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Topic: Cameron Crowe


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In the News (Sun 29 Nov 09)

  
  Exclusive Interview - Cameron Crowe for "Elizabethtown"
Cameron Crowe: Well it kind of is project to project because as a writer I think you always write to some degree about things that you know or things that happened - but my favourite filmmakers, my favourite movies of theirs tend to be the personal movies.
Cameron Crowe: It's more like can I build a group of characters and can I tell some universal truths that feel real and aren't formulaic in the spirit of filmmakers gone by who've told American stories that were personal and universal as well.
Cameron Crowe: No, and I loved doing the book on Billy Wilder, I saw Robert Towne in the lobby when we were in Europe and I was just like dying to talk to him about Hal Ashby and some other stuff but I didn't have a tape recorder on assignment...
www.darkhorizons.com /news05/crowe.php   (1961 words)

  
  Skvaller pÃ¥ Cameron Crowe
Cameron Crowe finnas en amerikansk författare- och filmdirektör.
Innan han flyttade in i filmindustrin Crowe finnas bidra redaktören hos den rullande stentidskriften, vartill honom författar alltjämt vanligt.
StunddirektörCameron Crowe skjutit flera av filmscenerna i andra städer, liksom Versailles, dalen som sägas filmen, fångar kännas av den Elizabethtown arean dess gammala städer och brukar.
www.gossip-1.se /cameron-crowe.htm   (1157 words)

  
  SPLICEDwire | "Almost Famous" interviews: Cameron Crowe, Kate Hudson, Patrick Fugit (2000)
Crowe wrote and directed "Say Anything," "Singles" and "Jerry Maguire." Hudson is Goldie Hawn's daughter and has starred in "Gossip," "Desert Blue" and "200 Cigarettes." Fugit is a film newbie, prior to this film having appeared in only two episodes of "Touched By An Angel."
This is apropos, however, since the purpose of this chaos is a press junket to promote "Almost Famous," director Cameron Crowe's semi-autobiographical cinematic memoir about his days as a teenage prodigy rock journalist in the early 1970s.
Crowe's career began in 1973 when he was a 15-year-old self-taught cub reporter, writing with great enthusiasm about the San Diego music scene for the fanzine Creem.
www.splicedonline.com /00features/almostintro.html   (468 words)

  
 Reel.com: Cameron Crowe
It's been nearly four years since writer/director Cameron Crowe's last movie was released into theaters and everyone, including Hollywood insiders, have been waiting with baited breath to see what this filmmaker would come up with next.
After all, Crowe was nominated for two Academy Awards back in 1997 for Jerry Maguire, one for Best Director and another for Best Original Screenplay.
The movie's story revolves around William Miller, played by newcomer Patrick Fugit, a precocious teenager who is afforded the wonderful opportunity to go on tour with some of 1973's biggest rock bands, documenting their exploits as a magazine and falling in love with a groupie named Penny Lane.
www.reel.com /reel.asp?node=features/interviews/cameroncrowe   (1876 words)

  
 The Seattle Times: Arts & Entertainment: An interview with Cameron Crowe, director of "Elizabethtown"
Cameron Crowe, writer and director of the movie "Elizabethtown," conducts an interview along the red carpet on Main Street in Franklin, Tenn., last month.
Crowe's father, who died in the late '80s (right after "Say Anything," Crowe says), was from Kentucky, and after his death Crowe and Wilson traveled there, to get to know the family.
Crowe and Wilson continued their tradition of writing "fake rock songs" — begun while writing songs for Stillwater in "Almost Famous" —; in "Elizabethtown," by writing a tune for the band Ruckus, of which Drew's cousin is a member.
seattletimes.nwsource.com /html/artsentertainment/2002557186_crowe13.html   (1019 words)

  
 Amazon.ca: Reviews for Conversations With Wilder: Books: Cameron Crowe   (Site not responding. Last check: )
Crowe followed the same route, and the one-time Rock 'n Roll fanboy shows the evolution of his own character into a student of film, and interviews the aging master with the reverence and unabashed enthusiasm he once bestowed upon the long-haired idols of his youth.
Crowe asks interesting and original questions, obviously he has a great deal of respect for the old man. Wilder very slowly puts his guard down and begins to enjoy his sessions with the author.
Cameron Crowe's interviews with the legendary Billy Wilder are wonderful with a direct, personal approach; Wilder reveals just how seemingly easy his masterpieces were made.
www.amazon.ca /Conversations-Wilder-Cameron-Crowe/dp/customer-reviews/0375406603   (1675 words)

  
 The Austin Chronicle: Screens: A Fan's Notes: Cameron Crowe's 'Almost Famous' Goes Behind the Music
Cameron Crowe knows what it means to admire something bone-deep, and while Almost Famous, the writer/director's follow-up to Jerry Maguire, is about coming of age, first love, and family, it is also about how the artists who inspire us need our inspiration too.
Like William, Cameron Crowe is an observer -- a gentle and inquisitive person, able to divine a person's spirit from the words he chooses, or the ones he doesn't, or the way he holds his hand against his chin.
Cameron Crowe is not rock star cool -- that being a kind of cheap, store-bought coolness that requires sunglasses and fur coats and fades as quickly as pop radio.
www.austinchronicle.com /issues/dispatch/2000-09-01/screens_feature.html   (1691 words)

  
 Shared - Movies - Interviews - C - Crowe Cameron Qa 050624   (Site not responding. Last check: )
Crowe recently took a break from editing "Elizabethtown" to give MTV News' Benjamin Wagner a call and talk about the new film, touring with rock stars and the "in-between" moments that matter most to him.
Crowe: Well, I got lucky early on, working with John Cusack and Sean Penn and other actors who were able to make those moments real.
Crowe: Well, that's gonna be in there because that's the song we always used when we were auditioning guys looking into the father's casket.
www.mtv.com /shared/movies/interviews/c/crowe_cameron_qa_050624   (1724 words)

  
 Interviews: Cameron Crowe - Christianity Today Movies
In this interview with Christianity Today Movies—conducted in two parts, at a roundtable in LA and, later, over the phone—the affable and gracious Crowe talked about this love letter to Kentucky, avoiding cynicism, and what it means to create a well-lived life.
Crowe: I think in the case of Elizabethtown, it's the story itself.
Crowe: I hope it encourages people to be truly alive, to inhabit the world in a complete way.
www.christianitytoday.com /movies/interviews/cameroncrowe.html   (1679 words)

  
 Almost Good: The Films of Cameron Crowe
Likewise, Cameron Crowe's movies rely on sentimentalism and nostalgia; the audience's response is fueled by sugar-coated memories of the past.
The difference between Crowe and Truffaut is that Truffaut presents both the beauty and the sadness of these people's lives, and he is relentless in revealing the price that those who make movies pay for the addiction to their profession.
Cameron Crowe makes coming-of-age movies, but there is still something childish at the heart of them - you get the feeling that he doesn't want to dig deeper.
www.thesimon.com /magazine/articles/old_issues/0111_almost_good_films_cameron_crowe.html   (1375 words)

  
 Cameron Crowe News
Cameron Crowe is two steps beyond reality, but one step away from the fantastical in this uneven romance.
Soundtracks to Cameron Crowe's movies are often as memorable as the films themselves.
Cameron Crowe is a director of modest pleasures.
www.topix.net /who/cameron-crowe?scoring=d   (539 words)

  
 Cameron Crowe, Vanilla Sky Interview
For his latest film, Vanilla Sky, Crowe has chosen to adapt the Spanish film Open your Eyes, and at the same time created his unique perspective on pop cultural America while remaining faithful to a complex original.
Cameron: I thought it might be interesting to get into some of the aspects of casual sex and how people kind of playact at the casual part of that.
I liked the idea of having a scene as raw as Cameron Diaz's scene in the car with Tom where you feel you're a fly on the wall and maybe you shouldn't even be hearing some of that stuff.
www.dealmemo.com /Interview/Cameron_Crowe_Vanilla_Sky.htm   (2270 words)

  
 The Uncool - Cameron Crowe discusses the making of 'Almost Famous' Film Comment - Find Articles
You can see the continuity between Crowe's profiles and his films in his intense identification with his subjects, which stems from his complete immersion in their worlds.
Crowe spent 1980 posing as a high school student -- at 22 he could still pass for 18.
Anchored by its trio of outstanding performances and Crowe's self-assured handling, Say Anything is one of the best American films of the late Eighties, enlivened by the director's great ear for dialogue, supporting characters deserving of their own movies, and profound understanding of the importance music holds in people's lives.
www.findarticles.com /p/articles/mi_m1069/is_5_36/ai_65643706   (865 words)

  
 [No title]
In celebration of a noteworthy American writer and fim director, the Cameron Crowe Quiz is a combination of twelve exciting questions that you simply can't get anyplace else.
In the early eighties, Cameron went undercover as high school student at a California high school, although he was already well into his early-twenties.
Cameron was such a good student that he skipped first grade.
www.expertrating.com /quizzes/Cameron-Crowe-Quiz.asp   (337 words)

  
 Cameron Crowe's mothering instinct. - By Sarah Hepola - Slate Magazine
On the commentary track for the director's cut of Cameron Crowe's autobiographical film Almost Famous, Crowe is joined by an unusual guest—his mother.
Crowe's latest film is Elizabethtown, a romantic comedy about an entrepreneur (Orlando Bloom) who returns to small-town Kentucky after his father's sudden death and the biggest flop of his career.
Now, to what extent all this idealization derives from Crowe's relationship with his mother (or his sister, or his wife, Heart's Nancy Wilson) is for the armchair therapists to decide.
www.slate.com /id/2128519   (1149 words)

  
 Fametracker :: The Fame Audit :: Cameron Crowe
Cameron Crowe is good at catchphrases, at images, at memorable moments, but he's not that good at whole movies.
What's odd about Crowe is how pervasive his influence is, or seems to be; there are so many movies that feel like they could have been directed by him (Serendipity comes to mind), mostly because lesser directors steal his actors and his tricks.
This kind of Easy-Bake moment is exactly what Crowe's best known for, and best at: a moment that effectively cues you to feel something you remember having felt before, rather than inspiring an actual honest emotional response.
fametracker.com /fame_audit/crowe_cameron.php   (707 words)

  
 Rotten Tomatoes: Cameron Crowe Celebrity Profile
cameron crowe's writing and directing is pure genius.
The bathroom was coated in a layer of urine, the...
A place for Cameron Crowe fans to discuss everything about him and his films.
www.rottentomatoes.com /celebrity/cameron_crowe   (486 words)

  
 FEATURES | MAGAZINE | VOLUME 26-5: January 2002
As Cameron Crowe came to directing from journalism and, until now, has based his scripts on his own stories.
Crowe went to Greece, where Cruz was shooting another movie, talked to her and welcomed her on board.
Crowe also got his editing team on board early, bringing in Joe Hutshing with whom he had worked on Jerry McGuire.
www.dga.org /news/v26_5/feat_cameroncrowe.php3   (1841 words)

  
 IGN: A Conversation with Cameron Crowe
Thankfully, there are those few occasions whereupon writers get to embrace their inner googolplex-goer, their closet fanboy, and interview someone whom they respect and enjoy on a personal level as much as a professional one.
Such is the case for me, somewhat appropriately, with Cameron Crowe, who was himself at one time a reporter, and went on to become one of Hollywood's most respected filmmakers with works like Say Anything, Jerry Maguire and Almost Famous.
From our first moments together, Crowe proved to be a charming, articulate fellow; not only did he appreciate my enthusiasm, as unfocused as it may have been, but he responded in kind, offering sage wisdom about moviemaking as much as life itself.
movies.ign.com /articles/658/658343p1.html   (838 words)

  
 MTV Movies | Features and Interviews
Screenwriter, director and music lover Cameron Crowe has built a career crafting onscreen moments that seem to organically, effortlessly meld celluloid and song.
But while Crowe has made it look — and sound — easy in films as diverse as "Say Anything," "Almost Famous" and the upcoming Orlando Bloom-Kirsten Dunst vehicle, "Elizabethtown," the director insists that the right combination of the visual and aural is often maddeningly elusive.
Crowe's massively successful paean to the power of love to triumph over greed, slime and toxic self-absorption, "Jerry Maguire" nabbed a Best Supporting Oscar for Cuba Gooding, Jr., spawned a million lame "Show me the money" jokes and featured one of the strongest, most nuanced performances of Tom Cruise's career.
www.mtv.com /shared/movies/features/c/crowe_cameron_discogrpahy_051003   (1097 words)

  
 Amazon.com: Conversations with Wilder: Books: Cameron Crowe   (Site not responding. Last check: )
Cameron Crowe's book is like Wilder's best films: sharply observed, absolutely succinct and precise, funny but always with a very strong, serious foundation.
Cameron Crowe, the author of this terrific book, knows not only what questions to ask but WHY he is asking those questions.
Crowe reminds him and prods and teases and the result is one of the most interesting books I've ever read about Hollywood movies and the "system" that used to control them.
www.amazon.com /Conversations-Wilder-Cameron-Crowe/dp/0375406603   (1960 words)

  
 Amazon.ca: Almost Famous: Books: Cameron Crowe   (Site not responding. Last check: )
Crowe brings the same wry humor he brought to Jerry Maguire as well as the brilliant evocations of teen life that animated his earlier cult film Fast Times at Ridgemont High to chronicle and celebrate a pivotal moment in rock history-and one teenage boy's place in it.
Also, the author has an interview with Cameron Crowe himself, and Crowe explains many parts of the film that were most confusing to you.
In addition to the screenplay, there is an interview with Cameron Crowe that covers many of the questions you or I would like to ask Crowe about this film.
www.amazon.ca /Almost-Famous-Cameron-Crowe/dp/0571205690   (901 words)

  
 Cameron Crowe Interview: Well Rounded Entertainment
Cameron Crowe is the living embodiment of this dream.
Based on his early life as a budding writer, it is a surprisingly warm and endearing picture about the harsh and often unforgiving life on the road with a rock band and a young man's adult awakening.
WRE met with Crowe on a recent visit to Atlanta.
www.well-rounded.com /movies/reviews/crowe_intv.html   (1738 words)

  
 Cameron Crowe Biography and Summary
Cameron Crowe is one of Hollywood's premier filmmakers.
Cameron Bruce Crowe (born July 13, 1957) is an American writer and film director.
He was born in Palm Springs, California to James Crowe and Alice George.
www.bookrags.com /Cameron_Crowe   (166 words)

  
 TRIBUTE FROM CAMERON CROWE
Director Cameron Crowe pays tribute of different aspects in his life through his movies.
Crowe's movies are usually twisted, changing and a little offbeat.
Crowe feels this film is one of his best.
news.superiorpics.com /2005/10/12/Tribute_from_Cameron_Crowe.html   (196 words)

  
 Rolling Stone : This Time Cameron Crowe Gets Zeppelin for Movie Soundtrack
The hard rockers are notoriously stingy with their catalog, and wouldn't let Crowe use "When the Levee Breaks" from "Led Zeppelin IV" in his debut 1982 film Fast Times at Ridgemont High (to coincide with the dialogue where Brian Backer's character Rat declared side two of "Led Zeppelin IV" to be "the best make-out music").
Instead of "Levee," Crowe was forced to substitute "Kashmir," from the band's Physical Graffiti, much to the consternation of Led Zep purists everywhere.
They were so enthralled with the movie -- which actually borrows from the time Crowe spent on the road with them for a Rolling Stone story -- that they gave their OK for the use of four of their songs, including "That's the Way," which will appear on the soundtrack (out on Dreamworks Sept. 12).
www.rollingstone.com /news/story/5923743/this_time_cameron_crowe_gets_zeppelin_for_movie_soundtrack   (348 words)

  
 Cameron Crowe - Eyes & Ears - Music
Paul nabbed an Oscar nod for his playful title track, and Cameron Diaz, whose performance in the film was widely heralded, performed the dreamy I Fall Apart under the pseudonym Julianna Gianni.
Cameron Crowe teamed up with long time collaborators Danny Bramson and Nancy Wilson, who wrote the original score, to compile another uniquely memorable soundtrack.
On their first collaboration, Cameron Crowe and his wife Nancy Wilson worked with Danny Bramson and Jerry Greenberg to create the soundtrack for Crowe's directorial debut, Say Anything...
www.cameroncrowe.com /eyes_ears/crowe_eyesandears_music.html   (305 words)

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