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| | Notes on Ein Deutsches Requiem (Johannes Brahms) (Site not responding. Last check: 2007-10-22) |
 | | Its earliest music, the funeral march of the second movement, was originally conceived as a middle movement for a projected symphony in the mid-1850's, when Brahms was helping Clara Schumann through the traumatic institutionalization and death of her husband Robert, Brahms's friend and mentor. |
 | | As in the second movement, the trajectory of the third is from bleak to jubilant, from morose reflection on the inevitability of one's own death, expressed in a call and response style that draws on operatic recitiative, to hope and faith in God's comfort, a shift again signaled by an exuberant, extended fugal passage. |
 | | Brahms adopts Bach's strategy to his own ends, constructing a musical framework that evades denominational particularity in favor of a more personal vision that, by virtue of the humanity and generosity of the visionary, aspires to the universal. |
| www.loudounsymphony.org /notes/brahms-requiem.html (1310 words) |
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