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Topic: Carlo Crivelli

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	Carlo Crivelli - LoveToKnow 1911
		CARLO CRIVELLI, Venetian painter, was born in the earlier part of the 15th century.
		Though born in Venice, Crivelli seems to have worked chiefly in the March of Ancona, and especially in and near Ascoli; there are only two pictures of his proper to a Venetian building, both of these being in the church of San Sebastiano.
		It is surmised that Carlo was of the same family as the painters Donato Crivelli (who was working in 1459, and was also a scholar of Jacobello) and Vittorio Crivelli.
	www.1911encyclopedia.org /Carlo_Crivelli (383 words)

	Carlo Crivelli. Biography. - Olga's Gallery
		Crivelli was born in Venice, son of the painter Jacobo Crivelli, and received his early training in the Vivarini studio before moving to Padua, where he received his decisive impressions by working within the circle surrounding the workshop of Francesco Squarciones and studying the early works of Mantegna.
		Only precise and clean drawing of the faces, free disposition of fruit and flower garlands show that Crivelli was a painter of the Early Renaissance in Italian art.
		The wood panels with St. Catherine of Alexandria, St. Peter, and Mary Magdalene from the Church of Santa Lucia in Montefiore dell’Aso in Italy is characteristic of his style: sharply-angled, modeled figures clad in stiff-textured garments, and delicately painted faces, jewels and ornaments.
	www.abcgallery.com /I/italy/crivellibio.html (211 words)

	Carlo Crivelli (Site not responding. Last check: 2007-10-11)
		Crivelli worked entirely in tempora, of which he was a master.
		Crivelli, it would seem, worked for twenty-two years in cities lying within the Marches of Ancona, especially near Ascoli.
		The National Gallery, London, has a number of Crivelli's paintings and the galleries of the Continent are also well supplied.
	www.catholicity.com /encyclopedia/c/crivelli,carlo.html (302 words)

	Carlo Crivelli - His Influence
		Vittorio Crivelli, who was evidently the relation, and may have been the brother of Carlo, like him, adds " Venetus " to his name.
		The fact that Crivelli's only known assistants or pupils were of this character, and that neither of them came from the district, proves how poor in painters the Marches were.
		In age they were apparently exactly contemporary, but Crivelli has the stronger individuality of the two, and was therefore less likely to be influenced by the other.
	www.oldandsold.com /articles30/crivelli-6.shtml (1064 words)

	Carlo Crivelli - Wikipedia, the free encyclopedia
		The only dates that can with certainty be given about his life are 1468 and 1493: these are, respectively, the earliest and the latest years signed on his pictures--the former on an altar-piece in the church of San Silvestro at Massa near Fermo, and the latter on a picture in the Oggioni collection in Milan.
		Though born in Venice, Crivelli seems to have worked chiefly in Ancona, and especially in and near Ascoli; there are only two pictures in Venice, in the church of San Sebastiano.
		Crivelli is a painter of marked individuality, hard in form, crudely definite in contour; stern, and sometimes admitting into his pictures objects actually raised in surface; distinct and warm in color.
	en.wikipedia.org /wiki/Carlo_Crivelli (467 words)

	La Balia by Carlo Crivelli (1999) (Site not responding. Last check: 2007-10-11)
		Crivelli's notes are intense and stressed, but find expression in mostly stiff, brittle syncopated bursts with little continuity.
		Crivelli's angst is still quite noticeable in the music's tense, tragic edge.
		Crivelli offers a different taste of Italian film music, quite distinct in personality from Bacalov's quiet romanticism, Morricone's wry lyricism, and Piovani's lush idealism.
	www.cinemusic.net /reviews/1999/labalia.html (333 words)

	carlo crivelli // biography (c. 1435 - c. 1495) / gallery / prints
		Though the 15th-century Italian painter Carlo Crivelli was born in Venice, he seemed to have spent most of his time working in Ascoli.
		Crivelli always signed as Carolus Crivellus Venetus until 1490 when he added Miles, due to him having been then knighted (Cavalière) by Ferdinand II of Naples.
		Among Crivelli mannerisms in his work are upright rocks and clearly defined sinews.
	www.leninimports.com /carlo_crivelli.html (165 words)

	Vincent Art Gallery: About Carlo Crivelli (Site not responding. Last check: 2007-10-11)
		Although an outstanding talent within Venetian art of the Early Renaissance, Crivelli never succeeded in achieving a synthesis of is artistic abilities.
		The large polyptich in the Cathedral of Ascoli Piceno (1473) is characteristic of his style: sharply-angled, modelled figures clad in stiff-textured garments, often as if made of metal, which in this way create a unity with the splendour of the painted jewels and carved frame.
		Crivelli's altarpieces and single panels combine Venetian realism, sumptuous color, and rich ornament, such as garlands of fruit, with polished, linear precision.
	www.vincent.nl /gallery/about/crivelli.htm (246 words)

	Beverley Thiel Hood
		Carlo Crivelli, early Renaissance painter, created a sumptuous altarpiece for the Cathedral church of Camerino, Italy in c.1490 C.E. with a central panel entitled Madonna della Candeletta.
		In the 1470’s Crivelli settled in Ascoli in the Marches, a small and square area of central Italy bordered on the eastern coast by the Adriatic Sea.
		Crivelli uses this stone in the Madonna’s crown, in her brooch and as trim on Christ’s and her sleeves and neckline.
	www.mansfield.edu /~art/papyrus1_beverley_thiel_hood.htm (3956 words)

	Carlo Crivelli - Rijksmuseum Amsterdam - Museum voor Kunst en Geschiedenis
		De Italiaanse schilder Carlo Crivelli stamde uit een artistieke familie.
		Waarschijnlijk leerde Carlo het vak van zijn vader, die in de jaren '40 werkzaam was in de omgeving van Venetië.
		In de 19de eeuw was Carlo Crivelli in kringen van kunstverzamelaars een van de meest gewilde 15de-eeuwse Italiaanse schilders.
	www.rijksmuseum.nl /aria/aria_artists/00017238?lang=nl (225 words)

	Carlo Crivelli and his works. Carlo Crivelli in the Marche. Adriatic Literary stream
		Carlo Crivelli presented the Marche with a lot of his works that can be seen all over the region: from Ascoli Piceno to Ancona, from Camerino, Fermo, Macerata, Fabriano to the smallest castles such as Massa Fermana, Montefiore, Corridonia and Montefortino.
		The 15th century in the “Marca” is the age of Crivelli who begins the “Adriatic literary stream” which is called this way because the Adriatic (the Gulf of Venice, the Marche and the Dalmatia) is the cradle of this artistic stream.
		The Adriatic painters (Carlo Crivelli, his brother Vittore, Pietro Alamanno, Nicola d’Ancona and Chjulinovic) exert a long influence in the Marche, but this literary stream is a nine days’ wonder in the history of art.
	www.turismo-marche.com /en/luoghi/crivelli.asp (178 words)

	La Balia/Del Perduto Amore
		Crivelli, who is virtually unknown outside his native land, received a small amount of international exposure after composing the score for Manuel Pradal's acclaimed drama Angel Sharks earlier this year, but has yet to achieve anything like the level of fame currently enjoyed by his countrymen Ennio Morricone, Pino Donaggio and Nicola Piovani.
		Judging by this album, Crivelli is a composer from the old school, and he has that distinctly European sound which is hard to describe but immediately apparent.
		Crivelli is certainly a talented composer, and is worth watching out for in the future, but it strikes me that combining these two scores onto one CD was a misjudged move, and is unlikely to generate an interest in his work.
	www.moviemusicuk.us /baliacd.htm (720 words)

	TIME.com: Most Tender Pity -- Jul 14, 1961 -- Page 1 (Site not responding. Last check: 2007-10-11)
		Carlo Crivelli bounds into history with an entry in the ledger of the Venetian court, which on March 7, 1457, fined him 200 lire and sentenced him to six months in prison.
		The sentence was not particularly harsh, for Crivelli, it seems, had abducted a married lady named Tarsia and kept her hidden in his brother's house for months.
		Crivelli never lost his sternly disciplined technique or his ability to make a canvas sparkle as if he had been working, not with brush and paint, but with gold and jewels.
	www.time.com /time/magazine/article/0,9171,872623,00.html (679 words)

	St Jerome and St Augustine by CRIVELLI, Carlo
		Carlo Crivelli was one of the young artists involved in the new developments taking place in Padua around the middle of the 15th century.
		Forced to leave Venice soon after 1467, Crivelli carried on his solitary activity in the Marches, developing an art rich in figurative detail and luminous in the clarity of form and colour.
		He was influenced by the wealth of culture which flourished at the court of Ferrara with the presence there of Piero della Francesca and Rogier van der Weyden.
	gallery.euroweb.hu /html/c/crivelli/carlo/saints.html (252 words)

	Carlo Crivelli (1430 - 1495) Artwork Images, Exhibitions, Reviews (Site not responding. Last check: 2007-10-11)
		Carlo Crivelli - Saint Peter the Apostle c.
		Carlo Crivelli - The Vision of the Blessed Gabriele c.
		Carlo Crivelli - The Virgin and Child with Saints Francis and Sebastian 1491 egg tempera and oil The National Gallery, London Italian
	www.wwar.com /masters/c/crivelli-carlo.html (828 words)

	Marche Voyager - Carlo Crivelli
		Carlo Crivelli was born in Venice around 1435.
		In the mid 1460s he was recorded in Dalmatia but by 1468 he had established himself in Le Marche, near Ascoli Piceno, where he remained for the rest of his life until his death in around 1493.
		Vittore Crivelli, who worked in Le Marche at about the same time, was probably Carlo's younger brother, though never his equal as a painter.
	www.le-marche.com /Marche/html/crivelli.htm (524 words)

	Artonline
		This is one of the few polyptychs by Crivelli that was not dismembered.
		It was long ignored by critics and only after the 1950 exhibit was it definitely attributed to Carlo and Vittore Crivelli.
		Carlo with his incisive mark constructs shapes of vibrant reality; Vittore is weak and repetitive in both sign and color.
	www.artonline.it /eng/opera.asp?IDOpera=460 (90 words)

	Crivelli Carlo - Search Results - MSN Encarta (Site not responding. Last check: 2007-10-11)
		Crivelli Carlo - Search Results - MSN Encarta
		He was influenced by the schools of Padua and Ferrara and worked primarily in...
		Maderno, Carlo (1556-1629), Italian architect, whose work prefigured the Baroque style of the 17th century.
	uk.encarta.msn.com /Crivelli_Carlo.html (91 words)

	CARLO CRIVELLI - Online Information article about CARLO CRIVELLI
		Crivelli is a painter of marked individuality,—hard in See also:
		It is surmised that Carlo was of the same family as the painters Donato Crivelli (who was working in 1459, and was also a See also:
		Italian Painters (1892-1893) ; Rushforth, Carlo Crivelli (1900).
	encyclopedia.jrank.org /CRE_DAH/CRIVELLI_CARLO.html (5224 words)

	Carlo Crivelli Online
		Carlo Crivelli at the Detroit Institute of Arts, Michigan
		Carlo Crivelli at the National Gallery, London, UK Carlo Crivelli at the Rijksmuseum, Amsterdam
		All images and text on this Carlo Crivelli page are copyright 2007 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/crivelli_carlo.html (285 words)

	Carlo CRIVELLI La Balia.* Del Perduto Amore : Film Music on the Web CD Reviews Oct 1999 (Site not responding. Last check: 2007-10-11)
		Clearly Carlo Crivelli is a firm admirer of Bernard Herrmann for he quotes the swirling figures from Vertigo in both these scores and the Scene d'Amour obliquely in Del Perduto Amore.
		For 'Annetta' Crivelli thins his texture so that it becomes almost a chamber ensemble with clarinet and cello prominent.
		Crivelli obviously favours harsh dissonant music to underscore menace this time from the Fascists, these manifest themselves as crude brass glissandos and other 'sour' figures and are met with proud defiance in such cues as 'La bellissima maestrina.' 'Il prete e il fascista' contrasts an elegant Mozart-like gentility with growly, gruff low woodwind figures.
	www.musicweb.uk.net /film/oct99/crivelli.htm (766 words)

	CATHOLIC ENCYCLOPEDIA: Carlo Crivelli
		Crivelli worked entirely in tempora, of which he was a master.
		The National Gallery, London, has a number of Crivelli's paintings and the galleries of the Continent are also well supplied.
		RUSHFORTH, Carlo Crivelli (London, 1900); BLANC, Histoire des peintres de tous les écoles (Paris, 1877).
	www.newadvent.org /cathen/04509a.htm (299 words)

	Carlo Crivelli \| Classical music composer
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		Find scores by Carlo Crivelli at Sheet Music Plus
		[If you know of an event (date and year) for Carlo Crivelli, then let me know, and I will add it.]
	www.classical-composers.org /comp/crivelli (298 words)

	artnet.com: Resource Library: Crivelli: (2) Vittore Crivelli (Site not responding. Last check: 2007-10-11)
		He probably spent some time in Carlo’s workshop, although there is only one surviving collaborative work, a polyptych for the church of S Martino at Montesanmartino (in situ).
		From this period there survives a series of signed works, mostly depicting the Virgin and Child, a small number of which are dated, including two further polyptychs for churches in Montesanmartino, one of 1489 (S Maria del Pozzo) and the other of 1490 (S Martino).
		In August 1501 he received a commission for an altarpiece (destr.) destined for S Francesco at Osimo for which he was to be paid 200 ducats, slightly less than Carlo received for his altarpiece of 1493, but an indication that Vittore was similarly held in high esteem.
	www.artnet.com /library/02/0203/T020314.asp (409 words)

	Vittorio Crivelli ( - ) Artwork Images, Exhibitions, Reviews (Site not responding. Last check: 2007-10-11)
		Carlo Crivelli - St. Nicholas of Bari 1472 oil on wood Cleveland Museum of Art Italian
		Carlo Crivelli - Saints Peter and Paul c.
		Carlo Crivelli - Madonna and Child Enthroned with Donor 1470 tempera on panel National Gallery of Art Italian
	www.wwar.com /masters/c/crivelli-vittorio.html (591 words)

	Carlo Crivelli specs at MSN Shopping
		This absorbing book, drawing on extensive research in Venice and the Marches, the region of central Italy that Crivelli dominated artistically from 1468 until his death, examines his...
		More paintings in depth and traces the fundamental influences of the Vivarini, of Squarcione and Mantegna, and later of Flemish art.Ronald Lightbown, eminent historian of Italian Renaissance art, interweaves stylistic and iconographical analysis of Crivelli's work with historical and cultural background.
		The author uncovers the reasons that led patrons to choose the saints that figured in Crivelli's altarpieces, discusses the initiations of new cults and the devising of an iconography for them, and demonstrates Crivelli's independence from clerical dictation in the symbolism of his still-life pictures.
	shopping.msn.com /specs.aspx?itemId=1186991 (157 words)

	Carlo Crivelli Artworks and Fine Art at arthistorynet.com (Site not responding. Last check: 2007-10-11)
		Madonna and Child Enthroned, part of an altarpiece, 1472 Carlo Crivelli (Italian, Venetian, active 1457-93)Tempera
		Pietà, 1476 Carlo Crivelli (Italian, Venetian, active 1457-93)Tempera on wood, gold ground; Overall 28 1/4
		CRIVELLI, Carlo CRIVELLI, Carlo Italian painter, Venetian school (b.
	www.absolutearts.com /masters/c/crivelli-carlo.html (147 words)

	Amazon.com: The Prince of Homburg (Score): Music: Carlo Crivelli (Site not responding. Last check: 2007-10-11)
		Carlo Crivelli Music — Sheet music for Carlo crivelli at Sheet Music Plus.
		Carlo Crivelli Posters at AllPosters.com — Buy Carlo Crivelli posters at AllPosters.com.
		Carlo Crivelli - Art.com — Art.com offers everyday savings on over 250,000 posters and prints.
	www.amazon.com /Prince-Homburg-Score-Carlo-Crivelli/dp/B00000IK8E (278 words)

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