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	Carl Philipp Emanuel Bach (1714-1788)
		C.P.E. Bach was born in Weimar, Germany on March 8, 1714 as the second surviving son of Johann Sebastian Bach and his first wife Maria Barbara.
		C.P.E. Bach believed in the new aesthetic ideals of his time which demanded that music "touch the heart" and "awaken the passions." His works were daring for their time, and some were even considered bizarre by his contemporaries.
		While C.P.E. Bach's progressive and uniquely individual style was most pronounced in his keyboard Sonatas and certain Symphonies, his Concertos for various instruments also contain many features that seize the attention of the listener with their great originality.
	www.carolinaclassical.com /cpebach (3383 words)

	Carl Philipp Emanuel Bach - Wikipedia, the free encyclopedia
		Carl Philipp Emanuel Bach (March 8, 1714 – December 14, 1788) was a German musician and composer, the second of eleven sons of Johann Sebastian Bach and Maria Barbara Bach.
		Carl Philipp Emanuel Bach was born in Weimar.
		When he was ten years old he entered the St. Thomas School at Leipzig, of which in 1723 his father had become cantor, and continued his education as a student of jurisprudence at the universities of Leipzig (1731) and of Frankfurt (Oder) (1735).
	en.wikipedia.org /wiki/Carl_Philipp_Emanuel_Bach (795 words)

	A Tribute to C.P.E. Bach
		Undoubtedly the child of Bach who made the most of both the advantages and the handicaps of being a son of Sebastian was Carl Philipp Emanuel Bach (1714-88).
		Emanuel Bach became so well known throughout Europe that he was often referred to as the Hamburg Bach (to distinguish him from his brother the London Bach--Johann Christian, who was now music master to the Queen of England).
		Unfortunately, the largest share of Sebastian Bach’s autographs had been given after his death to his eldest son Wilhelm Friedemann, due to whose negligence most of the scores he inherited have been irrecoverably lost.
	members.aol.com /basfawlty/cpe_bach.htm (2305 words)

	Bach, Carl Philipp Emanuel (1714 - 1788) (Site not responding. Last check: 2007-10-22)
		The second son of the great Johann Sebastian Bach by his first wife, C.P.E. Bach was recognised as one of the greatest harpsichordists of his time.
		Music by C.P.E. Bach is often listed with a reference number from the catalogue of his works by Wotquenne (Wq).
		C.P.E. Bach wrote a great deal of music for the instruments on which he was acknowledged to be pre-eminent as a performer, the harpsichord and the gentler clavichord.
	www.naxos.com /composer/bachcpe.htm (303 words)

	CPE BACH Keyboard sonatas Cerasi METCD1032 [CC]: Classical Reviews- April 2002 MusicWeb(UK) (Site not responding. Last check: 2007-10-22)
		It is a tribute to her artistry and understanding of C. Bach's idiosyncratic idiom that the recital grips the listeners attention from the very first note and refuses to let go.
		Bach's invention seemingly knows no bounds, and neither does his daring: there are textures and harmonies here which retain their power to shock right to the present day.
		There is an extraordinary range of expression presented by C. Bach: try the quasi-orchestral sonorities of the Allegro di molto finale of the Sonata in E minor, H13 (); or the seemingly improvisatory gestures of the opening movement of the B flat Sonata, H51 ().
	www.musicweb.uk.net /classrev/2002/Apr02/CPEBach.htm (577 words)

	NewOlde.com - Carl Philipp Emanuel Bach (CPE Bach)
		NewOlde.com - Carl Philipp Emanuel Bach (CPE Bach)
		Of the current select group of CPE Bach disks, this may be the best, and it may be the best of the fine Passacaille Collection.
		Unknown in the Bach literature, a bound volume of C. Bach's published songs, with numerous original emendations and autograph revisions, demonstrates the composer's intention of issuing near the end of his life a new complete edition of his songs.
	www.newolde.com /cpe_bach.htm (1828 words)

	NewOlde.com - Johann Christian Bach
		This serenata was dedicated to the flautist J.B. Wendling, for whom Bach composed an elaborate flute obligato to Diana's aria "Semplicetto".
		The CPE Bach Magnificat is a familiar work from pre-HIP days, but it never sounded as exciting as it does here.
		Bach and Abel presented a popular series of concerts in London between 1765 and 1781.
	www.newolde.com /jc_bach.htm (627 words)

	Bach and Ornamentation
		In the Bach literature Scheibe has been accused of writing with rancour because Bach had prevented his appointment as organist at the Nikolaikirche; there is no evidence to support such a petty view, and it is clear elsewhere in the Critische Musikus that Scheibe had a genuine admiration and respect for Bach.
		Bach, in contrast with most of his contemporaries, wrote out in full note values a level of detail (the notes themselves) that was uncommon: melodic ornamentation that other composers more readily left to the improvisational skills of the performers.
		Bach wasn't worried if the polyphonic potential wasn't fully realized on paper in a condensed notation- he knew it existed and trusted that there were people who would perceive it.
	www.bach-cantatas.com /Topics/Ornamentation.htm (11272 words)

	[No title]
		CPE Bach, Symphony D Major Orchestra of the Age of Enlightenment conducted by Gustave, exquisite last movement--see 346.
		J S Bach: Double violin concerto in D minor, this concerto was said on Sound and Spirit Feb 10 02 to symbolize married love because of the way the melody passes between the violins, each builds the melody, adds, entwines,...
		CPE Bach: Con for Oboe and Orchestra in E flat major (The easy on woodwinds key), oboist Paul Goodwin with the English Concert conducted by Trever Penoch.
	www.teleread.org /faucheuxmusiclist.txt (12038 words)

	HOASM: Carl Philipp Emanuel Bach
		Bach published several path-breaking sets of keyboard works during this period, including the Prussian Sonatas Wq.
		Bach was severely underpaid at court, and at the end of the Seven Years' War (1763) he began to seek employment elsewhere; in 1767 he was appointed Telemann 's replacement in Hamburg.
		Bach was author of the single most important treatise of the era, Versuch über die wahre Art das Clavier zu spielen, 2 vols.
	www.hoasm.org /XID/BachCPE.html (380 words)

	Bach Sons Brilliant Classics [KM]: Classical Reviews- April2002 MusicWeb(UK) (Site not responding. Last check: 2007-10-22)
		Johann Sebastian Bach came from a long line of composers, and maintained this legacy through several of his sons, who followed in his footsteps to become fine, and even excellent composers.
		The third disc is dedicated to CPE Bach’s flute concertos, and presents three of these.
		CPE Bach was indeed an excellent composer, and his music is very interesting.
	www.musicweb-international.com /classrev/2002/Apr02/Bach_sons.htm (1118 words)

	Bach's Education - Part 2
		CPE's record on accurately describing history, particular his own or his father's (the deathbed note in CPE's hand that his father died just as he had stopped in the middle of a composition which he left unfinished) is certainly open to question.
		It says: "At the same time [WF] Bach was teaching JG Goldberg, and continuing the study of mathematics he had begun in Leipzig under Johann Gottlieb Waltz (later court mathematician and Kommissionsrat)." That sentence, obviously, is unclear as to whether Waltz taught in Leipzig or Dresden.
		CPE held a professional position, for the last 20 years of his life, that could be held only by people who had academic degrees.
	www.bach-cantatas.com /Topics/Bach-Education-2.htm (10634 words)

	Classic Period Music [M.Tevfik DORAK]
		By the death of JS Bach in 1750, a major successor to Baroque style was not available.
		Even before the death of JS Bach, there was a movement towards replacing majestic splendor by graceful delicacy.
		CPE Bach was among the leading composers who brought sonata principle to the concerto.
	members.tripod.com /~dorakmt/music/classic.html (2246 words)

	CPE Bach - www.larips.com
		I believe that CPE Bach's career temperament was the same as his father's.
		For the hypothesis that CPE was describing the same all-purpose temperament his father used, the stronger corroboration is done here by playing through CPE Bach's own music, and the other music he knew at court.
		I have a further hypothesis that the 1722 Bach temperament, or at least something with the same shape (may we call it the "brook" shape?), remained CPE Bach's career temperament: and was also the ordinary temperament at the royal court during his tenure there.
	www-personal.umich.edu /~bpl/larips/cpeb.html (2578 words)

	[No title]
		CPE Bach was the leading harpsichordist and teacher of his day, referred to by contemporaries as ‘the great Bach’.
		Sadly though, Bach was undervalued and underpaid by his patron whose rational Enlightenment ideas were at odds with Bach’s extravagant and emotional temperament.
		At the time CPE Bach was writing, the symphony had not yet established its four-movement form.
	www.aam.co.uk /features/0602.htm (1517 words)

	01 - Flute & Piano - B (Site not responding. Last check: 2007-10-22)
		Bach, J.S. Adagio from Violin Sonata #4 BWV 1017
		Bach, J.S. Allegro Assai from Brandenburg Concerto #2 in F. Bach, J.S. Andante from Violin Sonata in a
		Bach, J.S. Sonatas (v.1) w/CD Bach, J.S. Sonatas (v.2) w/CD Bach, J.S. Sonatas BWV 1030 in b, 1032 in A, 1034 in e, 1035 in E
	www.fluteworld.com /Merchant/sm_01b.htm (472 words)

	CPE Bach: Die Auferstehung und Himmelfahrt Jesu
		Prior to that CPE Bach had been working for Frederick the Second of Prussia in Berlin but longed for a greater musical freedom and stylistic flexibility that working in Hamburg would offer him.
		CPE Bach worked on The Resurrection and Ascension of Jesusin collaboration with the librettist, Karl Wilhelm Ramler from 1781, and in 1787 it was published by Breitkopf.
		A letter from the composer to his publisher subsequently revealed he considered it to be one of his greatest masterpieces - a reflection agreed upon by audiences at the time, and succeeding generations of composers, including Haydn and Beethoven who both drew inspiration from it.
	www.hyperion-records.co.uk /details/67364.asp (431 words)

	Amazon.ca: J.S. Bach & C.P.E. Bach: Magnificat [Import]: Music (Site not responding. Last check: 2007-10-22)
		Carl Philipp Emanuel Bach (Composer), Johann Sebastian Bach (Composer), J.
		The CPE Bach Magnificat is energetic and exciting, probably the best recording of this interesting work currently available.
		I chose Bach because I associate him with a very fluid and relaxing style; this was just jarring, 60 minutes of operatic style "classical." You have been warned.
	www.amazon.ca /exec/obidos/ASIN/B00000I75V (1106 words)

	CPE Bach: Flute Concertos
		This sparkling recording of CPE Bach concertos follows Rachel Brown's highly acclaimed recording of Quantz concertos for Hyperion, also with The Brandenburg Consort under Roy Goodman's direction.
		Of Bach's five extant flute concertos the D minor may have been composed as early as 1747, the A major in 1753 and the G major in 1755.
		For this recording, Bach's cadenzas for the 'Allegro di molto' of the G major and Largo of the A major concertos have been followed exactly, while Bach's beautiful harmonized cadenza for the Largo of the G major has been adapted a little more freely.
	www.hyperion-records.co.uk /details/67226.asp (315 words)

	American Bach Soloists - Mary Ellen Calahan
		A frequent performer with the Washington Bach Consort, she has been a soloist in Bach’s Missae Breves and B Minor Mass, the CPE Bach Magnificat and many cantatas, and she was also engaged by that group for their tour of Germany.
		Invited to return to the Carmel Bach Festival as soloist in subsequent seasons, she received reviews which spoke of her "exceptionally pure tone" and "compellingly lovely voice".
		With the Washington Bach Consort and conductor J. Reilly Lewis she recorded the J.S. and C.P.E. Bach Magnificats, available from Newport Classics.
	www.americanbach.org /Artists/CallahanMaryEllen.htm (547 words)

	Musician of the Month - Johann Sebastian Bach
		Bach's Bach's Brandenburg Concerto No.3 plays in the background on Refresh.
		Bach is regarded by most musicians as a genius of Western music.
		Of his many children several also became composers, notably CPE Bach and JC Bach (the "London" Bach).
	www.citlink.net /~stjschool/music/musician_of_the_month/05-02_Bach (145 words)

	Bach Musical Estate Surfaces in Ukraine
		The long lost musical estate of Johann Sebastian Bach's second son, Carl Philipp Emanuel Bach, has been rediscovered in Kyiv, Ukraine, where it is preserved as part of the music archive of the Berlin Sing-Akademie.
		Led by a team of scholars at Harvard University and the Bach Archive in Leipzig, Germany, The Collected Works of C. Bach are currently being edited under the auspices of the Packard Humanities Institute, with Christopher Hogwood as chair of the editorial board.
		A catalogue of the Bachiana in the Sing-Akademie Archive is projected as part of the Bach Repertorium series, a research project on the music of the Bach family jointly undertaken by the Harvard Music Department and the Leipzig Bach Archive.
	www.brama.com /news/press/990811bach.html (871 words)

	ezFolk Media Store (Site not responding. Last check: 2007-10-22)
		JS Bach; WF Bach; CPE Bach; JC Bach: Concertos and Duets /Hogwood · Rousset
		The sound quality on most of it is AWFUL, and the W. Bach concerto, maybe the greatest piece ever written for two harpsichords, is played very stiffly.
		One of the first discs that I ever owned was Bach's Brandenburg Concertos (actually a 2-disc set conducted by Christopher Hogwood/Academy of Ancient Music).
	www.ezfolk.com /cgi-bin/ae.pl?asinsearch=B000004CYA (382 words)

	Amazon.com: J.S. Bach & C.P.E. Bach: Harpsichord Concertos: Music: Gustav Leonhardt,Carl Philipp Emanuel Bach,Johann ... (Site not responding. Last check: 2007-10-22)
		Johann Sebastian Bach: Inventions, BWV 772-786 & Sinfonias, BWV 787-801 - Gustav Leonhardt ~ Gustav Leonhardt
		The pairing on this disc is wonderful: Bach's greatest harpsichord concerto and one of his son's own works in the same key--a clear tribute to his father's masterpiece.
		I like the way C.P.E. Bach's concerto has been placed on the same disc with this father's; you can compare the two, and see where the father influenced the son (as well as hear how C.P.E. was influenced by Mozart, Hadyn, etc.).
	www.amazon.com /exec/obidos/tg/detail/-/B0000029Y6?v=glance (1338 words)

	BBC - Classical Review - CPE Bach: Sonatas and Rondos, Mikhail Pletnev
		Music was changing fast in the late 18th century, and C.P.E. is sometimes referred to dismissively as 'pre-classical', as though his music still had one foot anchored in the baroque world of his father, or that his ideas weren't quite fully realised.
		In fact, conversation is at the heart of this music; C.P.E. Bach was a university man, an intellectual, a friend of poets, professors and writers - this music almost literally talks to us, with rhythms and intonation closer to speech than more orthodox music.
		Some critics are going to feel that Pletnev goes over the top, particularly given the modern instrument, but I can't help thinking that Bach junior would have been thrilled if he heard this; he was testing the limits of the instrument he knew, and it sounds as if Pletnev's doing exactly the same.
	www.bbc.co.uk /music/classical/reviews/cpebach_pletnev.shtml (761 words)

	Carl Philipp Emanuel Bach - Classical music composer (Site not responding. Last check: 2007-10-22)
		Bach, Carl Philipp Emanuel: Piano sonatas, selection, volume III By Carl Philipp Emanuel Bach.
		Carl Philipp Emanuel Bach is the third son of J.S. Bach.
		Bach is considered as a master of what is called "Empfindsamkeit", wich is very common in the second half of the XVIIIth century.
	www.classical-composers.org /comp/bachcpe (1119 words)

	Oboe Record Reviews (Site not responding. Last check: 2007-10-22)
		CPE Bach, almost an exact contemporary of Leopold Mozart, is always praised for anticipating new orientations in music, incorporating innovations with tradition, and all in his very personal style.
		In addition to the familiar string techniques documented as early as 1654, CPE Bach in 1753 suggests the technique on the clavichord: "The finger holds down the key and rocks it so to speak".
		The same music was used by Bach in instrumental works and as obligato movements in the sacred cantatas, blurring the lines between his secular and sacred and his vocal and instrumental writing.
	idrs.colorado.edu /Publications/DR/DR14.2/DR14.2.Bloom.RecordRev.html (3968 words)

	bach
		Mining the Bach archives is clearly a valuable musical enterprise, just as mining the works of his sons, CPE in particular, is proving to be.
		All you need to know is that Bach's father preserved the manuscripts, both he and Bach himself loved this music, Bach's son CPE loved it equally well, and that while it is to a degree early and precursor JS Bach, it is actually more clearly post-Schutz.
		The album includes an extremely helpful diagrammed genealogy of the Bach family, on down through JS Bach's sons, which is a great help if you don't have your Christoph Wolff at hand.
	www.positive-feedback.com /Issue9/bach.htm (1043 words)

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