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Cabaret Voltaire album

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	Cabaret Voltaire (band) - Wikipedia, the free encyclopedia
		Cabaret Voltaire was a British music group from Sheffield, England.
		A series of completely instrumental works under the Cabaret Voltaire name were released on Instinct Records in 1993 and 1994, but appeared to be largely the product of Kirk.
		Hopes of a Cabaret Voltaire reunion were raised when Kirk dropped hints in the late 90s, the most significant being in the notes of a reissue of Radiation, where Kirk says he is working on new CV material due to be released soon.
	en.wikipedia.org /wiki/Cabaret_Voltaire_(band) (651 words)

	Voltaire (musician) - Wikipedia, the free encyclopedia
		Voltaire (Born January 25, 1967, Havana, Cuba), is a novelty musician in the goth scene who takes his stage name from the pen name of the famous French Enlightenment writer François-Marie Arouet.
		At the age of ten, Voltaire was inspired by the films of Ray Harryhausen (Jason and the Argonauts, The 7th Voyage of Sinbad), and began animating on a super 8 camera.
		Voltaire describes his own music as- 'Music for a parallel universe where electricity was never invented and Morrissey is the queen of England.' He claims that bands and artists who influenced his music are- Rasputina, Morrissey, Tom Waits, Cab Calloway, and Danny Elfman.
	en.wikipedia.org /wiki/Voltaire_(musician) (976 words)

	Cabaret Voltaire
		In 1982, Cabaret Voltaire began to mutate from the hardcore Industrial noise of their early years into a new phase of electronic body music inspired by proto-sampling technology and a tradeoff with the emergent beats of Chicago House.
		Cabaret Voltaire suddenly found themselves strangers in a strange land they had originally helped uncover, and their reputation suffered accordingly.
		Cabaret Voltaire had successfully exploited the faultlines opening up in musical form due to the increasing availability of cheap electronic keyboards, rhythm machines and processors, but it was difficult to grasp what that achievement entailed.
	www.thewire.co.uk /archive/essays/cabaretvoltaire.html (4250 words)

	CABARET VOLTAIRE
		The communications company Double Vision was founded by Cabaret Voltaire and Paul Smith in 1982, initially as a vehicle for this particular release but also with a view to releasing affordable music based video for a fraction of the price.
		Cabaret Voltaire's rare but much anticipated live performances, with their innovative use of film and video, were documented on the three live albums, "Live at the YMCA" (1979), "Live at the Lyceum" (1981) and "HAI" live in Japan (1982), and the 90 minute video "Doublevision presents...
		The DVD "Double Vision Presents Cabaret Voltaire" is out on The Grey Area of Mute on 4th October 2004.
	www.mutelibtech.com /cabaretvoltaire (393 words)

	Disco Music . com Cabaret Voltaire
		Cabaret Voltaire has its roots back to around 1975 when its three members experimented with sound on sound, tape loops and other electronic wizardry.
		The name Cabaret Voltaire is taken from the club in Zurich were the Dada art movement began.
		Producer John Robie is at it again with Cabaret Voltaire on "Yashar" a classic early 80's number.
	www.discomusic.com /print.php/161_0_2_0 (108 words)

	[No title]
		In Britain, Cabaret Voltaire are releasing on their own label (their music is licensed to Instinct for American distribution).
		Cabaret Voltaire's new releases are the logical extension of the experimental work they began creating in the 70s.
		Video is something that Cabaret Voltaire has worked with extensively in the past, to the point where they had even run their own company.
	www.chaoscontrol.com /archives/cabaretv.html (1091 words)

	Cabaret Voltaire - Plasticity
		I've not been particularly taken with Cabaret Voltaire's recent output - the last album of theirs that I'd admit to actually having enthused about was Code back in 1986.
		gives a strong hint that this album is something a little different from their recent output as quiet rhythmic synth effects accompany a recording of US gang members explaining a wide range of their slang.
		Add an attractive melody and a decent beat and the end result is my favourite Cabaret Voltaire track in quite a while.
	www.awrc.com /review/c/plasticity.html (681 words)

	Cabaret Voltaire - (Site not responding. Last check: 2007-09-20)
		While they’ve followed a certain set path throughout their career, Cabaret Voltaire’s work can yet be divided into two periods: an early, formative series of recordings which still employ "traditional" rock instrumentation and that make a radical use of dissonance and noise.
		The seven tracks on this album-length set are not only the most dance-conscious yet from Cabaret Voltaire, they are also those in which signs of life have been most completely eradicated.
		Obviously, as such, Cabaret Voltaire will have limited appeal to those anxiously in pursuit of a traditional rock forever linked to the cult of personality, i.e.
	www.virginiamusicflash.com /cabaret.htm (398 words)

	JR.com: CABARET VOLTAIRE in Music
		Cabaret Voltaire: Stephen Mallinder (vocals, bass, bongos, programming); Richard H. Kirk (guitar, clarinet, various instruments);...
		Cabaret Voltaire's second album, MICRO-PHONIES features 11 electronica tracks, highlighted by "Sensoria" and "James Brown." The album...
		Cabaret Voltaire: Stephen Mallinder (vocals, bass, electronic percussion); Richard H. Kirk (guitar, winds); Christopher Watson...
	www.jr.com /xs-cabaret-voltaire-in-music--ap!t;nn!661650.html (317 words)

	www.myspace.com/thecabaretvoltaire
		Cabaret Voltaire is housed in the ancient subterranean caverns that underpin the bustling streets of Edinburgh's Cowgate district, right in the heart of Scotland's capital city.
		Open seven nights a week, Cabaret Voltaire is a thriving, twin-roomed venue that hosts some of the best-known club events in the capital.
		Cabaret Voltaire is also a key player in the citys thriving live music scene.
	www.myspace.com /thecabaretvoltaire (565 words)

	Cabaret Voltaire - Radiation
		I'm not going to go into individual track-by-track details, since this is very much a disc for those who're already Cabaret Voltaire fans and want to hear alternate versions of familiar tracks (and an otherwise unavailable rarity or two).
		None of the tracks are any the worse for the bare-bones approach either, with all retaining their identity, and the more basic electronics and increased use of guitar (Kirk) and bass (Mallinder) giving the material a subtly different flavour.
		It goes without saying that this disc is a must-have for the serious Cabaret Voltaire fan, especially those who've grown rather disenchanted with the Kirk-dominated CV of recent years.
	www.awrc.com /review/c/radiation.html (1014 words)

	www.myspace.com/cabaretvoltaire
		cabaret voltaire was a very influential sound in the electronic music scene in tijuana in the 80s and still today
		Cabaret Voltaire was for me one of the best and interesting artists in my youth.
		i was staying at a friend's farm and i put on this album...
	www.myspace.com /cabaretvoltaire (150 words)

	www.elektronikaldia.org
		Richard H Kirk's latest album is one of those that leave you taking shelter behind the settee as machine-gun fire strafes the living room and the bombs drop closer and closer to home.
		Richard, as a member of Cabaret Voltaire, was right at the heart of all that and 'Darkness At Noon' (Touch) is probably the closest he has come to the dark, ground-breaking, anarchistic early days of the Cabs and recordings such as 'Baader Meinhof' and 'Silent Command'.
		Formerly one half of Sheffield industrial pioneers Cabaret Voltaire, Kirk is in a typically uncompromising mood -- transfixing those brave enough to stand the breakbeat, noise and synchronised visual overload with a new music that purges and exorcises as much as it stimulates the central nervous system.
	www.elektronikaldia.org /2000/r_h_kirk.html (2783 words)

	Cabaret Voltaire: Radiation: The BBC Recordings 1984-86: Pitchfork Record Review (Site not responding. Last check: 2007-09-20)
		Though named after the nightclub where the followers of Dada met to babble about cultural revolution, Cabaret Voltaire were devotees of Industrial Culture.
		After albums of varying degrees of listenability, Kirk and Mallinder began to incorporate New York dance rhythms into their songs with a corresponding increase in public appreciation.
		Cabaret Voltaire may never have made huge amounts of money, nor did they get all the sex they wanted, but it was never in doubt that Kirk and Mallinder were the most exquisite of freaks.
	www.pitchforkmedia.com /record-reviews/c/cabaret-voltaire/radiation.shtml (429 words)

	Cabaret Voltaire (Site not responding. Last check: 2007-09-20)
		CABARET VOLTAIRE evolved around 1973, a nucleus of three people - Richard H. Kirk, Chris Watson and Stephen Mallinder - working mainly with sound experiments on tape recorders and electronic equipment and occasionally incorporating other people.
		Two months later they released two tracks for the Factory label (Factory Sample), and their first album Mix -Up was released in Autumn 1979.
		As well as appearances in England, Cabaret Voltaire have played in various places throughout Europe, America and Japan.
	www.brainwashed.com /axis/cv (563 words)

	Cabaret Voltaire interview from Stabmental Fanzine #3, June/july 1980
		This article on Cabaret Voltaire is culled from a couple of phonecalls with Chris Watson of the group.
		The songs on the album are (in order) 'Damage is Done (This is the title of the previously untitled track on the YMCA live album), 'Partially Submerged', 'Kneel to the Boss', 'Premonition' (This is a long track): side two.
		Chris told me the sad fact that Cabaret Voltaire were the only people present at Ian's funeral other than the rest of Joy Division and family.
	www.brainwashed.com /cv/interviews/stabmental-no3.htm (1126 words)

	BBC - Radio 1 - Keeping It Peel - Cabaret Voltaire
		Cabaret Voltaire was formed by Stephen Mallinder (bass, vocals), Richard H. Kirk (guitar, wind instruments) and Chris Watson (electronics and tapes).
		A new Cabaret Voltaire single, "Hypnotised" (1989), reflected their visit to the house music capital, Chicago, while Kirk's highly influential single "Testone" (1990), issued under the guise of Sweet Exorcist (with DJ Parrot, later of the All Seeing I), was pure techno.
		Cabaret Voltaire continued in this style with "Keep On" and Groovy, Laidback And Nasty, working with some of the leading lights of the US house and techno scene.
	www.bbc.co.uk /radio1/johnpeel/artists/c/cabaretvoltaire (971 words)

	TrouserPress.com :: Cabaret Voltaire
		The prolific Cabaret Voltaire is one of the most energetic, progressive and dissonant forces in modern music.
		Working primarily in the electronic form, specializing in found sounds and tape manipulations, Cabaret Voltaire has relentlessly pushed at the outer edges of style, shedding an early primitivism for a subsequent accessibility that plays on the (almost) familiar.
		Extended Play launched Cabaret Voltaire — Richard H. Kirk (guitar, synth, horns, clarinet), Stephen Mallinder (bass, vocals) and Christopher Watson (organ, tapes) — and gave an early boost to Rough Trade (it was the label's third single).
	www.trouserpress.com /entry.php?a=cabaret_voltaire (1773 words)

	Eye Weekly - Ondisc - 02.13.97
		Instead, Brighten The Corners is their fourth album and unlikely to feed the hungry or clothe the unclothed.
		Indeed, some of the keyboards sound like they were directly lifted off an old Cabaret Voltaire album, or in the case of "Frogerbib," maybe off Kraftwerk's The Man Machine.
		Especially compared to the contents of his lacklustre 1995 album I Care Because You Do, James' new songs (save for a couple of freakish vocal tracks toward the end) don't seem as if they're trying so hard to be irritating and difficult.
	www.eye.net /eye/issue/issue_02.13.97/music/ondisc.html (1131 words)

	Gothic.gr : Replicant Activity : Nexus 8 : Dark-EBM-Industrial Hell (Site not responding. Last check: 2007-09-20)
		The album reflects both aspects, and lays the basic structures in compositions, arrangements and production that Depeche Mode would follow in their next efforts that led them to stardom.
		Though it is hinted at airplay as much as the previous album's opener "Love in itself", it is arranged in a mechanized, almost industrial style, with effects and aggressive lines from the synth and sequencers.
		To sum it up, SOME GREAT REWARD is a great album where all tendencies of the DM catalog fall together to form a new style, with its own distinctive personality clearly showing its teeth, and benefiting from it.
	www.gothic.gr /?music\|95 (676 words)

	The Weekly Dig: Music: Cabaret Voltaire (Site not responding. Last check: 2007-09-20)
		In place of the usual announcements and hymns, however, the members of Cabaret Voltaire take the stage for only their second live performance.
		It was obvious that they didn’t expect anything like that.” It’s not surprising that Cabaret Voltaire, who took their name from the Zurich club where members of Dada staged performances during World War I, sought to deliberately provoke such strong reactions.
		Indeed, the punks were often as ill prepared for Cabaret Voltaire as the school kids had been in 1976.
	www.weeklydig.com /articles/cabaret_voltaire (870 words)

	sfweekly.com \| Music \| Cabaret Voltaire (Site not responding. Last check: 2007-09-20)
		It's now almost unthinkable that in the mid-'70s, when hair was feathered, bottoms were belled, and disco and classic rock ruled the airwaves, three gaunt young men were sequestered in an attic in Sheffield, England, grinding out unorthodox sounds with reel-to-reel machines and primitive noisemakers.
		By the third album, Red Mecca, Cabaret Voltaire's experiments became more focused, stripping away the excess flesh to reveal muscular rhythms.
		The record swings from "A Touch of Evil," a dissonant mash-up of synthesizers and bongo drums, to the funky slap bass of "Sly Doubt," a track as funky as anything Cabaret Voltaire recorded.
	www.sfweekly.com /issues/2002-03-27/music/reviewed2.html (388 words)

	triple j music specials: Cabaret Voltaire
		Cabaret Voltaire made some of the most original and uncompromising electronic music of the 70's and 80's.
		While this would become a template for many other bands to follow to commercial success in the early 80's, Cabaret Voltaire's music was not so easily translated into profit.
		Albums like The Crackdown, Micro-Phonies and Code were full of edgy, paranoid, sometimes downright disturbing soundscapes - set to dancebeats as infectious as any you'd find on a Depeche Mode or Human League album of the time.
	www.abc.net.au /triplej/music_specials/s1397325.htm (396 words)

	Cabaret Voltaire
		In their, er, 'commercial' period, I reckon the album 'Code' is well worth a listen.
		Also, it's a great album for people who want to scare the shit out of themselves in the dark at 4 am.
		I haven't listened to Cabaret Voltaire in years and once upon a time it was virtually all I ever listened to!
	ilx.wh3rd.net /thread.php?msgid=3644997 (2196 words)

	DMG Newsletter
		The band recorded albums worth of songs to act as a demo for agents back in the UK where there was a big interest in Daevid and his musical ventures.
		The Berlin Contemporary Jazz Orchestra (heard previously on albums on ECM and FMP) is one of the most adventurous and creative jazz ensembles in the world, led by two pillars of post-Monk, post-Cecil Taylor piano: Aki Takase (Enja recording artist) and Alexander von Schlippenbach, an astounding pianist and founder of the groundbreaking Globe Unity Orchestra.
		This 1992 album was David's second for DIW and is an extraordinary display of David's wild and wooly ways - a rousing and exciting trip on the saxophone with his own exploratory tunes plus some far out takes on the standards Autumn Leaves (he plays this one twice!) and Angel Eyes.
	www.dtmgallery.com /Main/news/Newsletter-2004-11-26.html (19390 words)

	Walls of Kyoto (Site not responding. Last check: 2007-09-20)
		On a Cabaret Voltaire album, you begin not knowing where you are or where you’re being taken, and though you do feel yourself going somewhere, by the end you’re no clearer about your position than you were at the beginning.
		Hearing them do this in vivo raises goosebumps, and to have an album whose creators had the restraint to just leave well enough alone and let the performance speak for itself -- well, it means something.
		It means that a “good live album” isn’t an oxymoron and is in fact an excitingly real possibility.
	www.lastplanetojakarta.com /articles/cab8.html (193 words)

	Blender :: guide
		Cabaret Voltaire were among the first bands to incorporate sampling found sounds into their music.
		As they grew, they tried their hands at different genres, from industrial and experimental techno to white-boy funk to late ’80s house music.
		Watson left the band by ’83, and Cabaret Voltaire released their final album together in 1994.
	www.blender.com /guide/artist.aspx?id=98 (104 words)

	Sandoz -- Chant To Jah -- Touch Recordings (Site not responding. Last check: 2007-09-20)
		In their day the pioneering members of the UK's highly innovative Cabaret Voltaire helped form a whole new way of going about creating music.
		This album was recorded at Western Works, the very same studio that housed the creation of every Cabaret Voltaire album I can remember.
		This reflects how even though the music has evolved a lot since the early Cab days, the same environment that fostered the creativity and originality of that music is still a mainstay in Kirk's current work.
	www.lastsigh.com /reviews/sandoz.htm (264 words)

	A Cabaret Voltaire thread... - SH Forums
		Later albums like "Plasticity", "The Conversation" and "International Language" are much different than the early periord CV, as well as the middle period "dance" oriented CV.
		A couple of tunes were on 12", but they were either totally unique to that format or identical to the 7" or LP versions.
		I believe the only things left are the 12" mix of 'Yashar' (Crepuscule sadly duplicated the album version on the 'Eight Tracks' CD) and the 'Empty Walls' b-side, which has been left by the wayside, presumably forogotten like a cold, frightened puppy waiting for its master to return and lavish affection upon it.
	www.stevehoffman.tv /forums/showthread.php?t=54150 (731 words)

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