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| | Carlo Bergonzi |
 | | Carlo Bergonzi, tenor (with Renata Tebaldi, Gianna díAngelo, Renata Scotto, Sylvia Stahlman, and Joan Sutherland, sopranos; Fiorenza Cossotto, Giulietta Simionato, and Dora Carral, mezzo-sopranos; Piero de Palma, tenor, Ettore Bastianini, Enzo Sordello, and Dietrich Fischer-Dieskau, baritones; Tugomir Franc, Fernando Corena, and Libero Arbace, basses). |
 | | Bergonzi opens in a light, conversational tone, captures the intimate moment that is being shared by Rodolfo and Mimi. |
 | | Likewise, Bergonzi is one of the finest in delineating the warrior and lover dichotomies of RadamËs (Aida) and Manrico (Il trovatore). |
| classicalcdreview.com /cbsub.htm (642 words) |
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