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Topic: Cameo Parkway Records

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Cameo Records - Wikipedia, the free encyclopedia See Cameo-Parkway Records for more on the later Cameo label. Cameo records were introduced in February of 1922, selling for 50 cents each, and soon Cameo became one of the more popular budget labels. Cameo Records are noted for a wealth of jazz influenced 1920s dance music. en.wikipedia.org /wiki/Cameo_Records

Cameo-Parkway Story Parkway Records was started in 1958 as a subsidiary to Cameo. Cameo Records was founded in 1956 in Philadelphia by Bernie Lowe and Kal Mann. Cameo hustled out an album by Rydell, We Got Love [Cameo LP-1006], its first rock and roll album. www.bsnpubs.com /philadelphia/camparkstory.html

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Cameo-Parkway U.K. However, nothing gives more pleasure when piling through piles of old records than finding that beautifully designed red and black label with the Cameo-Parkway heading on it's side in the black part, along with the cameo head. In fact all through his recording career with Parkway he recorded many dance-connected records, several of which became popular on our Rare Soul scene. However Cameo-Parkway, the UK label for the originally-based Philadelphia labels Cameo and Parkway, wasn't the first label to have these American labels produce. martysbox.tripod.com /id75.htm

Chubby Checker, Rock & Roll, Philadelphia, Music, 50s, 60s - That Philly Sound Dave White and I went to play it for Cameo Parkway Records. In the beginning of Chubby’s career, we were the first outside producers to produce something with Chubby through Cameo Parkway. After recording four songs on Cameo-Parkway that barely dented the top forty, a “twist” of fate had Chubby singing “The Twist” for American Bandstand as a stand-in act for a no-show. www.thatphillysound.com /artists/chubby_checker.html

Talk:Cameo-Parkway Records - Wikipedia, the free encyclopedia Hello, what if anything was Cameo-Parkway's connection to the Cameo Records of the 1920s, which was aquired by the American Record Corporation, so I assume in the 1950s and 1960s rights to that label name were owned by CBS ? Was it a subsidiary, of CBS, or did they lease rights to the name, or did CBS somehow forfit the name, and there was no connection whatsoever? en.wikipedia.org /wiki/Talk:Cameo-Parkway_Records

Neil Bogart @ Disco Step-by-Step He then worked his way up the ladder to become president of Cameo/Parkway Records and later to Buddah Records, where he developed the bubblegum music craze, and worked with such artists as Sha Na Na, Melanie and Gladys Knight. After leaving Cameo, and at the tender age of 24, Bogart landed another high profile job, this time as the general manager of Buddah Records. Bogart was spending money like water and shipping records out to distributors who were already overstocked. www.discostepbystep.com /neil_bogart.htm

PopMatters Columns Mark Anthony Neal Critical Noire Nuyorican Nostalgia Recordings like Our Time Has Come and Nuyorican Soul emerge at a moment where black and Latino/a leaders in places like New York are finally coming to terms with the common siege they are under, not only in America's urban centers but globally, as well. But the cornerstone of MAW's reconstruction of CTI-era Soul Jazz is the brilliant nearly 9-minute "You Can Do It (Baby)" which features vocals and guitar by the legendary George Benson, whose classic recording This Masquerade (1976) is one of the most popular selling "Jazz" recordings of all-time. The 36-year-old "Little Louie" Vega is a boogie-down native (that be "The Bronx") who came up with a healthy appreciation of Salsa courtesy of his uncle and Salsa singer, Hector Lavoe, who recorded and performed for the Fania All-Stars, named after the most prominent Salsa label of the 1970s. www.popmatters.com /columns/criticalnoire/020423.shtml

The Mad and M&M Labels His first recordings were made with Sun Records in Memphis in 1954-55, when he cut "Red Hot," which subsequently became a rockabilly staple. Mad MR-1005, The Best of Mad Records, is a bootleg CD released in 2003 and sold by Dead Dog Records. Mad MR-1005, The Best of Mad Records, is a bootleg CD issued in 2003 and sold by Dead Dog Records. hubcap.clemson.edu /~campber/mad.html

Casablanca Records - An Introduction Casablanca Records, along with its affiliates 'Millennium', 'Parachute', 'Oasis' and 'Chocolate City Records', came to epitomize dance music in the same way 'Cameo-Parkway Records' epitomized dance rock in the 1960s. Casablanca Records and Filmorks was arguably the greatest of the '70s dance music labels, and there may never again be a record company like it - one whose releases crossed boundaries of age, class, culture, race, and sexual preference, and encouraged people to come together in rhythmic celebration. Shortly after Buddah Records scored its biggest hit with Gladys Knight and the Pips' "Midnight Train To Georgia", in 1973, Bogart left to start a label of his own. homepage.ntlworld.com /jasonally/page4.html

Cameo/Parkway Album Discography (MGM Distribution Only) We have no association with Cameo, Parkway, or MGM Records. Cameo and Parkway were distributed by MGM for a short time in 1967. We are not a catalog, nor can we provide the records listed below. www.bsnpubs.com /mgm/cameoparkway.html

various the american dream the cameo-parkway sto - buy cds, lps, eps, records, cd singles, promos, vinyl, dvds and videos of various the american dream the cameo-parkway sto the american dream the cameo-parkway sto - buy cds, lps, eps, records, cd singles, promos, vinyl, dvds and videos of various All the stock we sell via the internet is of a very high condition, with the exception of very rare records at a lower condition which are priced and described accordingly. europe 1st CD/7" £2.00 each additional item £1.00 extra 1st 12"/LP £3.50 each additional item £1.00 extra 1st video £3.00 each additional item £1.00 extra orders can be sent international recorded or registered delivery for an additional £3.15 to the total cost. www.netsoundsmusic.com /nsdsii/1/48280784/1/london/5/1/1138.html

RECORD COLLECTING: Can it be? Are the old Cameo-Parkway tunes finally coming out :: CTCentral Entertainment :: Sweet! ABKCO (Allen B. Klein Company) is involved in serious talks with many who recorded on Cameo-Parkway about reissuing their original material to a new market of buyers! Allen Klein is paying very close attention to sales being lost to other sources, such as Collectable Records and the Universal Music Group. Also, maybe the group disbanded in 1968 rather than change their name, but it was rumored then by the so-called music experts in my neighborhood that the band known only as Lobo was none other than The Royal Guardsmen. entertainment.ctcentral.com /html/modules.php?op=modload&name=News&file=article&sid=271&mode=thread&order=0&thold=0

"MR. MUSIC" However, Charlie does not feel he could ever duplicate the sound they got on those original Cameo records. DEAR JERRY: Several years ago, your column provided some news about why the dozens and dozens of hits, and many great non-hits, on either Cameo or Parkway have never been issued on CD. You didn't say, but I assume you know that this is a Cameo (#121) release — one of the great ballads issued during grandpa Bernie's reign. www.jerryosborne.com /10-11-99.htm

The KISS F.A.Q. - The KISS Album Focus: Neil Bogart Biography © Julian Gill It should be noted, though, that at the time of Klein's acquisition of Cameo it was losing money, "Cameo-Parkway had reported losses for the past 3 fiscal years ended 30th June 1967" (Allan Klein affidavit, 1970 #6315, McCartney V. Lennon, Ono, Harrison, Starkey, and Apple Corps). This single (Cameo Parkway C-428) was a smash hit reaching #1 in the US (it only managed to get to #37 in the UK). Their follow-up single "I Need Somebody" backed with "8-Teen" (Cameo Parkway 441) released later in 1966 only managed to reach #22 on the charts. www.kissfaq.com /focus/bogart.html

Seger File: Singles A copy of "Heavy Music on Cameo Parkway could bring over $150, reportedly. This idea is disputed by early-Seger afficianado Joe Moorehouse, who writes that the song was indeed first recorded in 1966: "Confusion about the apocryphal 1963 release date stems from the fact that the old red Cameo labels all included the copyright date 1963 at the bottom of the label. The recording session was reportedly paid for by Del Shannon. www.segerfile.com /singles.html

EddieHolman In 1965 Eddie had the chance to record again when he was offered a contract with Cameo/Parkway Records, a label that was in it's decline at the time. Leopard Records released a few singles of young Eddie and his developing falsetto voice. He had his first taste of recording in 1962 for a small local label. discomuseum.com /EddieHolman.html

Casablanca Records @ Disco-Disco.com Casablanca Records was formed in 1973 and was run by Neil Bogart. Warner and Neil didn't get along very well since Neil wanted more freedom to release records whenever he wanted and not according to a timetable which was the major labels, like Warner's, way. With his Star Wars and other Galactic Funk album he sold platinum and scored his record labels', Millennium Records (one of Casablanca Records ' sub-labels), first Number 1 hit. www.disco-disco.com /labels/casablanca.html

The Beatles: Allen Klein's Affidavit: Rockmine On-Line Originally, I was rendering audit services to artists but, by about 1960, I had moved into the field of business management for recording artists and was beginning to negotiate contracts on their behalf either with record companies or music publishers. In 1956 I graduated in Accountancy from Upsala College, East Orange, New Jersey, U.S.A. Prior to my graduation and for some time thereafter I worked for various firms as an accounting clerk, particularly in relation to audits of record companies. The largest potential source of income was recording royalties and I wanted to negotiate a new recording arrangement with EMI. www.rockmine.music.co.uk /Klein1.html

Both Sides Now Album Discographies Main Page E- mails asking us to sell records listed in our discographies, or to find records for people, will be ignored. We cannot find the records listed in our discographies for you. We are sorry to have to say this, but getting 50 e-mails a day asking us to find records for people is not fun. www.bsnpubs.com /discog.html

The KISS F.A.Q. - KISS and Related Band's Covers Sources It has long been known that part of Neil Bogart's early music career was at Cameo/Parkway records, both as a recording artist, and later as vice-president. The song was recorded soon after by Barbara McNair on her November 1966 album "Hear I Am" (Motown MS-644), and later covererd by Vanilla Fudge, Truely Richards, Margie Joseph, The Smith Connection, Norman Feels, and Mary McCaslin before Blackjack did their version. The song was released both as a single, backed with "You'll Never Tame Me", and peaked at #11 on the singles charts, becoming the single that introduced the 17 year old Rydell to the world. www.kissfaq.com /covered/covered.html

Spectropop Group Discussion Archives: Digest Number 1132 - 24 Nov 2003 And Cameo Parkway had Eddie Holman doin' ballads, The Twilights singing soft girl group harmony, Bobby Rydell doin' pop rock. Message: 19 Date: Tue, 25 Nov 2003 07:01:53 -0000 From: Herb Subject: Re: Cameo-Parkway & ABKCO Hi, Some of the Cameo Parkway material is available as released on Liberty Bell CDs Vol. I can remember many of the Black artists of the '60s and early 70's bitterly criticizing disco's emergence-it killed off many a promising career, although some of the older artists were very successful at recording it-Johnny Taylor comes to mind, along with the Trammps, whose "Disco Inferno" is an excellent tune. www.creativepitch.com /archive/digest/d1132.htm

Untitled Document In early 1962 Tarsia joined Cameo/Parkway Records as Chief Engineer where he recorded artists that included Chubby Checker, Bobby Rydel, The Dovels, The Orlons, Dee Dee Sharp and The Tymes. It was when Philadelphia's Cameo/Parkway Records ruled the Charts and reached the pinnacle as the worlds #1 independent record company. Tarsia has receive awards and recognition from the Recording Industry Association of America (RIAA), Billboard Magazine, Pro Sound News, 3M Company, The City of Philadelphia, The State of Pennsylvania, The National Academy of Recording Arts and Sciences (Grammy's), Black Music Association (BMA) and The Philadelphia music Alliance (PMA). www.sigmasound.com /jdt.html

Spectropop Group Discussion Archives: Digest Number 941 - 29 Jun 2003 Message: 6 Date: Sun, 29 Jun 2003 07:46:47 +0200 From: Frank Subject: Re: Cameo-Parkway in the UK Mike Edwards: > UK London must have contracted with Abcko to release Cameo- > Parkway material in the UK in the late 70s because a number of > 45s and albums were issued. This is my second Cameo Parkway post to musica. Message: 2 Date: Sun, 29 Jun 2003 00:33:44 -0400 From: Ed Subject: Re: Viv Stanshall's Umbrellas Has anyone considered sending that Stanshall petition to http://www.rhinohandmade.com They reissued all the Warner/Reprise records by The Fugs, and have also reissued stuff by Wild Man Fischer and Captain Beefheart, so they're probably receptive to Stanshall. www.creativepitch.com /archive/digest/d941.htm

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SRP Service 3 Contact Mike Gloven, 8101 S. Shaffer Parkway, Suite #201, Littleton, CO 80127, phone (303) 948-0119, fax (303) 948-0479, e-mail Mike.Gloven@bass-trigon.com. Fountainhead Parkway, Suite 100, Tempe, AZ 85282; sales (800) 289-6116; voice (480) 346-5500; fax (480) 346-5599; e-mail info@environ.com ; or see http://www.environ.com/contactus.htm. By allowing updating of the Risk Profile as new information becomes available, it acts as a through-life record of the asset and a communication aid, as well as ensuring that the best information is used in ongoing decision-making. www.srpenvironmental.atfreeweb.com /serv03.htm

Doo Wop Shoo Bop Various Artist CDs by Record Label Another volume of vocal groups recorded for Johnny Otis' Dig and Eldo labels in the mid-50's, which also covers vocalists who are accompanied by uncredited backing groups. There are 26 tracks (including two never issued on 45rpm) recorded by 14 artists from 1956-1962. The Jive Five, Meteors, Carnations, Corvairs are just a few of the groups that recorded for the Beltone Record label. www.doowopshoobop.com /varlabel.html

Special: Affidavit Records Inc. Formal letters of direction were issued by The Beatles to in Accountancy from Upsala College, East Orange, New Jersey, U.S.A. Prior to my graduation and for some time thereafter I worked for various firms as an accounting clerk, particularly in relation to audits of record companies. record manufacturer, music publisher and entertainment business manager, www.beatlemoney.com /affidavit.htm

Catalog Report Don't Let The Sun Catch You Crying/Away From You. R 25166 Recorded Live at The Peppermint Lounge Stereo LST-7282 NM record with one 1" scratch/ VG cover with slight water damage www.bookcrazy.com /oldies.htm

philly-awards.htm former engineer of Cameo – Parkway Records and Sigma Sound Studio founder, George Manney and Dave Appell (Cameo – Parkway Records producer, arranger and songwriter) wife of songwriter Kal Mann, Dave Appell songwriter and producer for Cameo – Parkway Records, Joe Tarsia www.geosound.org /philly-awards.htm

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