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Topic: Camille Pissarro

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	Camille Pissarro - Wikipedia, the free encyclopedia
		Camille Jacob Pissarro was born in Charlotte Amalie, St.
		Thomas to Abraham Gabriel Pissarro, a Portuguese Sephardic Jew, and Rachel Manzano-Pomié, from the Dominican Republic.
		Pissarro died in Éragny-sur-Epte on either November 12 or November 13, 1903 and was buried in Père Lachaise Cemetery in Paris.
	en.wikipedia.org /wiki/Camille_Pissarro (463 words)

	Camille Pissarro Biography - Renoir Fine Art Inc.
		Camille Pissarro (1830-1903) was a key member of the French Impressionist group of painters.
		Camille to move to England during the Franco-Prussian War and the Commune (1870-71) and, with Monet, he painted a series of landscapes around Norwood and Crystal Palace as well as studying English landscape painters in the museums.
		Pissarro gradually abandoned Neo-Impressionism in the 1890s, preferring a style that better enabled him to capture his sensations of nature, although retaining the lightness and purity of colour acquired during his divisionist phase.
	www.renoirinc.com /biography/artists/pissarro.htm (847 words)

	Camille Pissarro: biography and encyclopedia article (Site not responding. Last check: 2007-11-06)
		Camille Pissarro (July 10 1830 – November 1903) was a French impressionist Impressionism quick summary:
		Camille Pissarro was born in Charlotte Amalie[Follow this hyperlink for a summary of this subject], EHandler: no quick summary.
		Jean-baptiste camille corot (july 26, 1796 - february 22, 1875) was a french landscape painter....
	www.absoluteastronomy.com /encyclopedia/C/Ca/Camille_Pissarro.htm (951 words)

	Camille Pissarro
		Degas was, incidentally, the artist to whom Pissarro referred the most often throughout his correspondence: their intense and mutual admiration was based on a kinship of ethical as well as aesthetic concerns.
		"Pissarro's radicalism is commensurate with the extent to which he subverted this traditional order of things; within his art, what grants signification to a painting is not so much its "meaning" as its "praxis," the fact that before anything, it was painted as a painting, not as a literary painting.
		Camille Pissarro: Impressionism, Landscape and Rural Labour, by Richard Thomson.
	www.artchive.com /artchive/P/pissarro.html (2365 words)

	Camille Pissarro, 1830-1903 - libcom.org \| history
		Pissarro participated in the Club de l’art social (The social art club) in 1899 alongside the sculptor Rodin, and the anarchist militants Grave, Emile Pouget and Louise Michel.
		Pissarro was an optimist who saw an anarchist future soon to come, where people, freed from religious and capitalist ideas, could appreciate his art.
		Pissarro was not a violent man but he understood the reasons for the anarchist bomb attacks of the 1880s.
	libcom.org /history/articles/1830-1903-camille-pissarro/index.php (1056 words)

	Impressionist Camille Pissarro by art historian Dr. Lori (Site not responding. Last check: 2007-11-06)
		Camille Pissarro was born in Charlotte Amalie, the capital of St. Thomas, Virgin Islands (at that time, the Danish West Indies) on July 10, 1830 to parents of French and Jewish origin.
		Pissarro became one of the most influential members of the French Impressionist movement, not only as an artist, but also as a teacher becoming the only artist to participate in all eight Impressionist exhibitions.
		Pissarro excelled at drawing and was a master of color and composition.
	www.drloriv.com /lectures/pissarro.asp (849 words)

	The Vincent van Gogh Gallery
		Camille Pissarro was born on St. Thomas, Virgin Islands, and did not arrive in Paris until he was twenty-five.
		Pissarro's first completely Impressionist period, between 1870 and 1880, is characterized by a palette much lighter than his original one, by a small comma-shaped brushstroke; and by a shimmering golden or silvery light that bathes the soft colors of his landscapes.
		The most classical and humanistic of the Impressionists, Pissarro was extremely important not only for his own quietly serene art but for stimulating Cezanne's search for solidity, for contributing to Gauguin's early training, and for his advice and counsel to the other younger members of the Impressionist group.
	www.vangoghgallery.com /artistbios/Camille_Pissarro.html (398 words)

	WetCanvas: Virtual Museum: Individual Artists: Camille Pissarro
		Pissarro's impressionism has much of the sobriety of Sisley's but less reflective.
		Everyone who knew Pissarro seems to have left some account of him, and by all these accounts his life and his character were a catalog of virtues - loyalty to his friends, wisdom as the father of a large family, courage in adversity, and patience, tolerance, honesty, and industry in all circumstances.
		Pissarro soon abandoned this extreme, but that he was attracted to it at all shows his cautiousness in the use of impressionist effects.
	www.wetcanvas.com /Museum/Artists/p/Camille_Pissarro (419 words)

	Camille Pissarro ~ The Artist
		was born on July 10, 1830 on the Caribbean island of St. Thomas, Danish West Indies; to Abraham Gabriel Pissarro, of Sephardic (or "Morrano") Jewish ancestry, and Rachel Manzano-Pomié, a Dominican of Spanish descent.
		And Pissarro was especially regarded as a teacher; he became the centre of a group of painters -- Renoir, Monet, Degas, Cézanne -- who respected his art and turned to him for inspiration.
		Pissarro never lost his capacity for enthusiasm and response, his love of nature, and the bright spectacle of life around him, which he set down on his canvas with unforgettable lightness and loveliness.
	www.pissarro.vi /artist.htm (1144 words)

	Pissarro, Camille (Site not responding. Last check: 2007-11-06)
		Camille Pissarro was a key member of the French Impressionist group of painters.
		Pissarro's period of residence in England during the Franco-Prussian War and the Commune (1870-71) was a fruitful one for him.
		In the 1880s, Pissarro joined a younger generation of artists, including Georges Seurat, Paul Signac, and his own son Lucien, in adopting the Neo-Impressionist technique, which used the claims of science to support a new style of painting.
	www.cartage.org.lb /en/themes/Biographies/MainBiographies/P/pissarro/1.html (481 words)

	Camille Pissarro (1830 - 1903) Artwork Images, Exhibitions, Reviews
		Pissarro was born in 1830 in St. Thomas, the West Indies.
		Camille Pissarro was born in the West Indies, but studied in Paris under Corot.
		Camille Jacob Pissarro, Paysage a Pontoise avec un Chasseur, 1879
	www.wwar.com /masters/p/pissarro-camille.html (1844 words)

	Camille Pissarro - Arts Reviews - Arts - Entertainment - theage.com.au
		Camille Pissarro (1830-1903) is a key figure in the history of Impressionism.
		Pissarro lived in the country and his pictures suggest both an atmospheric and moral sympathy for the rural environment.
		Pissarro has an amazing command of backlighting, as in Villa at l'Hermitage, Pontoise of 1873 and enjoyed different times of day, as with the early morning look of The Road Near the Farm, 1871, and Kitchen Garden at l'Hermitage, Pontoise of '74.
	www.theage.com.au /news/arts-reviews/camille-pissarro/2006/02/03/1138836412516.html (1022 words)

	artnet Magazine - When Paul Met Camille (Site not responding. Last check: 2007-11-06)
		For a long time, Camille Pissarro was best known for his paintings from the 1880s, in which peasant girls tend cows, pick apples, wash dishes and shop at a poultry market.
		During the early 1990s, the redoubtable Richard Brettell, a Pissarro specialist, and Joachim Pissarro, the painter’s charismatic great-grandson, as co-curators focused attention on "The Impressionist and the City: Pissarro’s Serial Paintings." This show, which was on view in Dallas, Philadelphia and London, merited a long car ride, even the purchase of an airplane ticket.
		Much can be made of Pissarro bringing to Impressionism his perspective as a Danish citizen, a Jew and a resident of the Americas; but it is just as relevant that the hillsides and road crossings around Pontoise offered the émigré new sensations in terms of a change of terrain and a different life style.
	www.artnet.com /magazineus/features/tuchman/tuchman9-29-05.asp (1254 words)

	Acquavella: Camille Pissarro's Biography
		Camille Pissarro was born in St. Thomas in the West Indies, son of a prosperous Jewish merchant, and was sent to boarding school near Paris.
		Pissarro was one of the key organizers of the First Impressionist Exhibition in 1874.
		Pissarro abandoned Neo-Impressionism in the 1890's, returning to the style that captured his sensations of nature.
	www.acquavellagalleries.com /main/artist_bio.cfm?artist_id=72 (168 words)

	Camille Pissarro Biography
		Camille Pissarro grew up on St. Thomas in the Antilles, where his parents, who had been born in France, ran a prosperous trading business.
		In 1859 Pissarro was represented for the first time in the Salon and, at the Académie Suisse, he became acquainted with Monet and Cézanne.
		In the 1880s, Pissarro, always a landscapist, turned to unemotional descriptions of peasant life and ended by changing his style, joining forces with the young painters Seurat and Signac to found the Neo-Impressionist movement.
	www.camille-pissarro.com (455 words)

	ARTless - The Life of Camille Pissarro (Site not responding. Last check: 2007-11-06)
		Son of Camille Pissarro, Pablo Pissarro, famous painter and inventor of Cubism.
		Not only did she have to fight against the chauvinistic attitudes of the period, but she also had to cope with being a single mother during a time when such a role was looked down upon.
		Camille Pissarro's death had a profound impact on young Pablo Pissarro.
	www.theapesheet.com /newape1/pissarro.html (657 words)

	Guggenheim Collection - Artist - Pissarro - Biography
		Jacob Camille Pissarro was born on July 10, 1830, to French Jewish parents on the West Indies island of St. Thomas.
		Pissarro abandoned this comfortable bourgeois existence at the age of twenty-two, when he left for Caracas with Danish painter Fritz Melbye, who became his first serious artistic influence.
		While Pissarro was accepted to show at the official Salon throughout the 1860s, in 1863 he participated with Edouard Manet, James Abbott McNeill Whistler, and others in the historic Salon des Refusés.
	www.guggenheimcollection.org /site/artist_bio_127.html (469 words)

	Camille Pissarro (Site not responding. Last check: 2007-11-06)
		Pissarro was born in Saint Thomas, Virgin Islands, and moved to Paris in 1855, where he studied with the French landscape painter Camille Corot.
		For a time in the 1880s Pissarro, discouraged with his work, experimented with pointillism (see Neoimpressionism); the new style, however, proved unpopular with collectors and dealers, and he returned to what he found to be a freer impressionist style.
		In 1869 Pissarro moved from Pontoise to Louveciennes, on the outskirts of Paris.
	www.mcs.csuhayward.edu /~malek/Impression/Pissarro.html (347 words)

	Amazon.com: Camille Pissarro:: Books: Camille Pissarro,Christoph Becker,Christophe Becker,Wolf Eiermann,Barbara Stern ... (Site not responding. Last check: 2007-11-06)
		Studying the effects of light, climate, and the seasons, Camille Pissarro experimented with art theory and technique, and fused a distinctive style that remains his own, within the larger style of Impressionism.
		Working in close friendship with Monet, Cezanne, Renoir, and Degas, Pissarro participated in all Impressionist exhibitions in Paris, and as the oldest of the Impressionists, he was a thought-provoking influence and a source of inspiration.
		Camille Pissarro (1830-1903) was born in St. Thomas in the Dutch West Indies and moved to Paris in 1855, befriending Corot and the Barbizon masters.
	www.amazon.com /exec/obidos/tg/detail/-/3775708618?v=glance (871 words)

	MyStudios- Camille Pissarro
		From the late 1860s he was a major figure of the Impressionist circle: he alone exhibited at all 8 exhibitions (1874-86) which he largely organized.
		Pissarro returned to Louveciennes to find that, during his absence, his home had been requisitioned as a slaughterhouse and his canvases torn from their stretchers and spread over the muddy ground in the garden to protect Prussian uniforms.
		But Pissarro quickly settled back into his former way of life, centred around his family, his work and his friends.
	www.mystudios.com /art/impress/pissarro/pissarro.html (631 words)

	Camille Pissarro [1830-1903] - Featured Artist Lot on Artfact.com
		In 1869, Pissarro settled with his family in the middle-class suburb of Louveciennes, southwest of Paris on the road to Versailles.
		Pissarro delighted in representing rural life, a theme he explored throughout much of his career, and the activity surrounding the roads into Louveciennes provided inspiration for many paintings, including the present work.
		By the time Pissarro moved to Pontoise in August of 1872, he had completed a series of paintings that capture the essence of life around Louveciennes, and secured his place in history as one of the founders of Impressionist painting.
	www.artfact.com /features/artistLot.cfm?iid=x0f9ypiP (1297 words)

	ArtandCulture Artist: Camille Pissarro (Site not responding. Last check: 2007-11-06)
		Pissarro was among the first to practice this innovative method of painting, recreating exactly what his eyes saw in complete disregard for tradition.
		Pissarro was quick to defend the talent of this new movement and would often express his belief in the need for new and modern art: "It is surely not difficult to see that our time is a birth and a transition to a new period."
		Most of Pissarro’s paintings are landscapes, usually devoid of human figures, that focus entirely on the forms and colors of nature.
	www.artandculture.com /cgi-bin/WebObjects/ACLive.woa/wa/artist?id=1306 (507 words)

	Camille Pissarro (Getty Museum)
		Camille Pissarro was expected to work in his father's shop in the West Indies, not become an artist.
		"The humble and colossal Pissarro," as Paul Cézanne called him, was the group's peacemaker, the only painter to exhibit in all eight of their shows, and the one who invited younger artists like Cézanne and Paul Gauguin into the group.
		Pissarro was interested mostly in landscapes and rural life and was enormously prolific in many media: painting, pastel, gouache, drawing, etching, and lithography.
	www.getty.edu /art/gettyguide/artMakerDetails?maker=412&page=1 (211 words)

	Camille Pissarro Page; French painter & anarchist, from the Daily Bleed's Anarchist Encyclopedia: A Gallery of Saints & ... (Site not responding. Last check: 2007-11-06)
		Camille Pissarro Page; French painter & anarchist, from the Daily Bleed's Anarchist Encyclopedia: A Gallery of Saints & Sinners; Labor, Radical, Poets, Anarchists, Anti-Authoritarians...
		In the theories of anarchism they found many elements that corresponded to their own yearnings: an ultra-radical individualism, love of liberty, pity for the disinherited, passionate solidarity, & glorification of humanity.
		Some, like Pissarro, who had studied Marx as well as Peter Kropotkin, reasoned that 'the movement of ideas in present society tends with extraordinary energy towards the elaboration of new philosophical & scientific systems destined to become law in societies of the future.' Others explained in more sentimental terms why they were anarchists.
	recollectionbooks.com /bleed/Encyclopedia/PissarroCamille.htm (346 words)

	Worcester Art Museum - Press Release - Leading Expert on French Impressionist Painter Camille Pissarro
		Pissarro will discuss the recently recovered Pissarro painting featured in Pissarro and Other Masters: The Stoddard Legacy, as well as the influence Gauguin had on his great grandfather.
		The author of several scholarly publications, reviews and articles, Dr. Pissarro is working on a catalogue of Camille Pissarro's paintings, and a catalogue of Camille Pissarro's works on paper.
		Pissarro's presentation will be in Tuckerman Hall, followed by dinner at the Museum.
	www.worcesterart.org /Information/PR/Past/4-4-00.html (394 words)

	Haber's Art Reviews: Camille Pissarro and the Jew As Modernist
		Pissarro has focused on the mundane in order to reach for the essential.
		Pissarro, like Marx or Freud, sought neither horn of our contemporary dilemmas, or at least not when he fought for radical change.
		Pissarro never caught another urge that was to underlie art of our century, the belief in risk, improvisation, and the unconscious.
	www.haberarts.com /pissarro.htm (1092 words)

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