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Topic: Chester Brown


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In the News (Mon 6 Oct 08)

  
  Chester Brown - Wikipedia, the free encyclopedia
Chester Brown (born May 16, 1960) is a Canadian independent cartoonist.
Brown's longest-running work is a series of adaptations of the Christian gospels: he finished the Gospel of Mark as a backup feature in Yummy Fur, and the still unfinished Gospel of Matthew appeared in Yummy Fur and Underwater.
Brown's most recent work is a biography in graphic novel form of Louis Riel, published by Drawn and Quarterly in both serialized and collected (Louis Riel: A Comic-Strip Biography) form.
en.wikipedia.org /wiki/Chester_Brown   (767 words)

  
 read yourself RAW - Profile: Chester Brown
Chester William David Brown (1960 -) was raised in the upper middle-class suburbs of Montreal, Canada and he describes his upbringing as very normal despite his very religious parents and as a child he loved comics.
Stark and expressionistic, this is Chester Brown's frank and unsettling account of his first adolescent and then adult relationship with pornography.
Chester Brown's indispensable first book collects the now-classic absurdist Ed storyline that was originally serialized in the first 18 issues of Yummy Fur.
www.readyourselfraw.com /profiles/brown/profile_brown.htm   (835 words)

  
 Chester Brown, Louis Riel: a Comic Strip Biography
Chester Brown is attempting to change this in a small but highly effective way.
Brown is under no illusions that this is the definitive biography but for someone interested in the story who wants to understand the issues and events, this is a fine starting ground.
Chester Brown is a Canadian artist well known to those comic book devotees who want to dig deeper than Batman or the Hulk into the graphic storytelling format.
www.greenmanreview.com /book/book_brown_louisriel.html   (754 words)

  
 Powell's Books - Louis Riel: A Comic-Strip Biography by Chester Brown
Legendary cartoonist Chester Brown reveals in the dusty closet of Canadian history there are some skeletons that won't stop rattling.
Brown doesn't deviate from a six-panel grid for the entire book, telling his story in a cartoon realism style reminiscent of Little Orphan Annie.
Chester Brown is one of the pioneers of the 1980s comix renaissance.
www.powells.com /cgi-bin/biblio?inkey=62-1896597637-0   (426 words)

  
 drawn and quarterly
Chester Brown was born in Montreal, Canada on May 16, 1960 and grew up in the nearby suburb of Chateauquay.
Brown believes that this autobiographical work about his adolescence is his best book.
Brown was persuaded in 1998 to assemble a book collecting his shorter pieces: The Little Man: Short Strips, 1980-1995.
www.drawnandquarterly.com /artBio.php?artist=a3dff7dd51fc01   (270 words)

  
 CBC.ca - Arts - Books - Special Ed
As Brown recalls in his notes, the book had its genesis in a creative rut he was experiencing during the early 1980s.
Brown’s cocktail of violence, nudity, profanity and scatological humour was taken by many outside of the comic world as snot-nosed juvenilia — which on some level it was.
Brown can’t recall whether it was ever banned from any bookstores, but Ed was dropped by at least one distributor and experienced a memorable run-in with a feminist publisher.
www.cbc.ca /arts/books/edclown.html   (1561 words)

  
 CBC.ca - Arts - Alternative Canadian Walk of Fame - Inductee: Chester Brown
Brown, born and raised in Châteauguay, Quebec, is Canada’s contribution to an elite cadre of cartoonists — think Art Spiegelman, Robert Crumb and Daniel Clowes — who have elevated their craft from bubble-gum diversion to fresh-look literature.
Brown revisited the loss of his mother in 1995, attempting to distill the sum of psychology’s thinking about schizophrenia into a six-page series titled My Mom Was a Schizophrenic.
Brown, who in the novel, pins Riel’s death on a drunken, Machiavellian scheme hatched by Sir John A. MacDonald, uses extensive endnotes to clarify his narrative’s arm’s-length relationship with accepted history.
www.cbc.ca /arts/walkoffame/chesterbrown.html   (466 words)

  
 Chester Brown Teed
Chester continued to deal in cattle, and finally moved to Unadilla, where he had corrals and held sales of horses brought in from the west.
Chester became quite a wealthy man, until the depression of the early 1930's, when he lost a lot in foreign bonds and other securities which became worthless.
Chester liked to joke and was quite a visitor in his younger days.
www.nilesfamily.com /genealogy/chesterteed.html   (359 words)

  
 BROWNE
George Brown followed his father and was a watchmaker and later silversmith in Chester; in 5/2000 the firm of GJH Brown and Son Ltd, diamond merchants, watchmakers, jewelers and silversmiths still exists at The Cross, 2 Eastgate Row.
Their son Thomas Duncombe, Thomas Browne and his wife having assumed the name of Duncombe in lieu of that of Browne, was of Duncombe Park in Helmsley, and was ancestor of the Earls of Feversham and Viscounts Helmsley of Helmsley.
BROWNE of UPTON, Chester: Thomas Browne of Upton married Alice, dau of Mr White of Sutton (Whitley of Shotton??) 1/1.
www.antonymaitland.com /brown001.htm   (7667 words)

  
 MITAhome   (Site not responding. Last check: 2007-10-08)
The Chester Gillette - Grace Brown murder case of 1906 was front-page news during the arrest, trial and execution of Gillette.
Chester was born in Montana and traveled around the Pacific Northwest with his parents, who were captains in the Salvation Army.
Chester, taking his suitcase, camera and tripod, ran off into the woods and found a trail to the south.
www.craigbrandon.com /MITAhome.html   (643 words)

  
 Amazon.ca: Louis Riel: A Comic-Strip Biography: Books   (Site not responding. Last check: 2007-10-08)
Brown covers the Riel tale from the arrival of Canadian surveyors in the territory that would become Manitoba to Riel's martyr's death on a Regina gallows.
Brown's weakness is his use of language; his dialogue pushes the plot along and gets the story told, but there is no snap or sparkle to it.
Chester Brown has taken the story of a historical figure very few Americans have heard of and presented it in a unique way.
www.amazon.ca /exec/obidos/ASIN/1896597637   (1129 words)

  
 The History of Grace Brown   (Site not responding. Last check: 2007-10-08)
Chester seemed to be attracted to the petite figure of Grace Brown.
Some believe that Chester was innocent and that Grace Brown fell overboard in an epileptic seizure as she is rumored to have suffered from epilepsy.
Grace Brown was a burden to Chester Gillette because he was determined to have fun and stay young while Grace was carrying his baby, a sign of maturity and adulthood.
www.ovcs.org /district/brown.htm   (2827 words)

  
 Voice Literary Supplement: Open Book
Chester Brown's comics tend to be about fairly unusual stuff—his last major series, Underwater, depicted the acquisition of language from an infant's point of view.
Brown telescopes events for the sake of narrative flow, but the extensive footnotes at the back of each issue painstakingly note each elision and synthesis he's made, and expand on the staggeringly complicated politics of 19th-century Canada.
But Brown, one of the most deliberate cartoonists around, is avoiding historical-drama spectacle intentionally: You're never seducedinto imagining his dialogue is what the historical actors actually said.
www.villagevoice.com /vls/170/openbook.shtml   (1965 words)

  
 COMICON.com: CHESTER BROWN RESTRAINS HIMSELF
BROWN: It was the sense of restraint, both the visual restraint and emotional restraint.
BROWN: There are a couple of full page spreads in UNDERWATER [ed note: this series ran for 11 issues from 1994-1997 but was never finished.] There was more open storytelling in there.
Chester Brown is one of my all time faves in comics.
www.comicon.com /cgi-bin/ultimatebb.cgi?ubb=get_topic&f=36&t=002102   (2491 words)

  
 Mars Import - Creator
Chester Brown uses the comics form to achieve an intimacy between artist, reader, and story.
Brown's earliest graphic novel, Ed the Happy Clown is a scatological, surreal, and satirical reflection of 80s culture and Brown's id. The Playboy, Brown's second major work, explores his relationship with pornography and its influence on his personal development.
Brown's third and most accomplished work, I Never Liked You, is a powerful account of the author's adolescence as he comes to understand love, parting, jealously, and loss.
www.marsimport.com /display_creator?ID=1820   (249 words)

  
 Chester Brown's THE PLAYBOY - Tartsville
Brown never really explained why he was so horrified by his own masturbation.
Brown is not interested in why, because that, he presumes, is common ground.
That comic covers almost the same ground as Brown, the effect of a religious upbringing on a boy's sexuality, but the feel is totally different.
www.sequentialtart.com /community/Forum2/HTML/003618.shtml   (908 words)

  
 TIME.com Print Page: -- Really "Riel" History
Chester Brown takes admitted liberties with some aspects of the story.
In a remarkable move that lets Brown tell the best story and tell the truth, every deviance from recorded history is meticulously footnoted at the end.
In the final issue, Brown cites Harold Gray's "Little Orphan Annie" as a major influence, and the comparison is dead on.
www.time.com /time/columnist/printout/0,8816,455465,00.html   (914 words)

  
 City Pages - On a Mission from God   (Site not responding. Last check: 2007-10-08)
Chester Brown is one of the comic book's great formalists: For his "comic-strip biography" of the 19th-century French-Canadian rebel and politician Louis Riel, the artist has hand-lettered even the notes and index.
Brown seems sympathetic to Riel's cause (the Canadian government that destroyed him is depicted as a bunch of scheming buffoons) but not necessarily to his actions.
Brown's solution is to put as much distance as possible between his comic and "you are here"-style history.
www.citypages.com /databank/25/1211/article11901.asp   (909 words)

  
 Two-Handed Man Interviews Chester Brown
Chester Brown started creating comic strips over 20 years ago, and since then has built up a body of work featuring a wide variety of subject matter—horror, comedy, non-fiction, even adaptations of the Gospels—as well as beautiful artwork.
One gets the impression, viewing Chester's memories of some of his most awkward and confusing moments, of someone pressing lightly on a raw nerve or a loose tooth, and this idea is reinforced by a line that's spare and delicate, controlled with a surgical precision and deliberation.
(Chester laughs) It always seemed like, either they were talking about two different things, or a whole list of things, or, 'Here's a whole list of complaints we keep hearing, and we have to make it into something for the sake of convenience,' so maybe you're right.
www.twohandedman.com /Interviews/Chester/Index.html   (9312 words)

  
 Comic Book Galaxy - Celebrating Five Years of Pushing Comix Forward
It occurred to me that Brown's art in the book is quite reminiscent of Gray's, and there in the introduction Brown states it explicitly.
To this reader, it seems that Brown was really more interested in the political aspect of the story than the life of Riel himself.
Brown will often, for example, have two characters talking, showing them in profile, always heads and torsoes (never just "talking heads").
www.comicbookgalaxy.com /review_11.28.05_louisriel_DAB.html   (1227 words)

  
 Blatherings: seth and chester brown
Jeff, Reid and I went to The Rivoli last night to see Chester Brown and Seth, two of my favorite comic writers/artists.
Chester Brown and Seth live in Toronto; Joe Matt moved to Philadelphia last year.
Chester Brown was more quiet-spoken than I expected; I suspect that both he and Seth would much rather be home drawing than out promoting their books, but I'm grateful that they chose to do this event.
www.electricpenguin.com /blatherings/archives/002302.html   (389 words)

  
 I Never Liked You (John's Book Pages)   (Site not responding. Last check: 2007-10-08)
Brown's autobiographical I Never Liked You is about the period of his life where he became interested in girls and vice versa.
The tone of the story is cold and distant: we're not meant to sympathize with the characters, and each scene provides just enough information for the reader to get the idea before moving on.
People who feel sympathetic awkwardness will be squirming while reading about some of the situations Chester gets into -- I guess I'd forgotten that adolescence could be like that.
books.regehr.org /reviews/ineverlikedyou.html   (103 words)

  
 Amazon.com: Little Man : Short Strips, 1980-1995: Books: Chester Brown   (Site not responding. Last check: 2007-10-08)
Brown is a guy who can neither write well nor draw well, so to try disguise these rather obvious facts he uses the tried and true formula of inventing artificially outrageous or surreal situations, replacing shock value for adult themes or visual attractiveness.
Chester Brown is one of the greatest comics artist ever and in this book you'll see why.
But the real value of the book is in the way it shows Chester Brown's growth and development into a master of his artform.
www.amazon.com /exec/obidos/tg/detail/-/1896597165?v=glance   (1021 words)

  
 The Little Man: Short Strips 1980 - 1995 by Chester Brown
The bulk of the material is culled from Yummy Fur, the comics series which established Brown's reputation and with which he is still most closely associated in the comics world.
Free-association stream of consciousness rules the roost in works like “Walrus Blubber Sandwich” and the “Gourmets from Planet X”, while personal reflection is dominant in the aforementioned Helder-saga as well as “Danny’s Story”; and the two facets combine in the title story.
A key distinguishing feature of comics as both a form and a medium is the level of intimacy it allows between artist and audience.
home.earthlink.net /~copaceticcomicsco/LittleMan.html   (519 words)

  
 TIME.com -- Andrew Arnold: Keeping It 'Riel'
A brief history: Brown's first series, "Yummy Fur" appeared during a surge in the popularity of fl and white, independent comix.
Then Brown did something unexpected: He radically changed the format of "Yummy Fur," using it for an autobiographical exploration whose nakedness caused many fans to cringe and slink away.
CONSUMER ALERT: Chester Brown's publisher, Drawn and Quarterly, is having a big sale on nearly all their books, including "Louis Riel." Go to their website to find sale items.
www.time.com /time/columnist/arnold/article/0,9565,609686,00.html   (1586 words)

  
 City Pages - Graven Images   (Site not responding. Last check: 2007-10-08)
CHESTER BROWN'S JESUS is a Jesus that shouts.
In one of the cartoonist's adaptations of the Gospel of Matthew, even the designation of Simon as the rock (or "Peter") of his church is fraught with danger, as Jesus' imposing figure leans over him, his craggy face shouting into Simon's.
In others, Brown's renditions of the Gospel reinforce Jesus' story as a narrative of intense, terrifying struggles against despair and oppression, not just a rambling procession of feel-good parables and miracles.
www.citypages.com /databank/19/942/article6828.asp   (799 words)

  
 Chester Brown / Transnational Dispute Management @ www.transnational-dispute-management.com   (Site not responding. Last check: 2007-10-08)
Chester Brown is a member of the International Arbitration Group at Clifford Chance LLP, London.
Chester recently submitted his PhD on public international law at the University of Cambridge, which deals with questions of procedure and remedies in international courts and tribunals.
After completing his undergraduate studies at the University of Melbourne, Chester worked as a Solicitor at Mallesons Stephen Jaques, and he also completed the BCL at the University of Oxford.
transnational-dispute-management.com /authors/author_detail.asp?key=699   (88 words)

  
 Alibris: Chester Brown
Legendary cartoonist Chester Brown reveals in the dusty closet of Canadian history there are...
In one of the best graphic novels published in recent years, Chester Brown tells the story of his alienated youth in an almost detached, understated manner, giving the book an eerie, dream-like quality.
For the new 2002 definitive softcover edition Brown has designed new layouts for the entire book, using "white" panel backgrounds instead of the...
www.alibris.com /search/books/author/Chester_Brown   (260 words)

  
 Our Attorneys - Social Security, John Heard, Probate, Mark Smith, Chester Brown, William Leighner
John R. Heard received his B.A. with honors from the University of Texas in 1971, and graduated from the University of Texas at Austin Law School with honors in 1975.
Smith received an appointment to the Advisory Council of the Center for American History, a division of the University of Texas at Austin.
Chester Brown is a native of San Antonio, Texas.
www.heardandsmith.com /attorneys.html   (1806 words)

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