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| | Review: Camelot |
 | | Camelot was directed by Joshua Logan, a filmmaker who tackled a number of musicals (including a lackluster South Pacific), but was twice nominated for an Oscar as Best Director for dramas: 1955's Picnic and 1957's Sayonara. |
 | | Camelot represents the only time the Vulgate Cycle has been used as the backstory for a musical, and, despite a host of minor flaws, the film represents a sporadically enjoyable, if overlong, spectacle. |
 | | Camelot didn't go before the cameras until 1965, and, by the time filming was underway, none of the original Broadway trio was involved in the production. |
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