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Topic: Cannonball Adderly

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	Cannonball Adderly
		Cannonball Adderly is one of my very favorite saxophone players because his playing is filled with emotion.
		Adderly teamed up with his coronet-playing brother, Nat, to form a popular quintet during the 1960s.
		Cannonball Adderly died of a stroke in 1975.
	airjudden.tripod.com /jazz/cannonballadderly.html (169 words)

	Cannonball adderley somethin else
		Julian Cannonball Adderley, the leader of the group that remains so ardently aflame throughout these sides, is an alto saxophonist cast in the Charlie Parker bop mold.
		Both Cannonball and Miles agree that there has been far too much labeling of jazz-men, that there is an almost limitless degree of overlapping between schools, and that what counts is not the branding of the music but the cohesive quality of their concerted efforts.
		Cannonball's solo on this track is perhaps the most typical of all in the set: the big, round sound, the Parker-oriented phrasing and harmonic sense, consistently interesting linear development all are in evidence.
	www.cannonball-adderley.com /1144.htm (1372 words)

	Nat Adderly Biography
		Nat Adderly was born November 25, 1931 the younger brother of Julian "Cannonball" Adderly.
		When Cannonball rejected the trumpet (bought by their father, who played professionally) in favor of the saxophone, Nat picked up the trumpet.
		Cannonball, showing confidence and nerve, made his way to the stage and played with bassist Oscar Pettiford, drummer Kenny Clark, and pianist Horace Silver and proved his mettle.
	airjudden.tripod.com /jazz/natadderly.html (216 words)

	Cannonball Adderley :Somethin' Else
		Adderly worked as a band director at Dillard High School in Fort Lauderdale, Florida from 1948 until shortly after his appearance at the Bohemia, when he and brother Nat formed a quintet and began to tour.
		Cannonball's playing on classic Davis sessions like Milestones reveal a new discipline in the use of space and silence as well as a more adventurous harmonic ear.
		However, Cannonball's distinctive tone and strong sense of thematic development are in evidence and help to distinguish the solo as his.
	www.jazzitude.com /cannonball_something.htm (639 words)

	Cannonball Adderley - Jazz - Randy's Rodeo
		Cannonball Adderley was an expansive and personable bandleader, fond of ingratiating, spoken introductions; together with his easygoing musical style, this made him one of the most popular jazzmen of his day.
		Adderley's 1955 debut, Presenting Julian Cannonball Adderley, was on Savoy; this and other early hard bop sessions (with an all-star rhythm section of Kenny Clarke and Paul Chambers) are sampled on Timeless or any number of other Savoy reissues.
		This was followed quickly in 1959 by Cannonball And Coltrane (released on Emarcy, and later remastered as Quintet In Chicago), a magnificent jam with Adderley's mates from the 1959 Davis sextet, including John Coltrane and Wynton Kelly.
	www.randysrodeo.com /jazz/adderley.php (1040 words)

	Fantasy Cannonball Adderley (Site not responding. Last check: 2007-10-21)
		While the group struggled economically, Cannonball did draw the attention of Miles Davis, who featured the alto saxophonist in the immortal Miles Davis sextet (alongside John Coltrane and either Red Garland, Bill Evans, or Wynton Kelly) for two years beginning in late 1957.
		In September 1959, Cannonball left Davis and reunited with Nat in a new Cannonball Adderley quintet.
		At the heart of the group's success throughout its existence were Cannonball, one of the most impassioned alto (and, later, soprano) saxophonists in jazz history, and Nat, whose infectious compositions (including "Work Song" and "Jive Samba") formed a critical part of the band's book.
	www.fantasyjazz.com /html/adderleycbio.html (535 words)

	Cannonball Adderley
		Julian "Cannonball" Adderley burst on the jazz scene in 1955 after sitting in with Oscar Pettiford's group at the Cafe Bohemia.
		Near the end of '59, Cannonball, as he was known, formed a new quintet, again featuring his brother Nat.
		At times Adderly would add a tenor sax to the lineup in the persons of Yusef Lateef or Charles Lloyd.
	www.jazzitude.com /cannonball_bio.htm (559 words)

	Cannonball Adderley @ The Jazz Files (Site not responding. Last check: 2007-10-21)
		Recorded live one month later at San Francisco's Jazz Workshop, the band became an immediate success with their version of Bobby Timmons's sanctified waltz "This Here" and a leading practitioner of what came to be called soul jazz.
		At the heart of the group's success throughout its existence were Cannonball's impassioned alto (and, later; soprano) saxophone and Nat's infectious compositions (including "Work Song" and 'Jive Samba').
		Cannonball was the one who called Wes Montgomery to the attention of Riverside Records, produced the debut recording of Chuck Mangione, and collaborated so brilliantly with a young Nancy Wilson.
	www.thejazzfiles.com /JazzAdderly.html (420 words)

	Soul Zodiac (Site not responding. Last check: 2007-10-21)
		Cannonball Adderly was one of the great saxophonists of the bebop era of jazz.
		Nat Adderly played trumpet in his brother's combo throughout the 60s, and in the early 70s formed his own group that refined the soul jazz style.
		Cannonball and Nat's band did a series of similar projects, including "Cannonball Adderly presents Soul of the Bible." All I know is that Soul Zodiac is very close to being the ultimate fl light 'n' incense mood music.
	www.8trackheaven.com /zodiac2.html (199 words)

	Extra Raw
		While "Cannonball" worked as a teacher at Dillard High School in Fort Lauderdale and Nat attended Florida AandM University, the two brothers drove up to New York City during the summer of 1955 where their lives were changed forever.
		During the sixties the Adderly Quintet enjoyed even greater popularity with their pianist Joe Zawinul's composition, "Mercy, Mercy, Mercy." Using the blues as an eternal touchstone, the band thrived in spite of rock 'n' roll's ever-increasing dominance of the airwaves.
		After Cannonball Adderly's death in 1975, Nat went on to work with his own quintets and participated in other musical settings including an exciting group he led with trombonist J.J. Johnson.
	www.newcitychicago.com /home/daily/raw/10400_nat.html (643 words)

	Jazz \| All About Jazz (Site not responding. Last check: 2007-10-21)
		Both as the leader of his own bands as well as an alto and soprano saxophone stylist, Julian Edwin "Cannonball" Adderly was one of the progenitors of the swinging, rhythmically robust style of music that became known as hard-bop.
		AdderlyÃÂÃÂÃÂÃÂÃÂÃÂÃÂÃÂ’s direct style on alto was indebted to the biting clarity of Charlie Parker, but it also significantly drew from the warm, rounded tones of Benny Carter; hard swingers such as Louis Jordan and Eddie "Cleanhead" Vinson were important influences as well.
		Adderly became a seminal influence on the hard-driving style known as hard-bop, and could swing ferociously at faster tempos, yet he was also an effective and soulful ballad stylist.
	www.allaboutjazz.com /bios/cabio.htm (597 words)

	CD Review of Cannonball Adderley - Cannonball Plays Zawinul on Capitol @ jazzreview.com
		Julian “Cannonball” Adderley refined a brand of instrumental music known as “soul jazz.” Adderley’s alto sax was the fire in the engine of his quintets and sextets, an engine that grooved down the bumpy blue highways of the recently desegregated South.
		Cannonball Plays Zawinul, released this past year, is a compilation of 10 of the keyboardist’s maps taken from eight albums Cannonball cut for Capitol Records between 1961 and 1971.
		No Cannonball Adderley album is complete without a little of the saxophonist’s patter: His voice is as resonant and distinctive as his horn as he introduces one of the songs he and Zawinul were best known for, a straight-ahead version of “Mercy, Mercy, Mercy.”
	www.jazzreview.com /cdreviewprint.cfm?ID=8361 (645 words)

	Amazon.com: Jazz Casual - Cannonball Adderley (1961) : Video (Site not responding. Last check: 2007-10-21)
		As members of Miles Davis's immortal Kind of Blue-era sextet, saxophonists Julian "Cannonball" Adderley and John Coltrane were an inspired combination, with Cannon's dancing, bebop-inspired alto lines offering a lighter (but by no means insubstantial) counterpoint to Trane's booming, restlessly exploring tenor.
		In both his playing and his interview with Gleason, Cannonball offers a swinging clinic on the role of the blues in post-bop jazz.
		The beauty of this one is that it is the earliest available recording,from 1961, and the only of the Cannonball Adderley Quintet (the other 3 are all sextet).
	www.amazon.com /exec/obidos/tg/detail/-/6305458146?v=glance (513 words)

	Review - Cannonball Adderley: Cannonball's Bossa Nova (Site not responding. Last check: 2007-10-21)
		Cannonball Adderly wasn't widely identified with the bossa nova craze of the early sixties, but the evidence on this disc, a reissue of his 1962 recording for the Riverside label, shows that it wasn't for lack of trying.
		That sextet was as important to the quality of the sessions as Adderly.
		For his entry into the bossa nova sweepstakes, Cannonball chose to record with an established group of young Brazilians which included Durval Ferreira on guitar, Octavio Bailly, Jr.
	www.cosmik.com /aa-april00/reviews/review_cannonball_adderley.html (396 words)

	Review (Site not responding. Last check: 2007-10-21)
		The LP release was a two record set, reuniting Adderly with producer Orrin Keepnews, who had been at the helm of some of Cannonball's greatest soul jazz hits.
		Cannonball Adderly was only 46 years old at the time, and there was no reason to believe that there wouldn't be plenty of time for reunions and retrospectives in the future.
		That he happened to record this album at the time he did is an accident of history, but a happy accident for the legions of fans he left behind.
	www.cosmik.com /aa-october99/reviews/review_cannonball_adderly.html (216 words)

	Brenda Adderly Related Supplies (Site not responding. Last check: 2007-10-21)
		ROYAL ADDERLY Cup and Saucer N1568 - Hand Painted - XLNT $7.95 The Pain Relief Breakthrough by Brenda Adderly 1st ED $0.99 cannonball adderly spontaneous combustion lp savoy $6.00 8 Cannonball Adderly Jazz...
		Featuring acclaimed author Brenda Adderly; Brighter Baby examines the most recent groundbreaking research regarding baby massage and its effect on brain development and intelligence.
		Adderly Fine Bone China - Salad Pl Cornflower Pattern $7.50 The Arthritis Cure by Barry Fox, Brenda Adderly, Jas...
	www.medical-research-books.com /1mrb/Brenda-Adderly (324 words)

	Blue Note Records
		Born September 15, 1928, in Tampa, FL Died August 8, 1975, in Gary, IN Alto saxophonist Cannonball Adderley delivered some of the most joyous and soulful sounds in jazz in a distinctive style that blended bebop, gospel and the blues.
		Musical highlights of Adderley's career, which was cut short in 1975 when he died at age 48 after suffering a stroke, are collected on the compilation Jazz Profile: Cannonball Adderley.
		Born and raised in Florida, Adderley played in a military band while serving in the U.S. Army and performed jazz around his home state before becoming a high school band director.
	www.bluenote.com /artistpage.asp?ArtistID=3270&tab=1 (245 words)

	adderly (Site not responding. Last check: 2007-10-21)
		Adderley, Cannonball (1928-1975), was an important jazz alto saxophonist and bandleader known for his warm tone and his swinging, blues-drenched solos.
		When he was a boy, his classmates nicknamed him "Cannibal" because of his hearty appetite.
		Other people misunderstood the nickname and began calling him "Cannonball." Adderley played alto saxophone in bands in Florida and directed a high school band there in the late 1940's and again in the early 1950's.
	www2.worldbook.com /features/aamusic/html/adderly.htm (243 words)

	eBay - cannonball adderly, Records, CDs items on eBay.com (Site not responding. Last check: 2007-10-21)
		Cannonball Adderly / LIVE jazz record / 1965.
		Cannonball Adderly The Land Of Hi Fi LP Vinyl Album
		Cannonball Adderly Soul of The Bible 2 LP Vinyl Record
	search-desc.ebay.com /search/search.dll?query=cannonball+adderly&... (301 words)

	MusicDish Industry e-Journal
		Granted, this event at Newport featuring George Shearing (piano) and Cannonball Adderly (alto sax) with his brother Nat (trumpet) was exceptional to begin with, and when you have something of quality to work with when you start the remastering process, the result is that musical legends become more real and alive.
		Both band leader's quintets getting together for some sparkling and innovative improvisation is what this genre lives for, it is the heartbeat of jazz to create live music such as this.
		This was the golden age of jazz, the 50's and all its glory came to a peak of musical intelligence that has not been matched since men such as Adderly and Shearing stepped on stage to perform.
	www.musicdish.com /mag/index.php3?id=7328 (867 words)

	Amazon.com: Something Else [ORIGINAL RECORDING REISSUED] [ORIGINAL RECORDING REMASTERED]: Music (Site not responding. Last check: 2007-10-21)
		When alto saxophonist Cannonball Adderley culled together this quartet, he grabbed three champions from seemingly disparate schools to complement his flinty solos: Miles Davis, the king of cool; Art Blakey, the thundering force of hard bop; Hank Jones, a veteran of swing; and Sam Jones, a versatile bassist adaptable to nearly any setting.
		Every track's performance is a highlight, but Cannonball's playing is particularly inspired, especially his soulful blues soaked soloing on Dancing in the dark, and boppish flight on One For Daddy-O. Miles is dramatic, soulful, vulnerable, and sultry all at once.
		Nat Adderly is adept and versatile on this disc, showing his ability to integrate and utilize superb and diverse musicians for a cohesive uniform sound throughout the disc.
	www.amazon.com /exec/obidos/tg/detail/-/B00000I41J?v=glance (1665 words)

	Blogger: Email Post to a Friend (Site not responding. Last check: 2007-10-21)
		Julian "Cannonball" Adderly made his mark in the 50s as a soulful and funky bebop horn player, and was most notably featured in Miles Davis' legendary Kind of Blue band.
		His brother, cornet player Nat Adderly, was his primary musical partner.
		The Country Preacher recording is unfortunately out of print in the States, but this track can be found on Cannonball Adderly: The Best Of The Capitol Years, as well as the cool Blue Note compilation Blue Break Beats, Vol 3.
	www.blogger.com /email-post.g?blogID=7958737&postID=110839730626737182 (232 words)

	Salon Arts & Entertainment \| Sharps & Flats (Site not responding. Last check: 2007-10-21)
		Three kings -- Miles Davis, John Coltrane and Cannonball Adderly -- rip through six CDs of the most ravishing jazz ever played.
		In 1955, when Miles Davis signed with Columbia Records and started to make the records collected on "Miles Davis and John Coltrane: The Complete Columbia Recordings, 1956-61," he was 29 years old and in the midst of a comeback.
		By 1958, Davis had two saxophonists, alto Cannonball Adderley and tenor John Coltrane.
	www.salon.com /ent/music/review/2000/05/03/davis (698 words)

	Cannonball Adderley: Somethin' Else ---Ink Blot Magazine
		Both before and after his time with Davis' group, he formed a successful group of his own with his cornet-playing brother Nat and varying rhythm sections (including pianists Bobby Timmons and Joe Zawinul) over the years.
		This remarkable outing boasts an impressive cast of characters; Miles Davis, in a rare sideman appearance, and the formidable rhythm section of Hank Jones, Sam Jones and Jazz Messenger leader Art Blakey on drums.
		The funky blues "One for Daddy-O," written by Cannonball's brother Nat, starts off with a nice call and response between the horns and piano.
	www.inkblotmagazine.com /rev-archive/Cannonball_Something.htm (476 words)

	Cannonball Adderley @ The Jazz Files
		Julian "Cannonball" Adderley (1928-75) was a high school band director in his native Florida, before moving to New York in 1955.
		Despite misguided promotional efforts to christen him as the new Charlie Parker, Adderly clearly had his own approach to the horn, which drew on the inspiration of Benny Carter as well as Parker.
		* The Cannonball Adderly Sextet in New York
	homepage.ntlworld.com /gijs.elsen/JazzAdderly.html (373 words)

	Sax on the Web > Jody Espina > Interesting Improviser
		This lick is taken from Cannonball's solo on Love for Sale, from the CD, Somethin' Else - Cannonball Adderly (Blue Note BST 81595).
		The Julian Cannonball Adderly Collection, Compiled and Edited by Tim Price.
		Even if the solos are too difficult to play at this time, it would be great to buy all of the CDs and follow along looking at the transcriptions while Cannonball plays.
	www.saxontheweb.net /Espina/Improvising.html (2754 words)

	George Josse Collection- SIUE
		Adderly, Cannonball – “Somethin’ Else” [Blue Note BN-LA169-F] Adderly, Cannonball – “Cannonball Adderly Quintet” [Mercury Wing SRW 16362]
		Adderly, Julian “Cannonball” – “Julian “Cannonball” Adderly” [Everest FS-261]
		Adderly, Nat – “The Scavenger” [Milestone MSP 9016]
	www.siue.edu /~tdickma/George_collection.htm (3898 words)

	Cannonball Adderly News
		News about Cannonball Adderly continually updated from thousands of sources around the net.
		Percussion instruments dominated the Trinidad and Tobago Steelpan and Jazz Festival, heightening appreciation of the Cannonball Adderly Legacy Band, the lone act featuring horns.
		Discography: Presenting Cannonball Adderley (1955), At the Lighthouse (1960), Presenting Cannonball (1991), Jazz Profile: Cannonball Adderly (1997)
	www.topix.net /who/cannonball-adderly (161 words)

	Cannonball Adderly Quintet Pics - Cannonball Adderly Quintet News - Cannonball Adderly Quintet Information
		Cannonball Adderly Quintet Pics - Cannonball Adderly Quintet News - Cannonball Adderly Quintet Information
		Show #32 (taped 03-Dec-69) Guests: --Cannonball Adderly Quintet - "Hamba Nami" & "The Country Preacher" --Grand Funk Railroad - "Mr.
		Tell the world what you think of Cannonball Adderly Quintet.
	www.tv.com /cannonball-adderly-quintet/person/316127/summary.html (114 words)

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