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| | Film Fest Journal |
 | | In the interview Scent, Sound, and Cinema with Marie Zournazi, the inherent imperfectness and limitation of translation serves as an appropriate introduction for the intrinsic, non-verbal intuitiveness of Trinh's cinema. |
| | It is, therefore, not surprising that the specter of Marguerite Duras' India Song would enter into the discussion of Trinh's own film, A Tale of Love, both films evoking a profound resonance of loss, separation, rootlessness, and longing through cumulative (and assimilative) sensorial repetition rather than narrative explication. |
| | In this respect, India Song serves as a paradigm for the articulation of the postcolonial experience where elusive notions of home, nationality, and identity are expressed through equally ephemeral, non-narrative devices of textures, rhythms, and montage. |
| www.filmref.com /journal (1812 words) |
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