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J. Arthur Rank - Wikipedia, the free encyclopedia The net result of these meetings was the formation of the British National Films Company. When the Methodist Times newspaper began to complain about the negative influence that British and American films shown in Britain were having on family life, their editorial was answered by the London Evening News who suggested that instead of complaining, the Methodist Church should provide a solution. Having created their movie, British National then had to get it distributed and exhibited, but this proved to be more difficult than making the movie itself. en.wikipedia.org /wiki/J._Arthur_Rank

HBC Films at the NFTVA With the exception of one item, The Great Arctic Seal Hunt, the films in the HBC collection at the NFTVA are all directly related to the activities of the Hudson’s Bay Company during the period from 1919 to 1939. The HBC Centenary Celebrations films consist of footage which was shot in 1919, for a film which was part of the HBC’s 250th Anniversary celebrations in 1920. The Governor and Company of Adventurers of England Pay Rent to His Majesty King George VI 16 mm film; 1 reel; 316 feet; black and white; sound. io.uwinnipeg.ca /~geller/NFTVAfilms.htm

Who does what? - britfilms.com The British Film Institute's purpose is to champion moving image culture in all its richness and diversity across the UK, for the benefit of as wide an audience as possible, and to create and encourage debate. Film London is funded by the UK Film Council and the London Development Agency, and works in partnership with Arts Council England, the Mayor of London, Skillset, London boroughs, broadcasters and the film industry. Film Education is the link between the UK film industry and the school education system. www.britfilms.com /resources/whodoeswhat

Hausarbeiten.de: The British Heritage and Colonial Film - Seminararbeit. Seminararbeiten, Diplomarbeiten, Magisterarbeiten, Referate - Hausarbeit, Referat, Diplomarbeit oder Magisterarbeit veröffentlichen! The bleak situation of the British film industry in the wake of Thatcherite deregulation policies, when production in the UK reached an all-time low of 47 films in 1992 caused a call for a "national cinema", which, in fact, was a call for government support for culturally valuable films (Drexler 1998: 108). Andrew Higson holds the opinion that most of the films before 1970s are no heritage films because they are less concerned to play out nationalistic concerns and do not display authentic heritage attractions. One of the central characteristics of the heritage film is "the artful and spectacular projection of an elite, conservative vision of the national past" (Higson 1996: 233). www.hausarbeiten.de /faecher/hausarbeit/ank/7619.html

screenonline: Ealing Studios Biography All of these, and others too numerous to mention, are fondly remembered as films that reflected the mood of the nation and said something about British national identity which struck a chord with post-war audiences and are cherished by millions to this day. made over 60 films during the 1930s, but as its fortunes declined, it was phased out and replaced by a production company bearing the name of the studio itself. His ideas about national identity and the use of film to further the "national interest" strongly influenced the style and ideology of the www.screenonline.org.uk /people/id/456030

Film in Wartime Throughout the 1930s the British Board of Film Censors had exerted strict moral and political censorship of British films, and this influence was supplemented in wartime by the influence of the Ministry of Information. By 1944, however, Ealing was aware that the British audiences were tiring of war films, and Ealing had to respond to the new movement for popular social change. Whereas pre-War documentary films had been invariably tied to sponsors such as the GPO or the Gas Board (which meant that potentially radical subject matter had to be toned down), the war freed him. www.newi.ac.uk /rdover/medcult/Wartime.htm

Discussion Paper MC02-2, Centre for Mass Communication Research, University of Leicester The parameters used to determine British films have been extensively debated, although it is widely acknowledged that funding is a major criterion: after all, if a UK-based film using UK personnel is underwritten by a US-based corporation then any profits are inevitably going to go overseas rather than back into the British film industry. During the 1990s, the British film industry apparently reached a high not seen since the 'Golden Age' of film production in the 1950s and 1960s: "The underlying growth of the film and television markets is strong, consumer spending continues to increase and the commercial environment is better than for many years" (Dyja (ed), BFI, 1996:18). Nevertheless things are not as negative as they sound, for the British film industry has much to offer. www.le.ac.uk /cmcr/research/papers/mc02-2.html

British Movies Leon Gaumont and Charles Pathe had both opened film companies by 1909 and there were many films flooded onto the British market from Europe. The British Board Of Film Censors was founded in 1912 primarily to keep the foreign imports 'genteel', or rather, to be able to control their numbers on the pretext of unsuitability. The problem with the British film industry was it did not keep pace with the advances being made abroad and quickly became technically out of date. www.geocities.com /Hollywood/Hills/4337/obukfilm.htm

National Film & Television School - History In 1951 The Crown Film Unit was wound up, but meanwhile the National Film Finance Corporation set up Group 3, under chairman Michael Balcon (of Ealing comedies fame), with a brief to encourage new British talent. As he lived down the road in Bourne End the company purchased Beaconsfield Film Studios. The Crown Film Unit, with many of the staff from the GPO Blackheath Unit, moved in and the government spent a lavish £146,000 on refurbishment and equipment. www.nftsfilm-tv.ac.uk /Place/History/History.html

FAST-BIE-2 (TRENPP2E) BRITISH SOCIETY AND CULTURE PAPERS The British are said to lack emotion and their national character is often blamed for the poor success of British films. Major investments were such big-budget films that had an international cast and crew and mixed British and American themes. However, this crisis was complemented by a critical prestige for British feature films. www.uta.fi /FAST/BIE/BI2/b-cinema.html

AHRB Centre for British Film and Television Studies However, all were 'British films' at least in legal terms, and many of them reflected aspects of British culture and history, suggesting a complex relationship between the financial origins of a film and its cultural identity. Many of the heritage films were produced and marketed as crossover films, drawing on the traditions of both the mainstream studio film and the art film and straddling both multiplex circuits and the specialised art-house sector. The companies that handled such films were typically the larger independents, the mini-majors or indie-majors, or the in-house 'specialty' or 'classics' labels of the majors themselves. www.bftv.ac.uk /abstracts.htm

screenonline: British Lion Film Corporation Film Studios and Industry Bodies The loan was aimed at boosting production at a time when the quota for British films had been raised as a result of the 1948 Cinematograph Films Act. Consequently, both cinemas and producers had to screen and distribute a proportion of British films in order to satisfy the government. Alexander Korda, 1947) were received quite well, but the films that made the company's name were www.screenonline.org.uk /film/id/457344

CBC.ca - Canada's News, Business, Sports, Health & Science, Arts, and Kids Information Source British bill to smooth way for return of Nazi-looted art CP Ships stock up as company confirms talks Canada finishes with record 10 world aquatic medals www.cbc.ca

Gaslight [1940] @ EOFFTV Walbrook is the key to the film's success, his performance as the increasingly sinister and unpredictable Mallen being matched only by Wyngard whose portrayal of a woman struggling to cope when her model of the world and her place in it is slowly but surely turned inside out and Dickinson's direction is virtually flawless. This version of Gaslight has been somewhat eclipsed, unfairly, by George Cukor's 1944 American version starring Ingrid Bergman and Charles Boyer, thhough in many ways this earlier, cheaper and less star-studded version is actually preferable. insanity, maids, musicians, obsession, paranoia, pianists, play into film, psychological torture, rubies, strangulation www.eofftv.com /g/gas/gaslight_1940_main.htm

P A L Colin Vaines began his career in the film industry as a reporter with Screen International, which he went on to edit. Film Producer, Founder and Director of Arista Development, in the late 1980s Stephen Cleary was an independent producer and director specialising in music documentaries for the UK's Channel Four and PBS in the USA. Corinne Cartier has worked in the Film and TV industry for 20 years, chiefly as a development executive, most recently as a producer through Parallax Pictures. www.pallabs.org /labs/screenwriters_par.html

Great British Films Great British Films are Film Finance Specialists working collectively as an independent film finance and vertically integrated production company. The philosophy is to facilitate and promote private investment into the UK film industry both in the national and international marketplace. We focus on theatrical features aiming to make films on terms that are attractive to producers and investors alike. www.greatbritishfilms.com

Short films: 1997. Rage is a non-narrative, experimental film which aims to explore the inner rage a person feels at injustice. Asif's RCA graduation film shot in Rajasthan, a street kid is branded a thief and left for dead. Two women fleeing violent crack dealers in the North of England, holed up in a disused public toilet the stress and claustrophobia of the long night forces the pair to confront the realities of their friendship. www.filmcentre.co.uk /search_00.asp?str=1997

The Howard Summers Cinema Website-National Filmographies-World Cinema-Film Resources-World Movies- The AFI Catalog, the only comprehensive national filmography of American motion pictures and the most comprehensive national filmography in the world, consists of a series of volumes providing documentation on all films produced in the United States. Published by Library and Archives of Canada, National Film, Television and Sound Archives. AFI Catalog of Feature Films, 1971-1980 Not yet completed. www.rosland.freeserve.co.uk /filmbooks.htm

E-news - Infoexch - The British Council Lithuania British Council is the United Kingdom's international organisation for educational and cultural relations. British dancers had always been very welcome to Lithuania and we were excited to present another possibility to the Lithuanian audience to enjoy the thrilling not-to-be-missed Lithuania's accession to the EU brings new opportunities for both British and Lithuanian companies to develop that partnership further - to the benefit of both countries. www.britishcouncil.lt /infoexch/spec1.htm

Travel Videos - British Tourist Authority Videos in VHS and DVD British Tourist Authority Videos in VHS and DVD » Home » Travel Videos by Producer » British Tourist Authority Travel Videos - British Tourist Authority Videos in VHS and DVD www.travelvideostore.com /category_959_982.html

Harris Tulchin: Lottery Funding for British Films (a) made by a British Commonwealth or a European Union ("EU") resident or a company managed and controlled by a British Commonwealth or EU resident company; 6) The target number of British films to be produced annually and over the period of the franchise (e) at least 80% of the labor costs of the film (after deducting the payments to any 2 persons, only one of whom can be an actor) must be paid to British Commonwealth or EU residents or citizens; www.medialawyer.com /lottery.htm

THE 1940's There are many minor films, second features and shorts that feature singers and variety acts of the period, which are too numerous to mention! Please note that this page does not list every British film of the 1940's that features a musical number. You will find basic credits information on many of these films by clicking on the myweb.tiscali.co.uk /britmusical/1940s.htm

Travel Videos - The Little Traveler Company Videos in VHS and DVD The Little Traveler Company - Showing Kids the World - One City at a Time The Little Traveler Company brings the world into the homes of children everywhere. The Little Traveler Company Videos in VHS and DVD Travel Videos - The Little Traveler Company Videos in VHS and DVD www.travelvideostore.com /category_959_1074.html

Kemps Film and Television - A comprehensive production guide to film, television and commercial production industries If your company is listed on Kemps you can now purchase weblinks online using MyKemps. Use Kemps to search for over 41,000 production services companies from 115 countries worldwide. Read what our customers say - or add your own comments ( more details). www.kftv.com

titelrolKP.txt A Time Warner Company Caption LOGO + TURNER ORIGINAL PRODUCTIONS FADE TO BLACK Titelrol 4 Caption: (black on white bg) SERIES CONCEPT TED TURNER Vertical Roller caption ­ black lettering on white bg. A Time Warner Company Caption LOGO + TURNER ORIGINAL PRODUCTIONS FADE TO BLACK Titelrol 5 Caption: (black on white bg) SERIES CONCEPT TED TURNER Vertical Roller caption ­ black lettering on white bg. A Time Warner Company Caption LOGO + TURNER ORIGINAL PRODUCTIONS FADE TO BLACK Titelrol 3 Caption: (black on white bg) SERIES CONCEPT TED TURNER Vertical Roller caption ­ black lettering on white bg. www.uitdaging.org /koudeoorlog/titelrol/titelrolKP.txt

Meltdown National Film Theatre South Bank - Pressrelease There are concerts by Smog (25 June), Jim O'Rourke's first full British concert (27 June) and Evan Parker (28 June); and a full cinema programme of 14 films at the National Film Theatre (dates tbc). The National Film Theatre will be screening Scott Walker's favourite films during Meltdown 2000. Lea is a choreographer with a cult following, as well as being the founder and director of Cholmeleys and the all male Feathershaughs, she has worked on pop promos, adverts and films. www.undo.net /cgi-bin/undo/pressrelease/pressrelease.pl?id=961512664   (1361 words)

Chronomedia: 1916 National Committee for Better Films is established in the US ‘to both liberate and formulate thought regarding motion pictures, their uses and possibilities, and the best way to achieve a free screen of the most desirable kind. British import duty on blank film is 0.33d (0.14p) per linear foot; the rate for positive film prints is 1d (0.42p) a foot and for negative 5d (2.1p). Finland: 28 features and 312 short films made since 1904, plus one advertising film in each of the years 1914-1916. www.terramedia.co.uk /Chronomedia/years/1916.htm   (503 words)

Religion, Television & the Info. Superhwy - Waymark Press - Robert Lewis Shayon Producer/director/writer St. Clair Bourne has over 33 productions to his credit through his company, The Chamba Organization, including network, independent and educational films, political and cultural documentaries and dramatic films. His current work as Pittsburgh's Church Man has been profiled by the Wall Street Journal, New York Times, Time, Pittsburgh Post- Gazette, Gannet, UPI, BBC, CBC, NPR, ABC-TV, even by the National Enquirer. At the 1993 Writers Guild of America Awards, Lear was presented with the Paddy Chayefsky Television Laurel Award, the highest honor the Guild bestows and representative of a lifetime achievement in television. www.waymarkpress.com /religion2.html   (503 words)

Close up : British Popular Cinema (2) The EMI films which did have something of a British character were the lavishly budgeted and star-filled Agatha Christie adaptations Murder on the Orient Express (1974) and Death on the Nile (1978). The spectacular qualities of the Bond films, the sex and the violence, provided the cinema audience with entertainment experiences not available on television and, indeed, one marked trend in the British cinema during the early television period is the film which can be sharply differentiated from television entertainment. Films such as these indicate the existence of an indigenous cinema which reflects the regional and racial diversity of contemporary Britain whilst still possessing a degree of international marketability that the industry has frequently sought but so rarely secured except on an intermittent basis. www.shu.ac.uk /services/lc/closeup/ryall2.htm   (503 words)

Vancouver Video Production Company & Vancouver Television Production Companies Ront Productions is a Vancouver-area based, registered television production company in British Columbia, Canada. We produce a variety of programs for local, national and international broadcasters, currently specializing in documentary films and non-dramatic television shows. Vancouver Video Production Company and Vancouver Television Production Companies www.rontproductions.com   (286 words)

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