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	Carl Schachter
		Carl Schachter was a pupil of the great Austrian music theorist Heinrich Schenker (the main influence on such musicians as Furtwängler, and the discoverer of the 'Urlinie', the real principle behind the harmonic plan in tonal music).
		Schachter left the impression of being a highly effective demonstrator of his unmistakebly sharpened ideas, a very open mind for the unusual and a humourous person.
		Carl Schachter is the author of some fabulous books investigating in Schenkerian analysis and its further developments, a man of decisive artistic ideals.
	www.musikmph.de /mph_newsletter/schachter.html (158 words)

	Oxford University Press: Unfoldings: Carl Schachter
		Carl Schachter is, by common consent, one of the three or four most important music theorists currently at work in North America.
		Schachter is one of the heroes of musical analysis, and his collected writings explain Schenkerian analysis better than any of the existing textbooks in English on the subject.
		Schachter's role in the dissemination and broadening of Schenker's teaching can hardly be overestimated....By and large, Schachter's articles, along with the writings of Oswald Jonas and Ernst Oster, represent the most significant scholarly, original contributions to Schenkerian music theory since Schenker's work itself.
	www.oup.com /us/catalog/general/subject/Music/MusicTheoryAnalysisComposition/?view=usa&ci=9780195125900 (700 words)

	Annotation for Schachter, Carl (Site not responding. Last check: 2007-10-14)
		Schachter devotes the entire third section to an analysis of conflicits between rhythmic grouping and notated meter in Schumann's Davidsbanduumlndlertandaumlnz op.
		Schachter proposes that a single hypermeter, which he calls the hypermeter, and single meter, the meter, govern most classic and romantic works.
		Schachter's analyses throughout the essay employ the method of durational reduction introduced in Schachter (1980).
	www.music.indiana.edu /som/courses/rhythm/annotations/schachter87.html (276 words)

	MTO 5.4: Damschroder, Review of Straus
		Any analyst of Schachter's stature will do things which make other analysts scratch their heads, though in this case the increased blood supply around the brain might lead one to realize that Schachter is probably right.
		Schachter hopes to persuade his readers that certain ways of thinking about a piece are more insightful than other ways.
		Schachter knows that that is not the case, and with characteristic eloquence he ponders musical meaning and, through the medium of analysis, offers insights into the means by which a composer imbues a work with a specific sentiment.
	www.societymusictheory.org /mto/issues/mto.99.5.4/mto.99.5.4.damschro.html (1782 words)

	UA School of Music Endowed Chair (Site not responding. Last check: 2007-10-14)
		Carl Schachter has taught music theory and analysis at Mannes College of Music since 1956.
		He has served as the chair of the Techniques of Music Department, and was Dean of the College from 1962 to 1966.
		Professor Schachter is the co-author of two well-known theory texts - Counterpoint in Composition with Felix Salzer, and Harmony and Voice Leading with Edward Aldwell - and a number of articles, many of them dealing with Schenkerian analysis; one of these won the 1996 publication award of the Society for Music Theory.
	www.music.ua.edu /people/endowed/2003-2004/schachter.html (187 words)

	Schachter Books - Signed, used, new, out-of-print
		Schachter describes exercise routines, nutritional patterns, and medical guidance for both smokers and nonsmokers on how to maintain one's pulmonary health.
		Carl Schachter is, by common consent, one of the world's preeminent music theorists.
		He is surely the foremost practitioner of the Schenkerian approach to the music of the eighteenth and nineteenth centuries, which focuses on the linear organization of music and frequently dominates discussions of the standard repertoire in university courses and...
	www.alibris.com /search/books/author/Schachter (836 words)

	Amazon.co.uk: Unfoldings: Essays in Schenkerian Theory and Analysis: Books: Carl Schachter (Site not responding. Last check: 2007-10-14)
		Carl Schachter is the pre-eminent practitioner in the world of the Schenkerian approach to the music of the eighteenth and nineteenth centuries, which focuses on the linear organization of music, and which now dominates discussions of the standard repertoire in university courses and in professional journals.
		Carl Schachter is, by common consent, one of the three or four most important music theorists currently at work in North America.
		He is the preeminent practitioner in the world of the Schenkerian approach to the music of the eighteenth and nineteenth centuries, which focuses on the linear organization of music and now dominates discussions of the standard repertoire in university courses and in professional journals.
	www.amazon.co.uk /Unfoldings-Essays-Schenkerian-Theory-Analysis/dp/0195125908 (383 words)

	GodMoon - Carl Schachter Harmony and Voice Leading
		To understand the book, a teacher needs to understand something of the ideas and approach of Heinrich Schenker (Schachter was one of Schenker's students).
		Unlike many theory books, which are into quick summaries and labels, this book is based on a deep understanding of how western tonal music works (at least from the Schenkerian perspective).
		Carl Schachter :: Download Carl Schachter :: Buy Carl Schachter :: Carl Schachter Deluxe :: Music & General :: Religious - Gospel :: Music :: Instruction and Study - Theory :: Harmony :: General :: Edward Aldwell :: Carl SchachterAuthor: Carl Schachter
	www.godmoon.co.uk /Carl-Schachter.htm (1059 words)

	ZoomInfo Web Profile: Carl Schachter
		As Vice President of Business Development, Carl Schachter, is responsible for the strategy and execution of the distribution, content, and affiliate partnerships for salesforce.com.
		Prior to joining salesforce.com, Schachter was Vice President of Sales and Business Development at ePeople, (formerly NoWonder), a netmarketplace for IT Support and Services, where he helped grow the company from an enterprise software business into an Upside Hot 100 and Forbes Best of the Web Internet services company.
		Prior to ePeople, Schachter held management positions with Remedy Corporation, where he was responsible for various direct sales, channel, and international operations.
	www.zoominfo.com /Search/PersonDetail.aspx?PersonID=15578856 (426 words)

	Edward Aldwell (Piano) - Short Biography
		He also began studying theory with his future co-author, Carl Schachter.
		As a theorist, he was an expert in Schenkerian analysis, and he was the co-author (with Carl Schachter) of one of the standard theory textbooks used throughout the world, Harmony and Voice Leading (first published in 1979).
		Carl Schachter said: "He had deep insight into musical structure and a wonderful ear; he had a very rare way of piercing through a tangle of problematic issues and finding the central point that illuminates everything else."
	www.bach-cantatas.com /Bio/Aldwell-Edward.htm (739 words)

	I Write The Music - Music For Creative Musicians - Harmony and Voice Leading (3rd Edition) (Site not responding. Last check: 2007-10-14)
		He studied theory and analysis privately with Carl Schachter and later with Ernst Oster.
		Carl Schachter has taught music theory and analysis at Mannes College since 1956.
		If a student can play them herself or hear them in his head, so much the better, but these discs can enrich reading through the textbook and making sure that you understand what is being presented to you.
	astore.amazon.com /gp/detail.html?tag=iwritethemusi-20&linkCode=sb1&camp=212353&creative=380565&asin=0155062425 (1501 words)

	Structural Levels and Harmonic Theory: (Site not responding. Last check: 2007-10-14)
		In this paper I shall attempt to reconcile the notion of structural levels with harmonic theory, to reconcile, that is, a hierarchical approach with the theory of chords and their progressions.
		While I agree with Schachter that for Schenker, the idea of levels is inseparable from the process of horizontal composing-out, I also believe that there is much to be gained by disengaging one notion from the other.
		Indeed, I believe that Schenker may have been much less inclined to privilege voice leading over harmony had it not been for the necessary connection he forged between voice leading and hierarchy.
	www.tau.ac.il /arts/musicology/INTERP/agmon.htm (155 words)

	Channan Willner: Biography
		Wanting to study Schenker at the college and conservatory level, I returned to the United States in 1972 to pursue a B.S. in theory at the Mannes College of Music in New York.
		I focused on Oster's and Schachter's classes, and (as I explain at the beginning of my dissertation) their influence on my later work has been profound.
		The Graduate Center of the City University of New York (CUNY) was a similarly logical choice for pursuing a doctorate since, as part of the same system as Queens, it offered instruction by the same distinguished cast of theorists, only at a more demanding level.
	www.channanwillner.com /bio.htm (1013 words)

	Schachter Seminar in Bergen
		A pupil of the great Austrian music theorist Heinrich Schenker, Carl Schachter is one of the most important music theorists today.
		He is the pre-eminent practitioner in the world of the Schenkerian approach to the music of the eighteenth and nineteenth centuries, which focuses on the linear organization of music and now dominates discussions of the standard repertoire in university courses and in professional journals.
		Schachter has taught at Mannes College of Music, Queens College, The City University of New York and The Juilliard School.
	www.hf.uib.no /grieg/SchachterSeminar.html (312 words)

	Mannes College of Music
		Over several decades, Ed taught and helped launch the careers of many pianists, unstintingly imparting his knowledge and artistry to generations of students.
		His ground-breaking text, Harmony and Voice Leading (co-authored with Carl Schachter), helped transform the teaching of music theory throughout the world.
		His immensely intelligent performances and recordings (especially of the music of J.S. Bach) are widely appreciated.
	www.mannes.edu /college/concerts_events_news/news.jsp?n=37481 (116 words)

	Tonal Counterpoint
		Felix Salzer and Carl Schachter, Counterpoint in Composition (New York: Columbia University Press, 1989).
		It is worth looking at, but you will get the same information from other texts such as Salzer and Schachter in a more straight-forward way.
		Salzer, Felix and Carl Schachter, Counterpoint in Composition.
	employees.csbsju.edu /bcampbell/ctpt2004.htm (1685 words)

	Obituaries
		Murray also held a graduate degree in conducting from the Mannes College of Music and trained for the podium under such teachers Pierre Monteux, Pierre Boulez and Walter Susskind.
		A brilliant musical scholar, Murray's training in music theory included work with Carl Schachter and Allen Forte.
		Murray was a versatile musician, proficient both as conductor and pianist in a variety of idioms ranging from classical to modern music to jazz, and throughout his Cornell career those wide interests were reflected in a variety of venues both on campus and in the Ithaca community.
	www.news.cornell.edu /Chronicle/00/10.26.00/obits.html (851 words)

	Music 15100 \| Resources
		This page has a variety of resources for students in Larry Zbikowski's undergraduate harmony course at the University of Chicago, Autumn term 2004.
		Edward Aldwell and Carl Schachter, Harmony and Voice Leading, 3rd ed.
		Edward Aldwell and Carl Schachter, Harmony and Voice Leading: Workbook [Vol.
	humanities.uchicago.edu /classes/zbikowski/151_resources.html (2760 words)

	Edward Aldwell, 68; fused piano theory, performance - The Boston Globe
		With Carl Schachter he was the co author of ``Harmony and Voice Leading," a widely used textbook that has been translated into Chinese and many European languages.
		Aldwell died last Sunday in the Westchester Medical Center in New York as the result of injuries suffered in an accident May 7.
		He also began studying theory with his future co-author, Carl Schachter.
	www.boston.com /news/globe/obituaries/articles/2006/06/03/edward_aldwell_68_fused_piano_theory_performance?mode=PF (823 words)

	JacoPastorius.com Discussion Boards - Learning to play bass (Site not responding. Last check: 2007-10-14)
		Once they have worked through these basic texts, they should then move on to a classical harmony text such as Edward Aldwell and Carl Schachter's "Voice-Leading and Harmony" (Thomson/Schirmer) or Robert Gauldin's "Harmonic Practice in Tonal Music" (WW Norton).
		Felix Salzer and Carl Schachter's "Counterpoint In Composition" (WW Norton) is a thorough text.
		About a third or a half of the way through their study of classical harmony (after they have learnt about intervals, and the basic construction of chords, together with basic voice-leading) they should study a jazz theory book such as Mark Levine's "The Jazz Theory Book" (Sher Publishing).
	www.jacopastorius.com /interact/discussions/topic.asp?TOPIC_ID=910 (693 words)

	University of Tennessee: School of Music
		In addition to his North American appearances, he has given papers at international conferences in Costa Rica and The United Kingdom.
		Aside from Yuri Kholopov, Philip's main academic advisors have been Carl Schachter and Allen Forte.
		An active cellist and performer, he plays a 5-string electric cello, in various amplified capacities, in addition to his acoustic.
	www.music.utk.edu /Theory.html (804 words)

	GodMoon.com - Carl Schachter Harmony and Voice Leading
		GodMoon.com - Carl Schachter Harmony and Voice Leading
		Carl Schachter :: Download Carl Schachter :: Buy Carl Schachter :: Carl Schachter Deluxe :: Music & General :: Religious - Gospel :: Music :: Instruction and Study - Theory :: Harmony :: General :: Edward Aldwell :: Carl Schachter : Author: Carl Schachter
		Music / General : Author: Carl Schachter :: Author: Edward Aldwell :: General :: Harmony :: Instruction and Study - Theory :: Music :: Religious - Gospel :: Music / General : Carl Schachter : Carl Schachter trial free download :Carl Schachter demo
	godmoon.com /Carl-Schachter.htm (1212 words)

	Amazon.ca: Schachter - Reference: Books (Site not responding. Last check: 2007-10-14)
		Calculus and Analytic Geometry by Harold Schachter (Hardcover - Jun 1972)
		Counterpoint in Composition by Felix Salzer and Carl Schachter (Hardcover - Sep 1989)
		Prolegomena to a Critical Grammar by Josef Schachter, Y. Shechter, and Josef Schc$chter (Hardcover - Dec 1973)
	www.amazon.ca /s?ie=UTF8&rh=n:952366,p_27:Schachter&page=1 (522 words)

	The Curtis Institute of Music (Site not responding. Last check: 2007-10-14)
		He studied theory and Schenkerian analysis privately with Carl Schachter and later with Ernst Oster.
		He taught keyboard studies at Juilliard from 1966 to 1970 and has been on the Mannes College of Music faculty since 1969.
		He was co-author, with Carl Schachter, of the textbook Harmony and Voice Leading.
	www.curtis.edu /html/21186.shtml (307 words)

	pedaplus.com - Music Theory Books
		Highly recommended theory book for those who want to improve their understanding of music.
		Fux invented strict (species) counterpoint to imitate the "Palestrina style." His book was studied by most of the important 18th-century composers.
		Harmony and Voice Leading/1 Volume Edition (Vols 1 and 2) by Edward Aldwell and Carl Schachter.
	www.pedaplus.com /index.php?option=com_content&task=view&id=50&Itemid=57 (239 words)

	Search Results
		Carl Schachter is widely acknowledged to be one of the leading music theorists of his generation.
		Yet as known to his colleagues, students, and friends, Carl Schachter the man is equally remarkable.
		Contributors include Jeffrey Kallberg ("Voice" and the Nocturne"; Carl Schachter ("Playing What the Composer Didn't Write-Analysis and Rhythmic Aspects of Performance"); Hilda and William Baumol ("Maledizione!
	www.pendragonpress.com /cgi-bin/bl.cgi?title=&author=&desc=schachter (364 words)

	Counterpoint in Composition; The Study of Voice Leading; Felix Salzer and Carl Schachter
		Counterpoint in Composition; The Study of Voice Leading; Felix Salzer and Carl Schachter
		The late Felix Salzer was a Professor at Queens College, City University of New York, and the author of Structural Hearing.
		Carl Schachter is a Professor at Queens College and at the Mannes School of Music and is the author of many essays on music theory.
	www.columbia.edu /cu/cup/catalog/data/023107/023107039X.HTM (87 words)

	Music 15200 \| Resources
		This page has a variety of resources for students in Larry Zbikowski's undergraduate harmony course at the University of Chicago, Winter term 2003.
		Felix Salzer and Carl Schachter, Counterpoint in composition; the study of voice leading (McGraw-Hill Book Co., 1969) [Call number: MT55.S2]
		Aldwell and Schachter open with this sentence: "To study harmony and voice leading is to study the expansion of simple patterns into more complex and differentiated ones, creating the possibility for new kinds of tonal motion and new tonal goals." Now what is this supposed to mean?
	humanities.uchicago.edu /classes/zbikowski/152_resources.html (1440 words)

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