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	Carl Philipp Emanuel Bach - Wikipedia, the free encyclopedia
		Carl Philipp Emanuel Bach (Weimar, March 8, 1714 – December 14, 1788) was a German musician and composer, the second son of Johann Sebastian Bach and Maria Barbara Bach.
		In 1768 Bach succeeded Georg Philipp Telemann as Capellmeister at Hamburg, and in consequence of his new office began to turn his attention more towards church music.
		A Tribute to Carl Philipp Emanuel Bach - Sketch of the composer's life with extensive references.
	en.wikipedia.org /wiki/Carl_Philip_Emmanuel_Bach (757 words)

	A Tribute to C.P.E. Bach
		Undoubtedly the child of Bach who made the most of both the advantages and the handicaps of being a son of Sebastian was Carl Philipp Emanuel Bach (1714-88).
		Emanuel Bach became so well known throughout Europe that he was often referred to as the Hamburg Bach (to distinguish him from his brother the London Bach--Johann Christian, who was now music master to the Queen of England).
		J.S. Bach’s works have appeared in the monumental Bach-Gesellschaft edition (1851-99) and the Neue Bach-Ausgabe (1954- ), while Mozart’s music was collected in Breitkopf und Härtel’s Wolfgang Amadeus Mozarts Werke, Kritisch durchgesehene Gesammtausgabe (1877-83, supplements to 1910), now known as the Alte Mozart-Ausgabe to distinguish it from its successor, the Neue Mozart-Ausgabe (1955-).
	members.aol.com /basfawlty/cpe_bach.htm (2267 words)

	HOASM: Carl Philipp Emanuel Bach (Site not responding. Last check: 2007-11-05)
		Quantz, Carl Heinrich Graun and his brother Johann Gottlieb Graun, Franz Benda and his brother Georg Benda, and literary figures such as Ramler and Lessing.
		Bach was severely underpaid at court, and at the end of the Seven Years' War (1763) he began to seek employment elsewhere; in 1767 he was appointed Telemann 's replacement in Hamburg.
		Bach was author of the single most important treatise of the era, Versuch über die wahre Art das Clavier zu spielen, 2 vols.
	www.hoasm.org /XID/BachCPE.html (380 words)

	Notes on in D major, Wq. 215 (Helm 772) (1749)
		Bach, godson of Telemann and second son of Johann Sebastian Bach, was so torn between music and a legal career that he spent 1731—38 pursuing both simultaneously.
		It is interesting to note that Emanuel was referred to as “the great” Bach after his father’s death in 1750—history has since reversed that judgement, and today the younger composer has been largely eclipsed by his father’s greatness.
		Sicut erat, which owes its fugal counterpoint to the influence to J. Bach, was to influence Mozart; its theme is nearly identical to that of his Requiem’s Kyrie eleison.
	jsundram.freeshell.org /ProgramNotes/CPEBach_Magnificat.html (351 words)

	Bachiana - Music by the Bach Family, by Musica Antiqua Koln (Site not responding. Last check: 2007-11-05)
		While Bach's son, Carl Philip Emmanuel Bach is probably the best-known of the Bachs, other than his father, those upstream in the lineage were also fine musicians.
		One of the highlights of the recent Bach celebration in 2000, for the 250th anniversary of his death, was the discovery by noted Bach scholar Christoph Wolff of a collection of scores that had been lost since 1945.
		The two sonatas by Heinrich Bach show a late renaissance sound, similar to that of viol consorts, far from anything Johann ever composed, and are performed with the vigour and energy that Musica Antiqua Köln is known for.
	www.mcelhearn.com /bach/bachiana.html (497 words)

	ConcertoNet.com - The Classical Music Network
		Both Bach and Handel began to use the cello as a solo obbligato to accompany a singer, Bach in his cantatas and Handel in his oratorios.
		Carl Philip Emmanuel Bach, Georg Mathias Monn and Johann Rudolf Zumsteeg all wrote for the instrument.
		His performances of the Brahms sonatas with Emmanuel Ax are models of intellectual purity, as are his interpretations of the Bach suites and the sonatas for viola da gamba and harpsichord.
	www.concertonet.com /scripts/edito.php?ID_edito=60 (3885 words)

	Carl Philipp Emanuel Bach (Site not responding. Last check: 2007-11-05)
		Carl Philipp Emanuel Bach (Weimar, March 8, 1714 - 1788), German musician and composer, the second son of Johann Sebastian Bach.
		Meanwhile he placed himself in the forefront of European critics by his Versuch über die wahre Art das Clavier zu spielen, a systematic and masterly treatise which by 1780 had reached its third edition, and which laid the foundation for the methods of Clementi and Cramer.
		A list of his voluminous compositions may be found in Eitner’s Quellen Lexikon, and a critical account of them is given in Bitter’s C.
	www.sciencedaily.com /encyclopedia/carl_philipp_emanuel_bach (711 words)

	The Orchestra of the Classical Period
		The late Baroque orchestra as we know in the works of Bach and Handel originated in France, and strings comprised the most important parts in that orchestra.
		Carl Philip Emmanuel Bach's four symphonies (circa 1776) represent the final phase of orchestration prior to the masterworks Mozart, Haydn and Beethoven.
		CPE Bach's works are scored for pairs of flutes, oboes, horns, one or two bassoons and the usual group of strings.
	www.aug.edu /~cshotwel/4350.Classicalorchestra.html (1269 words)

	MUSI 4360
		Nevertheless, it was in the music of his sons, Wilhelm Friedmann Bach (1710-1784), Carl Philip Emmanuel Bach (1714-1788), Johann Christoph Bach (1732-1795), and Johann Christian (1735-1782) and their contemporaries, that we begin to see a move toward something different.
		A pre-Classical style first appears in a large quantity of music written from about 1725 to 1760, and many art, architectural, and literary works of the same period show characteristics which, while derived from Baroque elements, are not based on the same aesthetic principles.
		One graceful melody was preferred to the multitude of intertwined melodic strands of the Bach fugue.
	www.aug.edu /~cshotwel/4360.classicalstyle.htm (775 words)

	Carl Philipp Emanuel Bach - Classical Composers Database (Site not responding. Last check: 2007-11-05)
		Carl Philipp Emanuel Bach is the third son of J.S. Bach.
		Bach is considered as a master of what is called "Empfindsamkeit", wich is very common in the second half of the XVIIIth century.
		Carl Philipp Emanuel Bach, Johann Sebastian Bach, Ludwig van Beethoven, Antonin Dvorak, Giuseppe Ferlendis, George Frideric Handel, Johann Wenzel Kalliwoda, Wolfgang Amadeus Mozart, Antonio Pasculli, Pyotr Il'yich Tchaikovsky, Antonio Vivaldi
	www.classical-composers.org /cgi-bin/ccd.cgi?comp=bachcpe (627 words)

	Bach Musical offering ec Blake [KM] : Classical Reviews- Oct 2002 MusicWeb(UK) (Site not responding. Last check: 2007-11-05)
		Bach's son, Carl Philip Emmanuel, was harpsichordist for the young king, who was an avid music lover.
		"Old" Bach improvised a fugue to this theme, but was so impressed by it that he wrote a much larger set of pieces around this theme, and dedicated it to the King, hence, this Musical Offering.
		This delightful work, written when the young Bach was only 17, though revised 16 years later, has some very interesting sections, and shows well the quality of this Bach son’s music.
	www.musicweb-international.com /classrev/2002/Oct02/Bach_Musical_Offering.htm (650 words)

	Carl STAMITZ - Cello Concertos [TM] : Classical Reviews- April 2003 MusicWeb(UK) (Site not responding. Last check: 2007-11-05)
		The recording engineer set the mike a little too close to the soloist for my taste, since there are occasions when the resonance of the instrument is a little too dominant, but this is a minor beef when set against the sheer exuberance of the music.
		Carl Stamitz was the son of Johann, famous co-founder of the Mannheim school and central figure in the development of 18
		In this respect they are very similar to the cello concerti of Carl Philip Emmanuel Bach — indeed, better, I think, but not benefiting from modern ‘brand recognition’ in the same way as Johann Sebastian’s second surviving son.
	www.musicweb-international.com /classrev/2003/Apr03/Claves_Stamitz_CelloConcertos.htm (680 words)

	Johann Sebastian Bach; Carl Philipp Emmanuel Bach - BACH, JS - BACH, CPE: Magnificat - [Ledger - ASMF] (1977) (Site not responding. Last check: 2007-11-05)
		Johann Sebastian Bach; Carl Philipp Emmanuel Bach - BACH, JS - BACH, CPE: Magnificat - [Ledger - ASMF] (1977)
		Carl Philipp Emmanuel Bach - Quia fecit mihi magna (tenor solo)
		Carl Philipp Emmanuel Bach - Et misericordia (chorus)
	www.mohawk1975.pwp.blueyonder.co.uk /details/802.html (173 words)

	godfather (Site not responding. Last check: 2007-11-05)
		Georg Philip Kress: Trio sonata for flute, viol and Bc Carl Philip Emmanuel Bach: Fantasia for harpsichord
		Carl Philip Emmnauel Bach: Trio sonata for bass recorder, bass viol and Bc Interval
		Georg Philip Kress: Trio sonata for flute, viol and Bc Georg Philip Telemann: 15.und 16.
	www.charivari.fsnet.co.uk /progs/godfather.html (105 words)

	Lecture 13: Classical Music I
		The old composers [such as J.S. Bach and other masters of polyphony] were too much absorbed with compositional 'tricks' and carried them too far, so that they neglected the essential thing in music, which is to move and please.
		Ironically two of Bach's own sons, Johann Christian and Carl Philip Emmanuel, were pioneers of new, alternative styles.
		Carl Philip Emmanuel Bach (1714-1788) championed a particular breed of German expressive music called Empfindsamkeit, which translates as "sensitive style." By contrast to the prettified Style Gallant, this style wore its emotions on its sleeve.
	www.omnidisc.com /MUSIC/Lecture13.html (1799 words)

	Lecture 12: Baroque Music IV
		Bach wrote a set of pieces called Two Part Inventions which are little contrapuntal exercises for keyboard.
		In 1747, three years before he died, Bach was invited to visit his son, Carl Philip Emmanuel Bach, who was a harpsichordist in the employ of King Frederick the Great of Prussia.
		C.P.E. Bach tells the story that when the King read the list for the day and saw that J.S. had arrived in town he summoned him immediately to court.
	www.omnidisc.com /csu/Lecture12.html (2034 words)

	Philadelphia Natural Trumpet Ensemble (Site not responding. Last check: 2007-11-05)
		With the revival of the natural trumpet, we are afforded the opportunity to hear the music of Bach and Handel played on the instrument familiar to those composers and whose sound they admired.
		Recently, the group joined the choir and organ of the 1st Moravian Church of Riverside, New Jersey, for an excerpt from Bach's Cantata #129, a fanfare by Antonin Dvorak, and a processional fanfare by the 17th century Salzburg trumpeter Riedl.
		There is also a large and little known body of music produced from the 17th through 19th centuries for natural trumpet ensemble and timpani.
	gfhandel.org /bleissa/pnte.htm (366 words)

	printarticle.
		Together, they devised Bach 2000, a one-hour continuous performance ("no clapping between") with works by Reissler, Clara Schumann and Carl Philip Emmanuel Bach, which toured Germany and Italy and is now available on CD.
		If there is not enough contemporary music heard in the standard concert-hall repertoire, she puts the blame squarely on promoters and not on the audiences.
		Festivals often want something "out of the ordinary" like Bach 2000, "but promoters are often scared and their own ideas are very conservative.
	www.smh.com.au /cgi-bin/common/printArticle.pl?path=/articles/2002/07/30/1027926889931.html (808 words)

	MPR: Programs: The Saint Paul Chamber Orchestra
		Plus dramatic suites from theatrical music by Matthew Locke and Jean Baptiste Lully, and two pieces by the Bach most famous in the 18th century, Carl Phillip Emmanuel, whose symphonies showed the way out of Baroque and into the new Classical era and his flute concertos were fit for a king.
		When Carl Philip Emmanuel wrote for the organ, he did it in a style very different from that of his famous father.
		Emmanuel Krivine conducts Mendelssohn's sun-drenched Italian Symphony as the final stop on our international musical itinerary served up in characterful manner by friends in the Saint Paul Chamber Orchestra in concert.
	minnesota.publicradio.org /radio/programs/saint_paul_chamber_orchestra/listings/regional_2004.php (5013 words)

	BACH WEEK IN EVANSTON
		Webster says that he feels it's important to offer listeners not only the good-old standbys, but also the lesser-known works of Bach, as well as music of a few others such as Zelenka and Heinichen who are not household names.
		I suggested including music by the Chicago-area composer Jan Bach, just to keep it a "Bach Festival" and Webster said he'd certainly consider it.
		Once a Bach Week Musician, always a Bach Week musician!" Among them, the flutist Louise Dixon has played in every festival and was given a special gift during the 25th anniversary season.
	my.voyager.net /~duffie/bwe.html (900 words)

	Hamburg
		There were some lovely churches and I saw the burial place of Carl Philip Emmanuel Bach, who had been the organist at one.
		His gravestone, down in the vaults, was surrounded by an ankle-high iron fence to prevent people from standing on it and wearing down the lettering, but the graves of those buried around him had been rendered illegible by thousands of feet over the years.
		I left wondering more about his neighbours in the crypt than about Bach.
	homepages.rootsweb.com /~hollyweb/hamburg.htm (525 words)

	Pipedreams reviews
		Also, the Six Sonatas by Bach's second son, Carl Philip Emmanuel, played by Espinasse on the modern Westenfelder instrument in historic German manner at Fere-en-Tardenois, provide interesting stylistic counterpoints (CD-47011).
		Not that I should be too fussy, since all of the performers, exceptional"young" talents mostly in their early to mid thirties, acquit themselves admirably.
		The finale from Carl Philip Emmanuel Bach's Sonata No. 1, played by Francois Espinasse at Fere-en-Tardenois.
	pipedreams.publicradio.org /articles/treasure.shtml (1268 words)

	[No title] (Site not responding. Last check: 2007-11-05)
		Members of the Bach family copied out each others music and also borrowed musical ideas from one another in their compositions.
		Rameau's technique of self-borrowing is fundamentally different from that of Bach and Handel in that the original and new work tend to serve similar functions.
		Some composers, such as J. Bach and Mendelssohn, use the tune in order to let it emerge from a complex texture, reinforcing its victorious and ultimately religious connotations.
	www.music.indiana.edu /borrowing/browsegh.html (15687 words)

	Reinhard Goebel & Musica Antiqua Koln - Bachiana
		And I wonder what the J. Bach "Concerto in D" that is listed with no BWV or BC number is.
		My favourites are the works from Johann Ludwig Bach : the opening Ouverture in G major,with its seducing menuet and its impudent gavotte, could be consiterated as the "5th" Orchestral suite.The concerto in D-dur for 2 violins is also very beautiful in a surprising Vivaldi style!
		As regards the Concerto D-dur after BWV 249 I have 2 preminent considerations : the first is the regret for the fact that MAK recorded few cantatas (and when they did it, they had a bad vocal distribution: see their secular cantatas) ; their playing here is absolutely perfect, brighty and exciting.
	www.bach-cantatas.com /Performers/Goebel-Bachiana.htm (1001 words)

	used bach trumpets (Site not responding. Last check: 2007-11-05)
		It seems that Johann Sebastian Bach (1685-1750) used the flute díamore for its evocative...
		In Thee Is Gladness" by J.S. Bach Hymns of Praise, i.e., "Joyful...
		Possibly this may indicate that Bach conceived this particular partita for a French...
	www.band-instruments-now.info /usedbachtrumpets (521 words)

	Oeuvres
		Thematisches Verzeichnis der Werke von Carl Philip Emmanuel Bach
		Thematisch-Systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach
		Carl Maria von Weber in seinen Werken: Chronologish-Thematisches verzeichnis seiner samtlichen compositionen
	www.uquebec.ca /~uss1010/oeuvres.html (666 words)

	Carl Philip Emanuel Bach - classical music daily anniversary (Site not responding. Last check: 2007-11-05)
		Carl Philip Emanuel Bach - classical music daily anniversary
		J S Bach's third son, Carl Phillip Emmanuel, was born in Weimar on 8 March 1714.
		It was intended that he should enter the legal profession but he switched to music whilst still at Frankfurt University.
	www.mvdaily.com /articles/anniv.cgi?id=1368 (93 words)

	freedb.org
		Carl Philipp Emmanuel Bach / Les Génies du Classique V IV N° 5
		Sergey Khachatryan (violin), Sinfonia Varsovia, Emmanuel Krivine (cond.) / Sibelius & Khachaturian Violin Concertos
		The Hampstead Singers & The Emmanuel Chamber Orchestra
	www.freedb.org /freedb_search.php?words=EMMANUEL&allfields=NO&fields=artist&allcats=YES&grouping=none (1277 words)

	MLFM Symphony Concert
		The musical season reaches its high point on April 9 and 10 as the Orchestra of the Mother Lode Friends of Music presents its only symphony concert of the year.
		The concert begins with the sparkling Sinfonia in D of Carl Philip Emmanuel Bach.
		The second of Johann Sebastien Bach’s twelve children, C. enjoyed an illustrious career in his own right.
	www.mlfm.org /mfm_prgm05_apr9.html (665 words)

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