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| | Carmen Cavallaro |
 | | nown as the "Poet of the Piano," Cavallaro followed the example of Eddy Duchin, whose blend of flashy classically-oriented stylings and popular selections inspired Liberace, Roger Williams, and others. |
| | Cavallaro signed a recording contract with Decca around this time and subsequently released a steady string of singles and albums on the label, until it was acquired by MCA in the early 1970s. |
| | Cavallaro's work was always professional and tightly arranged (often by Cavallaro himself), but not usually too adventurous or distinctive. |
| www.spaceagepop.com /cavallar.htm (395 words) |
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