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	Carel van Mander - LoveToKnow 1911
		CAREL VAN MANDER (1548-1606), Dutch painter, poet and biographer, was born of a noble family at Meulebeke.
		His fame is, however, principally based upon a voluminous biographical work on the paintings of various epochs - a book that has become for the northern countries what Vasari's Lives of the Painters became for Italy.
		published in 1604, in which year Van Mander removed to Amsterdam, where he died in 1606.
	www.1911encyclopedia.org /Carel_van_Mander (189 words)

	Loan conditions from Museum Bredius
		Restitution a Nicolaes Van Helt Stocade d'un tableau, faussement attribué a Van Der Helst.
		Naar aanleiding eener voordracht van A. Trivelli, weergegeven in Het Vaderland van 14 en 15 Jan. Zie ook Het Vaderland van 20 Maart.
		In het Duitsch en in het Engelsch verschenen.
	www.museumbredius.nl /publications.htm (1973 words)

	Karel van Mander
		In 1566-1567, Van Mander studied with the painter and poet Lucas d’Heere (1534-1584) in the same city and subsequently, in 1568-69, with the painter Pieter Vlerick (1539-1581) in Kortrijk and Doornik.
		Following Van Mander’s death (1606), a new edition of the Schilder-Boeck was published in 1616-1618, to which his own biography was added, probably written by his youngest brother, Adam.
		Uit het Schilder-Boeck (1604) van Karel van Mander.
	www.dictionaryofarthistorians.org /manderk.htm (940 words)

	Staedel-Museum english: 30-06-2006 Lucas van Leyden
		Information about the life of Lucas van Leyden is scarce: the most useful biographical source is the “Schilderboek” (“Painter’s Book”) by the Dutch painter and writer Carel van Mander, which was published in 1604 and is based on accounts of the artist’s descendants.
		According to Van Mander, Lucas was born in May or June 1494 in Leyden, a town of clothiers and merchants, as the son of the painter Huych Jacobsz.
		Van Mander writes that Lucas was a prodigy who engraved his first copperplate at the age of nine, was a painter at twelve, and completed his masterpiece engraving Mohammed and the Monk Sergius in 1508 at the age of 14.
	www.staedelmuseum.de /index.php?id=913 (754 words)

	Michiel Jansz van Mierevelt, Michiel van Mierevelt, Michiel van Miereveld, works of art, paintings (1567-1641) son of a ...
		Michiel Jansz van Mierevelt (1567-1641) was born on Markt sqare in Delft as son of a goldsmith, he was precocious: at age eight he could write in calligraphy as fine as the best Delft schoolmaster.
		Van Mierevelt's son Pieter and son Jan also became painters.
		To the left: a portrait by M. van Mierevelt of his colleague, painter Cornelis de Man.
	www.xs4all.nl /~kalden/dart/d-a-mierev-m.htm (680 words)

	The CODART List - Government - Museums with Dutch art and Flemish art
		Van Cronenburgh was the secretary of a district in Friesland called Tietjerksteradeel, and van Swanenburgh was councilman and burgomaster of Leiden.
		Van Cronenburgh painted portraits of the Frisian nobility, who were still the local rulers in his time, and van Swanenburgh designed stained glass for public buildings in Leiden and worked for township bodies such as the drapers' guild (fig.
		Although van Mander was a writer who was quick to exaggerate the successes of his colleagues, he shows a notable disinterest in the political careers of artists, even going so far as to omit from his book altogether the artists who reached the highest stations in non-artistic life.
	www.codart.nl /publications/show/chapter/4 (3205 words)

	History of Art: Gothic Art- Rogier van der Weyden
		Active in both Tournai and Brussels, Rogier van der Weyden was one of the most renowned painters of the 15th century, though his reputation declined after the loss of important works in the 17th century and is only now being reinstated.
		Rogier van der Weyden was the son of Henri de le Pasture, a cutler in Tournai, and Agnès de Watreloz.
		Van der Weyden maintained connections with Tournai and the Tournai guild of painters, which in 1464 held a funeral service in his honour.
	www.all-art.org /gothic_era/weyden1.html (1555 words)

	Vincent Art Gallery: About Rogier van Weyden
		Jan van Eyck, the great painter from Bruges, also profoundly affected the developing artist, introducing elegance and subtle visual refinements into the bolder, Campinesque components of such early paintings by Rogier as St.
		Although as an apprentice Rogier must certainly have met Jan van Eyck when the latter visited Tournai in 1427, it was more likely in Bruges, where Rogier may have resided between 1432 and 1435, that he became thoroughly acquainted with van Eyks style.
		By the end of the 16th century the biographer Carel van Mander had referred mistakenly to two Rogiers in Het Schilderboek (1603; "Book of Painters"), and by the middle of the 19th century his fame and art had all but been forgotten.
	www.vincent.nl /gallery/about/vanweyden.htm (940 words)

	Entretextos. Revista Electrónica Semestral de Estudios Semióticos de la Cultura 4 (Noviembre 2004). ISSN 1696-7356
		Dejamos a un lado la fantástica descripción de Carel van Mander de 1604, que tiene poco que ver con la realidad (v.
		De igual modo Marcus van Vaernewyck, en su descripción del Altar de Gante de 1566 hace mención de la representación de los caballeros —y entre ellos Jan y Hubert van Eyck— situándolos en el lado derecho del Altar ("ter rechter handt": ibid., 1965:109).
		Gent ("Inventaris van het Kunstpatrimonium van Oostvlaanderen", VI).
	www.ugr.es /~mcaceres/Entretextos/entre4/uspenskid.htm (4369 words)

	Re: Van Eyck's Secret Technique!!!
		Carel van Mander, who was like a Flemish version of Vasari, wrote in 1604 about a "primuersel," or flesh-colored priming characteristic of early Netherlandish oil painting.
		I examined one of van Mander's paintings at the local museum this morning and could see clearly that he was still using a flesh-colored priming.
		Regarding van Eyck's technique, I compared notes with a painter I admire who is very well-versed in current van Eyck scholarship including some articles written in Flemish.
	www.1art.com /wwwboard/messages/702.html (447 words)

	NAAMKUNDE
		Nijmegen: Dekker and Van de Vegt en J.W. van Leeuwen, 1932.
		Het levensverhaal van onze eerste kinderdichter Hieronymus van Alphen.
		Een onderzoek naar dramatische en morele instructie van Ithys, Polyxena en Iphigenia.
	www.paradox-books.nl /biografie.htm (344 words)

	Secret Formulas and Techniques (Site not responding. Last check: 2007-10-28)
		To be able to paint every detail accurately and with comparative ease was so exciting that they overlooked the importance of subordination and balance between the model, the color and the proportion in their pictures.
		But if Van Eyck's education left traces of the guild's conventions, Hans Memling (1430-1495) Who followed him and who was not a victim of this education, arrived at an execution that in its absolute realism approached the effects of actual photography-enriched, however, by the superior material of paint.
		It was the work of Van Eyck's successors, and the great achievements of the Renaissance as a whole, which brought about the perfection of both the techniques and materials of painting on the one hand, and of the artistic intelligence on the other.
	www.jam.ca /Maroger/MarogerSecrets/Page44.html (271 words)

	Carel van Mander - Wikipedia, the free encyclopedia
		Carel van Mander (May 1548—September 2, 1606), Flemish painter, poet and biographer, was born of a noble family at Meulebeke.
		His fame is, however, principally based upon his Schilderboeck, a voluminous biographical work on the paintings of various epochs--a book that has become for the northern countries what Vasari's Lives of the Painters became for Italy.
		It was completed in 1603 and published in 1604, in which year Van Mander removed to Amsterdam, where he died in 1606.
	en.wikipedia.org /wiki/Carel_van_Mander (288 words)

	The CODART List - - Museums with Dutch art and Flemish art
		Mander, Carel van, Het schilder-boeck waer in voor eerst de leerlustighe iueght den grondt der edel vry schilderconst in verscheyden deelen wort voorghedraghen: daer nae in dry deelen t'leven der vermaerde doorluchtighe schilders des ouden en de nieuwen tyds: eyntlyck d'uutlegghinghe op den Metamorphoseon Pub.
		Mander, Carel van, The lives of the illustrious Netherlandish and German painters, edited by Hessel Miedema, Doornspijk 1994-1999.
		Moes, Ernst Wilhelm, Iconographia Batava: beredeneerde lijst van de geschilderde en gebeeldhouwde portretten van Noord-Nederlanders in vorige eeuwen, Amsterdam 1897-1905.
	www.codart.nl /curators_bookshelf/3 (349 words)

	Odysseus in the Low Countries
		Van ‘s Gravenweerts unfaithfulness is less clear-cut than Droste’s, yet he too admits that his version is not always literal, not only since that would be impossible in a verse translation, but also « because that would be repulsive, due to the stiffness of Homer’s treatment ».
		With the exception of van der Weerd’s literal prose translation, published in 1901 (22), all Dutch Odysseys until 1950 were composed in hexameters, and written in an artificial diction, tormenting the syntactic rules in far worse a manner than Vosmaer himself had done.
		The sentence on the repetitions and similes is italicized: « Ik weet niet wat naem ik aen dit Dicht sal geven.
	www.hfac.uh.edu /mcl/faculty/armstrong/demoen/default.html (7152 words)

	Netherlandic Treasures - Historical Sources
		Shown here are the general title page and an opening from the section on Dutch and German artists.
		Mander himself was a painter as well as a poet and prose writer.
		He was born near Kortrijk (present-day Belgium), traveled in Italy, and left the Southern Netherlands in 1583 to set up in Haarlem, and thereafter in Amsterdam.
	www.lib.umich.edu /spec-coll/netreasures/historical.html (835 words)

	2006
		Door het verval van Gent na de Hervorming (16de eeuw), raakte het Gentse literaire leven in de loop van de eeuwen op de achtergrond; maar na 1830 speelde Gent op letterkundig […]
		Gent is de hoofdstad van de provincie Oost-Vlaanderen en van het Arrondissement Gent in België.
		Gent ligt aan de samenvloeiing van de Schelde en de Leie, en wordt ook wel de fiere stede of de Arteveldestad genoemd.
	www.hotelgent.eu /200608.html (205 words)

	Adriaen Van Ostade - A Hurdy-Gurdy Player before a Farmhouse
		We are grateful to both Dr. Bernhard Schnackenburg and Fred G. Meijer for confirming the painting as an authentic work by Adriaen van Ostade on the basis of transparencies.
		Adriaen van Ostade was the son of the weaver Jan Hendricx van Eyndhoven and Janneke Hendriksdr.
		The Ostades are believed to be the first to paint the theme of idle interchanges between the itinerant and resident, and it was one which pretty much remained their own domain (1).
	www.steigrad.com /cat/vanostade01.html (659 words)

	W:\deptpages\mqr\pastissues\july00friesen.HTM
		Two Mennonites in particular, Carel van Mander and Joost van den Vondel, were leaders in the burgeoning arts movement of the Dutch Golden Age.
		Mander founded art academies in Haarlem and Amsterdam and authored the standard text on Dutch and German art, The Lives of the Illustrious Netherlandish and German Painters.
		Mander's aesthetic project was marked by classicism, innovation and intellectual integrity.
	www.goshen.edu /mqr/pastissues/july00friesen.html (8321 words)

	HNA Review of Books (Site not responding. Last check: 2007-10-28)
		His most influential publication is undoubtedly the Perspective (Leiden, 1604-5), described by Carel van Mander in his biography of the artist as 'a very beautiful book about architecture'; it deservedly earned its place in the libraries of scholars, architects, and artists such as Rubens.
		Works by precursors such as Jan Gossaert and Pieter Coecke van Aelst as well as pupils and followers - Hendrik Aerts, Dirck van Delen and Pieter von Bronchorst are included.
		Particular attention is also paid to the important role of Paul (1567-1630), Vredeman's son, studio partner and successor.
	www.hnanews.org /2005/Borggrefe2002.html (722 words)

	[No title]
		Lilies: Mary’s position on the floor: Extinguished candle: Joseph drilling holes in a board: Mousetrap: Open door through which patrons look: Describe the portrayal of Joseph on the Merode Altarpiece.
		Describe the stylistic relationship between figure and ground in Van der Weyden’s Deposition.
		What is Denis the Carthusian’s relevance to Van der Weyden’s depiction of Mary in the Deposition?
	gator.uhd.edu /~baker/CampinWeyden.doc (274 words)

	Reiseführer Niederlande, Ferienwohnung, Ferienhaus, Reiseinformationen bei Domizil-Katalog.de
		Maler Frans Hals (1580—1666), Adriaen van Ostade (1610—1685) und Jacob van Ruysdael (1628—1682) arbeiteten vornehmlich in ihren Haarlemer Ateliers.
		Hofje Codde en van Beresteyn, Jos Cuypersstraat 24, 2014 XD Haarlem, ¢ 023/5320166.
		Der flämische Maler Carel van Mander hatte nach seiner Übersiedlung nach Haarlem diese damals neue Kunstrichtung ins Leben gerufen.
	www.domizil-katalog.de /reiseinfos/niederlande/leseprobe_1.htm (1929 words)

	Journey to Constantinople -- Explore Vol. 2 No. 1
		One of the most remarkable documents of contact between the peoples of northern Europe and the Ottoman Empire is the series of 10 woodcuts, comprising seven scenes, designed by Pieter Coecke van Aelst (1502-1550).
		When he traveled to Constantinople in 1533, he was probably in the entourage of a diplomatic delegation.
		But abiding by his Mohammedan law, the Turk would have no images of men or animals; so that nothing came of the plan but time spent in traveling and great loss to the speculators.
	www.research.ku.edu /explore/v2n1/woodcut.html (561 words)

	CAREL VAN MANDER (1548... - Online Information article about CAREL VAN MANDER (1548...
		- Online Information article about CAREL VAN MANDER (1548...
		Search over 40,000 articles from the original, classic Encyclopedia Britannica, 11th Edition.
		MANDER (1548-1606), Dutch painter, poet and biographer, was See also:
	encyclopedia.jrank.org /MAL_MAR/MANDER_CAREL_VAN_1548_1606_.html (259 words)

	Pieter Bruegel the Elder Biography
		It is possible that he was taught the watercolour technique by Pieter Coeck van Aelst's wife, Mayken, who specialised in this medium.
		For the rest of his life Bruegel was active as both a painter and a designer of prints, although after about 1562 painting seemed to have occupied most of his time.
		In 1563 he married Mayken, daughter of Pieter Coeck van Aelst, and they settled in Brussels.
	www.mezzo-mondo.com /arts/mm/bruegel/bruegel.html (916 words)

	Hals Reproductions – Art Reproductions (Site not responding. Last check: 2007-10-28)
		He soon improved upon the practice of the time, illustrated by Jan van Scorel and Antonio Moro, and gradually emancipated himself from tradition.
		Hals was fond of daylight and silvery sheen, while Rembrandt used golden glow effects based upon artificial contrasts of low light in immeasurable gloom.
		The earliest works by Hals that remain, Two Boys Playing and Singing and a Banquet of the Officers of the St Joris Doele or Arquebusiers of St George (1616), show him as a careful draughtsman capable of great finish, yet spirited withal.
	www.topofart.com /artists/Frans_Hals/biography (1711 words)

	Karel van Mander Online
		Karel van Mander in the Art Renewal Center
		Shaping the Netherlandish Canon: Karel Van Mander's Schilder-Boeck
		All images and text on this Karel van Mander page are copyright 2007 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/mander_karel_van.html (303 words)

	Pieter Bruegel The Elder Art Heritage Great Masters Pavel Nikolaevich Filonov
		The information about his life is based on Carel van Mander's Het Schilderboeck (Book of Painters), published in Amsterdam in 1604 (35 years after Bruegel's death).
		Actually the chapter of the book dedicated to Bruegel is the only artist's bio left by his contemporary.
		According to Carel van Mander Bruegel was apprenticed to Pieter Coeck van Aelst (1502-1550), a leading Antwerp master and later married his daughter Mayken.
	www.studiotreasure.com /heritage/bruegel.htm (909 words)

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