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| | UNESCO Courier: The triumph of O Aleijadinho - Brazil's Baroque sculptor Antonio Francisco Lisboa (Site not responding. Last check: 2007-10-10) |
 | | But the most notable form of baroque expression in Brazil was the art of talha, decorative gilded and polychromed wood carving, which was practised on altarpieces in chapels and churches, and spread to the walls and ceilings of high altars and to transepts, and in many cases to the nave and side-chapels as well. |
 | | The church of the monastery of Sao Bento, in Olinda, and the Carmelite basilica in Recife are notable examples of the architecture of this period in northeastern Brazil. |
 | | But it was in the State of Minas Gerais that the baroque and rococo movement in Brazil had the most comprehensive impact on architecture, especially in the work of the great architect and sculptor Antonio Francisco Lisboa (1730-1814), known as O Aleijadinho (the Little Cripple)--in church facades, plans, volumes, carvings, and the use of space. |
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