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	Cahiers du cinéma - Wikipedia, the free encyclopedia
		Cahiers du cinéma is an influential French film magazine founded in 1951 by André Bazin, Jacques Doniol-Valcroze and Lo Duca.
		It was a development from the earlier magazine Revue du Cinéma and the members of two Paris film clubs — Objectif 49 (Bresson, Cocteau and Alexandre Astruc, etc.) and Ciné-Club du Quartier Latin.
		In 1998, the Editions de l'Etoile (the company publishing Cahiers) was acquired by the press group Le Monde.
	en.wikipedia.org /wiki/Cahiers_du_cinema (268 words)

	[Cahiers du cinéma]
		Cahiers never ceased to incarnate the same ambition: to reflect on the cinema through the love of films, to think about the world through a love of the cinema.
		Cahiers have always been actively involved in a much larger history, which is not “French cinema,” in the parochial sense, but rather the history of a certain rapport to the cinema such as it exists in all its contradictions in this country.
		Cahiers (n° 592), Mathieu Amalric proposed that if, instead of scorning the choice of the award winners made by the average Joe in previous years of the Césars, those who make films as an act of love were granted voting privileges, the results could be different.
	www.cahiersducinema.com /site/article464.html (734 words)

	Film Comment: Why Cahiers still matters - Cahiers du Cinema (Site not responding. Last check: 2007-10-17)
		While the influence of Cahiers has grown in France, to the extent that one might say it has become semi-institutionalized (e.g., one of its mainstay critics in the Eighties and Nineties, Alain Bergala, was recently charged by the Ministry of Culture to oversee a program of film education), its influence abroad has waned.
		Founded on Cahiers' groundbreaking work in the Fifties and Sixties, Film Studies has since become a satellite of Cultural Studies, an academic discipline that doesn't exist in France, where film criticism remains informed by the understanding that a film's form is indissoluble from its content.
		Those Cahiers alumni who turned to filmmaking since the Seventies -- Andre Techine, Olivier Assayas, and Pascal Bonitzer, to name only a few -- inevitably find that, abroad, their alma mater is still seen in terms set by the debates of the Sixties.
	www.findarticles.com /p/articles/mi_m1069/is_5_37/ai_85701700 (836 words)

	Paul Valery: Cahiers
		The notes from the Cahiers were transcribed in duplicate and classified according to headings and titles indicated by Valery, often with additional annotations.
		The passage inscribed in the Cahiers is the living vestige of that reflection, that moment, that lyrical gaze...
		Valery'h fragmentary writing in the Cahiers, his personal 'system for thinking, seeks to shift our attention on to a different plane, to a second‑order preoccupation with the xsthetic creator and the action of form and language, in an attempt to identify the fundamental processes of creativity.
	www.wordtrade.com /philosophy/french/Valery.htm (11541 words)

	Cahiers du cinema (Site not responding. Last check: 2007-10-17)
		Claude Chabrol was the first of the young Cahiers du cinéma critics to direct a full-length film; Le Beau Serge, his semi-autobiographical debut, predates Truffaut's The 400 Blows and Godard's Breathless by a year, and is generally credited with being the first true nouvelle vague feature.
		Eric Rohmer was editor-in-chief of Cahiers du cinéma from 1957 to 1963; Claire's Knee, the fifth in his celebrated Moral Tales cycle, is one of his most renowned films.
		The famous fetishized body part belongs to a sunny, sensuous 17-year-old completely absorbed in her young boyfriend; its obsessive admirer is Jérôme, a mature, mid-thirties, about-to-be-married diplomat embroiled in the characteristic Rohmerian conflict between head and heart, and embarking on a final fling or two during a summer visit to Annecy.
	www.cinematheque.bc.ca /cahiers.html (1362 words)

	Journal of Seventeenth-Century Music \| Vol. 7 No. 1 \| Thompson: Reflections on Four Charpentier Chronologies
		For example, she reveals numerous instances where the outer folio of a cahier comprises more stylistically mature handwriting than the rest; in these cases, it is logical to conclude that the outer sheet was recopied at a later date to replace a lost or damaged original.
		In these instances the date of the cahier in question is shown in Table 1 as being between the two given dates, or in the case of the arabic cahiers in the early part of Lowe’s chronology, “1670s”.
		Since this combination is a feature of cahier 33, the later date assigned to it by Lowe than by the other scholars thus seems convincing (she proposes a copying date between 1686 and 1699 while they suggest a date of composition in the early 1680s).
	sscm-jscm.press.uiuc.edu /jscm/v7/no1/Thompson.html (5528 words)

	French culture \| cinema: Cahiers du Cinema, a tribute (Site not responding. Last check: 2007-10-17)
		Cahiers writers certainly were choosy about contemporary European cinema, but one filmmaker they embraced early on was Ingmar Bergman, and Monika, or Summer with Monika as it's sometimes known, was thought to be his most beautiful film.
		The film that put former Cahiers editor Eric Rohmer on the map was this nuanced, perfectly written and acted comedy about a Catholic intellectual (Jean-Louis Trintignant) who lets the ideal of a perfect wife in his head impede him from a love affair on Christmas Eve with the alluring Maud (Françoise Fabian).
		René Allio was very important to Cahiers during their Maoist period as a shining example of a politically engaged filmmaker with a low quotient of bourgeois complacency.
	www.frenchculture.org /cinema/festival/programs/0110-cahiers.html (4102 words)

	Steve Erickson on Cahiers du Cinema and Hoveyda
		These changes were a response to two events that profoundly affected the Parisian intellectual circles where the CAHIERS is produced and read: the advent of structuralism and the thwarted revolt of students and workers which began in May 1968.
		Some of them have published articles from the CAHIERS, and a few are completely written in a weird language which is also beginning to turn up in the pages of respectable academic journals: Frenchlish, a compound of structuralist jargon, high-mindedness and English words used as if they meant the same thing as their French cognates.
		For anyone who has immersed himself in film, the aptness of the examples that start turning up when you read through the literature of psychoanalysis is a little spooky, particularly when, in the recent literature, the patient is almost as likely to be talking about a film he saw as about a dream he had.
	www.hoveyda.org /cahiers.html (2950 words)

	Steve Nottingham: The French New Wave
		The Cahiers du Cinéma critics were highly critical of the glossy, formulaic and studio-bound French cinema of the 1940s and 1950s, but praised the work of 1930s French film-makers Jean Renoir and Jean Vigo and the work of the Italian neo-realists, including Roberto Rossellini and Vittorio De Sica.
		Through their writings the Cahiers du Cinéma critics paved the way for cinema to become as worthy of academic study as any other art form.
		In the late 1950s the Cahiers du Cinéma critics took the opportunity to become film auteurs themselves, when film subsidies were bought in by the Gaullist government, and they put their theories into practice.
	ourworld.compuserve.com /homepages/Stephen_Nottingham/cintxt2.htm (1843 words)

	Jonathan Rosenbaum on Serge Daney
		Almost a decade now since his death, there are still relatively few purely English-speaking cinephiles who would have a proper sense of Daney's central, significant place in European criticism (even if they might be faintly aware that he is a 'name' often cited enthusiastically by luminaries such as Jean-Luc Godard and Rosenbaum).
		A student of modernism and Chinese culture, Daney joined Cahiers as a writer in his early 20s (his very first published piece, for a 'fanzine' called Visages du cinéma [faces of cinema] co-edited by longtime collaborator Louis Skorecki, was on Howard Hawks' Rio Bravo [1959]).
		Cahiers du Cinéma, Volume Four, 1973-1978: History, Ideology, Cultural Struggle, edited by David Wilson (London and New York: Routledge, 2000).
	www.sensesofcinema.com /contents/01/13/daney.html (4419 words)

	Bazin & Cahiers
		Probably the most important publication in terms of the later Cahiers du Cinéma would be La Revue du Cinéma, which had had an existence in the late 1920s.
		Bazin himself was not an advocate of the politique des auteurs to the extent that some of the younger Cahiers critics were.
		It is not unusual for the present-day Cahiers du cinéma to have a full-page ad for L'Oréal beauty products on the back cover, but advertising appears to otherwise generally be limited to matters of cinéphile interest, such as festival and book announcements, without advertisements promoting films in or about to be in current release.
	www.unofficialbaziniantrib.com /bazin_and_cahiers.htm (2322 words)

	ifri
		This book examines the action of the Schröder governement, in the fields of the foreign and defence policy, the reform of the army, and French-German relations.
		This book analyses a number of issues related to nuclear security: the development of new technologies, the processing of nuclear waste, and the future of this source of energy.
		This book, that is part of the dialogue between JIIA and Ifri on new security issues, stresses the evolution inside Europe, the relations between Russia and its neighbours, and the case of the Korean peninsula.
	www.ifri.org /frontDispatcher/ifri/publications/les_cahiers_1032455996839?language=us (752 words)

	FSESG : Working Papers (Site not responding. Last check: 2007-10-17)
		Cahiers de la Faculté des Sciences économiques, sociales et de gestion
		Cahiers de recherche : 2000 / 1999 / 1998 / 1997 / 1996 / 1995 / 1990-94 / 1974-89
		Ces cahiers reflètent les opinions et réflexions de leur auteur.
	www.fundp.ac.be /eco/cahiers (131 words)

	On top of the wave and against the stream:
		During the 1960s Cahiers du Cinema became radically politicized, and the more conservative Truffaut and Rohmer were antagonized by their colleagues in the journal.
		Rohmer described the tendencies of Cahiers as a kind of "terrorism" to force him (and Truffaut) to embrace ideas of radical modernism and leftism.
		He was editor of Cahiers du Cinema from 1957 to 1963, though he wrote for it in the early 1950s as well.
	www.regent.edu /acad/schcom/rojc/magnus.html (3459 words)

	43 Folders \| Cahier: The Honda Accord of Moleskines (Site not responding. Last check: 2007-10-17)
		I think the Cahiers represent a satisfying middle ground between the premium Classic Moleskines and the modestly priced soft-cover Volants.
		Cahiers are available in three sizes: Pocket, Large, and Extra Large.
		Yet another plug for MoleskineUS - I ordered the pocket sized cahier plain and when I got it from them (ultrafast - I ordered on Friday and they got to me in the middle of nowhere Arkansas on Monday) they were ruled.
	www.43folders.com /2005/02/cahiers_the_hon.html (2020 words)

	Harvard University Press/Cahiers du Cinéma; The 1950s (Site not responding. Last check: 2007-10-17)
		Cahiers du Cinema is the most prestigious and influential film journal ever published.
		The selections in this volume are drawn from the colorful first decade of Cahiers, 1951-1959, when a group of young iconoclasts racked the world of film criticism with their provocative views an international cinema--American, Italian, and French in particular.
		Together these essays, reviews, discussions, and polemics reveal the central ideas of the Cahiers of the 1950s not as fixed doctrines but as provocative, productive, often contradictory contributions to crucial debates that were to overturn critical thinking about film.
	www.hup.harvard.edu /catalog/HILCAH.html (222 words)

	Typical Cahiers of 1789
		The local cahiers of the smaller political divisions of the balliage of Blois have fallen into the hands of lawyers, who have assembled and combined them with an eye single to their own desires and interests, reducing all other considerations to the simplest terms.
		That, for the purpose of facilitating the education of girls, com- munities of religious women, whatever may be their institution, shall be obliged to open free public schools for girls under the supervision of the parish priests.
		We beseech His Majesty that after the examination, which shall be made in the States General of the cahiers of the various bailliages of the kingdom, this work shall be made public by means of the press, both for the satisfaction of constituents and for the honor of the deputies.
	history.hanover.edu /modern/cahiertc.html (9702 words)

	[No title]
		Q:The "new" CAHIERS was critical of its heritage: you reread Ford, dissected Bresson, psychoanalyzed Bazin.
		So, when the CAHIERS was politicized, they took their examples more and more from the Soviet cinema of the twenties, but again it was to distinguish between Eisenstein (who "wrote") and Pudovkin (who "didn't write"), and this was the same as the distinction between Hitchcock and Huston.
		And CAHIERS cinephilia, the cinephilia of the "Hitchcocko-Hawksian," is special in that it is a relationship - a perverse one - to the people, because the films of Hawks and Hitchcock at the time they were made were seen by the people and looked down on by cultivated persons.
	home.earthlink.net /~steevee/Daney_1977.html (4813 words)

	Film Comment: Cahiers back in the day (Site not responding. Last check: 2007-10-17)
		The first issue of Cahiers du Cinema was dated April 1951 and featured on its cover a fl-and-white still of Gloria Swanson, bathed in the beam of an unseen movie projector, from Billy Wilder's Sunset Boulevard.
		Cahiers became known as an almost mythical breeding ground for new talent, a reputation that extended far beyond the directors of the New Wave to include such contemporary talents as Andre Techine, Leos Carax, and Olivier Assayas, all of whom first ventured into print as Cahiers critics.
		It was the intent of Bazin and Doniol-Valcroze (Lo Duca soon left the publication, defecting to Positif) to continue the more scholarly, less impressionistic style of criticism pioneered in France by their late friend and mentor Jean Georges Auriol.
	www.findarticles.com /p/articles/mi_m1069/is_5_37/ai_85700672 (1182 words)

	Proof positive
		It is too generous, in a way, to say that the reason why the French film journal Positif is far less known than its oft-rival Cahiers du cinéma is because of the famous critics-turned-filmmakers of the nouvelle vague (new wave).
		Yet there is significant overlap – thirteen texts – and one imagines they were conceived around the same time, with collective discussions shaping the respective contents of both.
		And despite whatever periodic waves and tides of fashionability and unfashionability beset the Ruiz cult – the sort of fickle currents that tend to underwrite much of the politique of Cahiers - it is Positif which has kept faith with virtually every major film of the director since the '80s.
	www.latrobe.edu.au /screeningthepast/reviews/rev0703/ambr15.html (1618 words)

	EconPapers: Pierre Perron (Site not responding. Last check: 2007-10-17)
		Cahiers de recherche, Centre interuniversitaire de recherche en économie quantitative, CIREQ (1994)
		Cahiers de recherche, Centre interuniversitaire de recherche en économie quantitative, CIREQ (1995)
		Cahiers de recherche, Centre interuniversitaire de recherche en économie quantitative, CIREQ (1994) View citations
	econpapers.repec.org /RAS/ppe32.htm (1898 words)

	Jean-Luc Godard
		Cahiers came along saying that the true were false and the false were true.” (5)
		For Godard, the forums of Cahiers and Arts allowed the fleshing out of a conception of the cinema that was closer to an all-encompassing poetic rumination than the linear Cartesian logic and self-effaced objectivity that the majority of film criticism tends to require.
		Although often singled out as the “theorist” of the Cahiers group, Godard's penchant for playful allusion and the poignant turn of phrase establish him more clearly as the journal's resident “poet-critic.” (8) This role has served Godard, and the history of film criticism itself, rather well.
	www.sensesofcinema.com /contents/directors/03/godard.html (4887 words)

	Lau Kar Leung Interview from Cahiers du Cinema 362/363 (September 1984)
		Cahiers: You were born in a family who made their living in traditional martial arts.
		At that time, those who were doing fight scenes in the movies belonged to what was called the "Wu Heng" (discipline of the "martial"), like those who make somersaults in the opera who are not necessarily kung fu adepts like us.
		Cahiers: Bruce Lee's kung fu was a blending of many techniques.
	changcheh.0catch.com /lau-int.htm (3075 words)

	HJG: Periodicals Directory: Complete Index: C (Site not responding. Last check: 2007-10-17)
		Cahiers de lexicologie: revue internationale de lexicologie et lexicographie
		Cahiers d'histoire du temps présent - Bijdragen tot de eigentijdse geschiedenis
		Cahiers Franz Schubert: revue de musique classique et romantique
	www.history-journals.de /journals/hjg-title-c.html (1611 words)

	Cahiers d'études lévinassiennes - Emmanuel Lévinas, numéro 2 (Site not responding. Last check: 2007-10-17)
		Cahiers d'études lévinassiennes - Emmanuel Lévinas, numéro 2
		Les Cahiers d’études lévinassiennes figurent au catalogue des éditions Verdier.
		Retrouvez le sommaire des précédents numéros des Cahiers d'Etudes.
	www.levinas.co.il /cahiers/cahiers.asp (238 words)

	C - Periodicals, printed issues; University Library of Catholic University of Lublin ...
		Cahiers Archéologiques fin de l'Antiquité et Moyen Age ISSN: 0068-4945
		Cahiers du Cercle Ernest Renan (FRA) ISSN: 0008-0098
		Cahiers Naturalistes de la Societe Litteraire des Amis d'Emile Zola (NLD) ISSN: 0008-0365
	pater.kul.lublin.pl /eng/periodicals/alphabet/c_printed_periodicals.htm (158 words)

	Bibliography on African Traditional Religion
		Albert E.M., "Une étude de valeur en Burundi," in Cahiers d’Etudes Africaines 2 (1960) 148-160.
		The case of the Igbo of Nigeria," Cahiers des Religions Africaines, 1984, 197-214.
		Elungu P.E., "Religions Africaines et Philosophie," Cahiers des Religions Africaines 11 (1977), 91-102.
	www.afrikaworld.net /afrel/atr_bibliography.htm (11496 words)

	Eric Ghysels at IDEAS
		"Stochastic Volatility," Cahiers de recherche 9613, Centre interuniversitaire de recherche en économie quantitative, CIREQ.
		"Periodic Autoregressive Conditional Heteroskedasticity," Cahiers de recherche 9408, Centre interuniversitaire de recherche en économie quantitative, CIREQ.
		A NonParametric Assessment," Cahiers de recherche 9217, Centre interuniversitaire de recherche en économie quantitative, CIREQ.
	ideas.repec.org /e/pgh7.html (5917 words)

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