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| | Charles Diehl - Byzantine Art |
 | | Their art was by no means clumsy, dry, monotonous, or bound by rigid formulas; it was οn the contrary distinguished throughout its history by astonishing diversity of type, by creative power, and by a scιentific handling of problems of constructional equilibrium, no less than by the life which inspired it. |
 | | It was a realistic art, in which a masterly power of composition was combined with a wonderful sense of colour, and thus in the history of Byzantine art it appears as both original and creative. |
 | | Thus all the qualities of Byzantine art are preserved in these works of the fourteenth century; everywhere in the picturesque or pathetic elements of their compositions, and in the matchless skill of their colouring, we find the same observation of nature and life, the same contrast between elegance and realism, and the same creative impulse. |
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