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| | Bowling for Columbine (2002): Michael Moore, Charlton Heston, Marilyn Manson - PopMatters Film Review |
 | | Taking Eric Harris and Dylan Klebold's 1999 assault on their classmates and teachers at Columbine High School as a point of departure, the documentary considers a range of contexts -- legal, cultural, political, and media -- in order to complicate this profound and difficult question. |
 | | In fact, Bowling for Columbine, the first documentary in competition at Cannes in 46 years, and awarded a special 55th anniversary jury prize, offers up yet another possible, disconcerting, and compelling reason, one that has not been privileged in its promotional campaign: race and racism continue to divide and frighten Americans. |
 | | His response, for example, to Columbine begins with himself, a lifetime member of the NRA, and native to Flint, Michigan, "a gun lover's paradise." He recalls his own childhood interest in guns, both toy (Sound-O-Power) and real, used for hunting. |
| www.popmatters.com /film/reviews/b/bowling-for-columbine.shtml (1033 words) |
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