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	TU Berlin - The shoulders on which we stand - Festschrift zur 125-Jahr-Feier der TU Berlin
		Carl Dahlhaus was born in Hanover the son of an engineer on 10 June 1928.
		Dahlhaus set out a new basis for musicology by enriching its methodology to include historical theory, musical aesthetics, musical theory and musical analysis.
		Widely educated, humourous, clear-thinking and endowed with a fine sense of judgement, Dahlhaus was a stimulating presence in any discussion.
	www.tu-berlin.de /presse/125jahre/festschrift/dahlhaus_e.htm (550 words)

	Carl Dahlhaus - Encyclopedia, History, Geography and Biography
		Carl Dahlhaus (June_10 1928- May 1989), a musicologist from Berlin, has been one of the major contributors to the development of musicology as a scholarly discipline during the post-war era.
		He wrote numerous books and articles on a wide range of subjects within the field, though the majority of these on the history of western music and particularly that of the 19th century (i.e.
		Carl Dahlhaus, Bibliography, Musicologists, 1928 births and 1989 deaths.
	www.arikah.net /encyclopedia/Carl_Dahlhaus (196 words)

	Commentary Magazine - Schoenberg and the New Music, by Carl Dalhaus (Site not responding. Last check: 2007-11-03)
		Youngren, William H. Carl Dalhaus is not only "the leading German musicologist of our day" (as the jacket of the present volume quite rightly claims); he is also, to my mind anyway, the most learned and provocative aesthetician and historian of music now writing anywhere.
		...Thus Dahlhaus is constantly unearthing antitheses or contradictions or paradoxes, to most of which a reader trained in the Anglo-American mode of philosophic analysis would apply a less stringent name...
		...Dahlhaus too cites many earlier examples, but his point is quite different: "In Schoenberg's music the neutral medium that held together the heterogeneous musical shapes in Mozart-the medium consisting of the regular 'pulse' of beats and the uniformity of 'harmonic rhythm'-has disappeared...
	www.commentarymagazine.com /Summaries/V86I1P67-1.htm (3067 words)

	Nineteenth-Century Music
		Dahlhaus succeeded in writing a general history that is coherent, fresh, and perceptive.
		Always demonstrating the interest in socio-historical influences that is the hallmark of his work, Dahlhaus reminds us of the contradictions, interrelationships, psychological nuances, and riches of musical character and musical life.
		Carl Dahlhaus was, at the time of his death in 1989, Professor of Music at Technische Universität Berlin.
	www.ucpress.edu /books/pages/2384.html (272 words)

	Ludwig van Beethoven - Wikipedia, the free encyclopedia
		In contrast, Carl Dahlhaus argues that the evolution of Beethoven's style actually takes him past Romanticism to a place where he was separate from the music of his contemporaries.
		Dahlhaus points out that our understanding of Beethoven as a Romantic composer derives largely from Beethoven's early middle period, which contains the Symphony No. 3 and Symphony No. 5.
		Dahlhaus argues that the tradition of Romantic music is essentially a tradition of Schubertian music, and that Beethoven's influence on Schubert is largely taken from Opp.
	en.wikipedia.org /wiki/Beethoven (3078 words)

	The New York Review of Books: The Music of Carl Dahlhaus: An Exchange
		As the late Carl Dahlhaus is no longer able to respond to Philip Gossett's critique of his Nineteenth-Century Music [NYR, October 26, 1989], perhaps the book's translator may be permitted to answer on his behalf.
		Once again, Dahlhaus even devoted a book to the subject (Grundlagen der Musikgeschichte, 1977) in order to justify what he called his "methodological pluralism." To single out any one of these strands as "central" is greatly to oversimplify Dahlhaus's technique as an historian.
		While Dahlhaus certainly practices "methodological pluralism" in the course of his Nineteenth-Century Music, he does not embrace the techniques of "structural history" manifest in Braudel's The Structures of Everyday Life: a history whose primary subject is composed music could hardly proceed along those lines.
	www.nybooks.com /articles/3650 (1406 words)

	Dahlhaus,Carl Books - Signed, used, new, out-of-print
		Dahlhaus organizes his book around "watershed" years--for example, 1830, the year of the July Revolution in France, and around which...
		In this volume, Carl Dahlhaus, one of the century's leading musicologists, combines interpretations of individual works that focus...
		Carl Dahlhaus here treats Nietzsche's youthful analysis of the contradictions in Wagner's doctrine (and, more generally, in romantic musical aesthetics); the question of periodicization in romantic and neo-romantic music; the underlying kinship between Brahms's and Wagner's responses to the central musical problems of their time; and the true...
	www.alibris.com /search/books/author/Dahlhaus,Carl (393 words)

	Amazon.fr : Studies on the Origin of Harmonic Tonality: Livres en anglais: Carl Dahlhaus,Robert O. Gjerdingen (Site not responding. Last check: 2007-11-03)
		Carl Dahlhaus was without doubt the premier musicologist of the postwar generation, a giant whose recent death was mourned the world over.
		Dahlhaus provides extensive analyses of motets by Josquin, frottole by Cara and Tromboncino, and madrigals by Monteverdi to demonstrate how, and to what degree, such questions can be answered.
		In his bold speculations, in his magisterial summaries, in his command of eight centuries of music and writings on music, and in his deep understanding of European history and culture, Carl Dahlhaus sets a standard that will seldom be equalled.
	www.amazon.fr /Studies-on-Origin-Harmonic-Tonality/dp/0691091358 (347 words)

	Dahlhaus, Carl
		He was extremely influential in German-speaking musicology, and increasingly so in English-speaking circles from the early 1980s when his major works began to be translated.
		Dahlhaus believed that music cannot be divorced from the society and culture which produces it; therefore, an understanding of musical history can only flow from an understanding of history in a wider sense.
		He was influenced by the historical theories of Hegel and Marx, and by the philosophical approach to music taken by Theodor Adorno.
	www.tiscali.co.uk /reference/encyclopaedia/hutchinson/m0067644.html (305 words)

	Dahlhaus, Carl; Austin, William W.; Austin, William W.: Esthetics of Music (Site not responding. Last check: 2007-11-03)
		Carl Dahlhaus gives an account of developments in the aesthetics of music from the mid-eighteenth century onwards.
		Central themes in music are grouped together to illustrate both the historical course of events and a systematic unity of the essential elements in the aesthetics of music.
		For this edition, the late Carl Dahlhaus provided an annotated bibliography.
	www.forbesbookclub.com /BookPage.asp?prod_cd=I3Q3X (178 words)

	Foundations of Music History by Carl Dahlhaus from Foyles Bookshop, London.
		Foundations of Music History by Carl Dahlhaus from Foyles Bookshop, London.
		Drawing on competing philosophies of history throughout the ages, from the Enlightenment to the French structuralists, from the German idealist tradition to Russian formalism, the late Carl Dahlhaus applies the thoughts of these various schools to the specialist requirements of music history and assesses their advantages and shortcomings.
		Special attention is given to an appraisal of whether Marxist critiques are still viable and where they stand in need of rethinking.
	www.foyles.co.uk /foyles/display.asp?isb=0521298903&TAG=&CID= (168 words)

	Between Romanticism and Modernism
		Carl Dahlhaus here treats Nietzsche's youthful analysis of the contradictions in Wagner's doctrine (and, more generally, in romantic musical aesthetics); the question of periodicization in romantic and neo-romantic music; the underlying kinship between Brahms's and Wagner's responses to the central musical problems of their time; and the true significance of musical nationalism.
		Included in this volume is Walter Kauffman's translation of the previously unpublished fragment, "On Music and Words," by the young Nietzsche.
		Until his death in March, 1989, Carl Dahlhaus was Professor of Music at the Technische Universität in Berlin and general editor of the complete edition of Wagner's works.
	www.ucpress.edu /books/pages/1511.html (279 words)

	Top 20 Encyclopedia (Site not responding. Last check: 2007-11-03)
		However, there was a general trend from the classical period to the 20th century in western classical music for harmony to become more advanced, with composers breaking many of the conventions which were once considered "rules".
		Carl Dahlhaus (1990) distinguishes between coordinate and subordinate harmony.
		Subordinate harmony is the hierarchical tonality or tonal harmony well known today, while coordinate harmony is the older Medieval and Renaissance tonalité ancienne, "the term is meant to signify that sonorities are linked one after the other without giving rise to the impression of a goal-directed development.
	encyc.connectonline.com /index.php/Harmony (662 words)

	Dahlhaus, Carl; Dahlhaus, C.; Whittall, Mary: Between Romanticism and Modernism (Site not responding. Last check: 2007-11-03)
		Dahlhaus, Carl; Dahlhaus, C.; Whittall, Mary: Between Romanticism and Modernism
		In order to perform regular system maintenance, we must shut this system down today, December 24th.
		We regret any inconvenience this may cause you.
	www.forbesbookclub.com /BookPage.asp?prod_cd=I3NDD (115 words)

	Schoenberg and the New Music: Essays by Carl Dahlhaus:0521337836:Carl Dahlhaus, Translated by Derrick Puffett, Alfred ...
		Schoenberg and the New Music: Essays by Carl Dahlhaus:0521337836:Carl Dahlhaus, Translated by Derrick Puffett, Alfred Clayton:eCampus.com
		Author(s): Carl Dahlhaus, Translated by Derrick Puffett, Alfred Clayton
		New Copy: This item is temporarily unavailable from the publisher, but is expected in soon.
	www.ecampus.com /bk_detail.asp?isbn=0521337836 (284 words)

	Amazon.ca: Schoenberg and the New Music : Essays by Carl Dahlhaus: Books: Carl Dahlhaus,Derrick Puffett,Alfred Clayton (Site not responding. Last check: 2007-11-03)
		Amazon.ca: Schoenberg and the New Music : Essays by Carl Dahlhaus: Books: Carl Dahlhaus,Derrick Puffett,Alfred Clayton
		by Carl Dahlhaus (Author), Derrick Puffett (Translator), Alfred Clayton (Translator)
		If you would like to purchase this title, we recommend that you occasionally check this page to see if it has become available.
	www.amazon.ca /exec/obidos/ASIN/0521332516 (253 words)

	Amazon.fr : Realism in Nineteenth-Century Music: Livres en anglais: Carl Dahlhaus (Site not responding. Last check: 2007-11-03)
		Amazon.fr : Realism in Nineteenth-Century Music: Livres en anglais: Carl Dahlhaus
		Professor Dahlhaus sets out the criteria of realism, with particular reference to French and German theorists, and examines the extent to which they apply to music too.
		While his findings do not reverse the verdict that the music of the age was in general romantic, he demonstrates that musical realism consists in much more than imitation of natural sounds or tone-painting.
	amazon.fr /Realism-Nineteenth-Century-Music-Carl-Dahlhaus/dp/0521278414 (249 words)

	Schoenberg and the New Music : Essays by Carl Dahlhaus - Price Comparison (Site not responding. Last check: 2007-11-03)
		Schoenberg and the New Music : Essays by Carl Dahlhaus - Price Comparison
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	books.compricer.com /0521337836 (56 words)

	Pipers Enzyklopädie des Musiktheaters ; Band 1: Werke Abbatini - Donizetti - DAHLHAUS CARL (HG.) ; CARL DAHLHAUS UND ... (Site not responding. Last check: 2007-11-03)
		Pipers Enzyklopädie des Musiktheaters ; Band 1: Werke Abbatini - Donizetti - DAHLHAUS CARL (HG.) ; CARL DAHLHAUS UND DEM FORSCHUNGSINSTITUT FÜR MUSIKTHEATER DER UNIVERSITÄT BAYREUTH UNTER LEITUNG VON SIEGHART DÖHRING[HRSG.]
		DAHLHAUS CARL (HG.) ; CARL DAHLHAUS UND DEM FORSCHUNGSINSTITUT FÜR MUSIKTHEATER DER UNIVERSITÄT BAYREUTH UNTER LEITUNG VON SIEGHART DÖHRING[HRSG.] Pipers Enzyklopädie des Musiktheaters ; Band 1: Werke Abbatini - Donizetti
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	www.antiqbook.com /boox/fra/22096.shtml (110 words)

	Halfvalue.com: Schoenberg and the New Music : Essays by Carl Dahlhaus (ASIN 0521337836), by Carl Dahlhaus Cambridge ... (Site not responding. Last check: 2007-11-03)
		Halfvalue.com: Schoenberg and the New Music : Essays by Carl Dahlhaus (ASIN 0521337836), by Carl Dahlhaus Cambridge University Press
		Schoenberg and the New Music : Essays by Carl Dahlhaus
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	www.halfvalue.com /displayO.jsp?code=0521337836 (170 words)

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