arts Panel be asked to find the balance of £6,000.
	www.hants.gov.uk /scrmxn/c12089.html (396 words)

	Matt & Andrej Koymasky - Famous GLTB - David Sawer (Site not responding. Last check: 2007-10-28)
		The Memory of Water, originally a BCMG commission in 1993, was reworked and taken on tour by the Bournemouth Sinfonietta in 1995.
		The Bournemouth Symphony Orchestra performed his 1992 BBC Proms commission, Byrnan Wood, at the 1996 Cheltenham Festival.
		Tiroirs, commissioned by the Michael Vyner Trust, received its premiere in 1997 by the London Sinfonietta, to whom the piece is dedicated.
	andrejkoymasky.com /liv/fam/bios1/sawe1.html (359 words)

	Julian Jacobson (Site not responding. Last check: 2007-10-28)
		He has appeared as soloist with the London Symphony, Royal Philharmonic, Philharmonia, BBC Symphony, City of Birmingham Symphony and English Chamber Orchestras, the London Mozart Players, London Sinfonietta and Bournemouth Sinfonietta, under conductors such as Sir Simon Rattle, Tamas Vasary and Jane Glover.
		Solo recordings include the complete sonatas of Weber, together with shorter pieces such as “Invitation to the Dance”, a Schumann album including the C major Fantasy and “Scenes from Childhood”, and an album of virtuoso pieces by Balakirev including the Sonata and “Islamey”.
		Other recordings include Gershwin’s “Rhapsody in Blue” with the RPO, Martinu’s “Sinfonietta Giocosa” with the Bournemouth Sinfonietta under Tamas Vasary and many duo and ensemble CDs, and he has recorded more than a hundred solo works for the BBC.
	www.bardic-music.com /jacobson.htm (845 words)

	Jill Gomez, Bournemouth Sinfonietta, John Carewe - David Matthews: Ancora :: NMC Recordings Ltd Shop (Site not responding. Last check: 2007-10-28)
		Jill Gomez, Bournemouth Sinfonietta, John Carewe - David Matthews: Ancora :: NMC Recordings Ltd Shop
		Cantiga sets the tragic, bloodthirsty story of the 14th-century Spanish noblewoman Inês de Castro; Matthews Symphony No.4 subverts its classical model with plainsong and a tango.
		Jill Gomez, soprano/ Bournemouth Sinfonietta/ John Carewe, conductor - Cantiga: High on the border with Castile
	nmc.greedbag.com /buy/david-matthews-ancora-0 (444 words)

	INKPOT#95 CLASSICAL MUSIC REVIEWS: Scandinavian String Music. Bournemouth Sinfonietta/Studt (Naxos)
		Naxos has done several albums for pure strings, most of which I've snapped up.
		The Bournemouth Sinfonietta has proved to be a very versatile ensemble, being able to exploit the different timbres of the various members of the string family and draw either cheerful brightness or more solemn dark colours when required.
		Versatility is a vital virtue a string ensemble must possess.
	inkpot.com /classical/stgscan.html (1044 words)

	Gregg Henegar, London Philharmonic, Harold Farberman (Site not responding. Last check: 2007-10-28)
		Formerly the Music Director and Conductor of the Oakland Symphony Orchestra, Maestro Farberman has been Principal Guest Conductor of the Denver Symphony and the Bournemouth Sinfonietta.
		Many of his interpretations have been called "definitive." For his work on behalf of Ives, he was honored with the Ives Award from the Academy of Arts and Letters.
		Farberman is involved in projects to record all the Mahler Symphonies with the London Symphony Orchestra and the complete symphonies of Michael Haydn with the Bournemouth Sinfonietta.
	www.leonarda.com /musicians/perf331.html (260 words)

	Bournemouth Sinfonietta Choir
		This season, Bournemouth Sinfonietta Choir performs an eclectic mix of music, from Bach to Bingham, Vivaldi to Vaughan Williams.
		Supporters in Poole will be pleased to hear of the choir’s visit to St Dunstan’s Church for a concert of music by Tavener and Gorecki.
		The Bournemouth Sinfonietta Choir gratefully acknowledges financial support from the PRS Foundation:
	www.bschoir.org.uk (325 words)

	Peter Ash: ZoomInfo Business People Information
		Ash has worked with many orchestras including the Royal Philharmonic Orchestra, City of London Sinfonia, London Mozart Players, London Sinfonietta, Bournemouth Sinfonietta, Scottish Opera, Scottish Chamber Orchestra, National Symphony Orchestra of Ireland, Nieuw Belgisch Kammerorkest, Oriol Ensemble and Kammerphilharmonie Berlin.
		Festival appearances include world premieres in Salzburg with the Scharoun Ensemble, Mozart's Requiem in Istanbul, the opening concert of the 1991 Mozart Bicentenary Festival in Prague, and Handel's Belshazzar in Spain.
		The American conductor/composer Peter Ash has worked with many of the world's leading orchestras including the Los Angeles Opera, Royal Philharmonic Orchestra, City of London Sinfonia, London Mozart Players, London Sinfonietta, Bournemouth Sinfonietta, Scottish Opera, Scottish Chamber Orchestra, National Symphony Orchestra of Ireland, St. Petersburg Camerata and Kammerphilharmonie Berlin.
	www.zoominfo.com /people/ash_peter_38860236.aspx (773 words)

	orchestra, music by American women composers
		CD of orchestral music by American women composers Nancy Van de Vate, Kay Gardner, Libby Larsen, Marga Richter, Ursula Mamlok and Katherine Hoover (Bournemouth Sinfonietta) and a work by Jane Brockman (Arioso Chamber Ensemble).
		Recorded at Wessex Hall, Poole England (Bournemouth Sinfonietta) June, 1986 and the Hartt School of Music of the University of Hartford (Brockman), January, 1987.
		Support: This recording is made possible with public funds from The New York State Council on the Arts, a state agency.
	www.leonarda.com /le327.html (314 words)

	Amazon.com: Rorem: Three Symphonies: Music: José Serebrier,Ned Rorem,Bournemouth Sinfonietta (Site not responding. Last check: 2007-10-28)
		Whatever the reason, Naxos is righting that wrong by bringing out this spectacular issue of the three symphonies played by the wonderful Bournemouth Symphony under the direction of American conductor Jos Serebrier, long a champion of Rorem's music.
		The performances leave nothing to be desired, and the sound is state of the art: open and transparent, with wide dynamic range and full frequency range.
		These are sly, tender, and witty scores played wonderfully, and are a feast of good fortune for the revival of so many neglected American scores; indeed, Naxos' hand in the rejuvenation cannot be overvalued.
	www.amazon.com /exec/obidos/tg/detail/-/B0000ACY0V?v=glance (2125 words)

	Clarence Adoo
		As soon as we heard about Clarence's horrific accident we asked ourselves 'what can we do to help?' Clarence has worked regularly with the Sinfonietta for the last 10 years and we all wanted to assist in raising money needed for the many items that he'll require when he leaves the Northern General Hospital.
		A fundraising-events week (sponsored walks, busking, a charity football match etc.) to raise awareness about Clarences' plight and also to promote the fundraising concert in April.
		On Saturday 6th April 1996, 7.30 pm, at the Bournemouth Winter Gardens there will be a concert promoted by Bournemouth Orchestras with all fees donated to the
	www.morgensternsdiaryservice.com /Clarence.Adoo/Clarence_events.shtml (813 words)

	Rachel Simms (Bassoon)
		Bournemouth Symphony Orchestra (bassoon and contra) - Permanent extra since April 96
		BBC Symphony Orchestra, Bournemouth Symphony Orchestra, Brunel Ensemble, Moloko Album: Things to Make and Do, Royal Philharmonic Orchestra, BBCTV interval feature for the proms 1994, Royal Academy of Music
		Professors: John Orford - Principal Bassoon, London Sinfonietta
	www.maslink.co.uk /cvs/bassoons/simms(rachel).html (330 words)

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