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Topic: Caroline Leaf

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	7° Festival Internacional de Cine Independiente
		She was able to achieve most of her personal work as from 1972, thanks to the support of the National Film Board of Canada, a public organization famous for its experimental work in animated and documentary films, and for the freedom it gives to artists from all around the world that work there.
		Leaf's films are atypical in animated cinema, not only because they usually leave humour aside and because its topics are unmistakably adult, but above all, because of the emotional density that they are able to achieve with purely visual resources and with a language that avoids the conventions of classicism.
		The isolation atmosphere that surrounds the two sisters from the title, the desire of one to protect the other, the secret that unites them and the outrage of that status quo that entails the unexpected arrival of a man, are achieved with a masterly combination of design, technique, narrative economy and staging.
	www.bafici.gov.ar /ingles/programacion_caroline_leaf.php (430 words)

	CINEMAJOVE
		Caroline Leaf and her work The Street was the runner-up, beating Walt Disney himself.
		Caroline Leaf turns away from the current trends based on digital animation and makes a stand for artistic work in direct contact with raw materials.
		A darkroom, a fixed camera and a piece of glass on which to deposit drops of paint and grains of sand is all that Caroline Leaf needs to create her stories.
	www.gva.es /cinemajove/actualiza/ileaf.htm (269 words)

	The National Museum of Photography, Film & Television - Film Details (Site not responding. Last check: 2007-10-25)
		We are delighted to welcome the internationally-renowned director and multi-awardwinner Caroline Leaf to BAF this year.
		Caroline's animated films are celebrated for their emotional content and graphic style.
		Illustrated throughout by simple pen and ink washes, Leaf portrays with feeling the death of a grandmother and the reaction of her family.
	www.nmsi.ac.uk /nmpft/film/filmdetail.asp?ida=5021 (825 words)

	Caroline Leaf - Wikipedia, the free encyclopedia
		Caroline Leaf was born in Seattle, Washington in 1946.
		She made her first film in 1968 at Harvard University.
		Caroline Leaf currently lives in London and is a tutor at The National Film and Television School.
	en.wikipedia.org /wiki/Caroline_Leaf (231 words)

	NFB - Portraits - Caroline Leaf
		She was initially sceptical about the medium until she tried animating with sand and suddenly discovered the technique that suited her and that would delight Norman McLaren when he visited the class.
		Leaf's work is characterized by her technique of creating movement by using a stationary camera and gradually changing the size of her drawing in sand or paint.
		Leaf is often invited to sit on festival juries, give animation workshops and present her work.
	www.nfb.ca /portraits/fiche.php?idcat=284&lg=en&v=h (624 words)

	The Harvard Crimson :: News :: Oscar Nominee Brings Animation Experience to Harvard
		Leaf developed a recurring attachment to closed rooms in her work--unearthing freedom within a deceptively confined space.
		Leaf traveled all over the world, from Israel to Nicaragua to the Soviet Union to Denmark to screen her works, give workshops and serve as a jury member for international animation festivals.
		Leaf says she likes teaching at Harvard because "the attitude here is to use the animation as a form of personal expression, which is how I've always viewed animation.
	www.thecrimson.com /article.aspx?ref=104995 (846 words)

	Caroline's Dry Rub News and Reviews
		Caroline's was notified by the Cooking Club of America and Cooking Pleasures Magazine that Caroline's Amazing Pork and Poultry Blend received their Member Tested and Recommended Seal of Approval.
		Caroline's was honored to participate in the Chron's and Colitis fundraiser, "A Night at the Races", held at the Rideau Carlton Raceway in Ottawa.
		Caroline's was pleased to sponsor race number 6 and had the opportunity to present a horse blanket designed with their logo to Mountainview Clara, driven by John Wentworth III.
	www.carolinesrub.com /in_the_media.asp (1250 words)

	CNF ARTICLES : SELIGMAN
		That night I call Caroline to see if now, in the wake of my brother's tragic and fiery death, she will reconsider what she'd told me in art class months before: I don't want to be your friend anymore.
		Leaf knows she'll have to do better than this if she wants to stay at this school.
		Caroline flicks the auto-unlock button and I open the door, climbing onto the high passenger seat, knowing before we pull fully onto the road I must speak.
	www.creativenonfiction.org /thejournal/articles/issue12/12seligman_reunionforcaroline.htm (3178 words)

	Caroline Leaf - Focus on Animation - ONF
		If there is humour in Leaf’s universe, it is wry, dark and quirky; the laughter comes out of the recognition that her characters have little, or no, control over their destinies.
		And Leaf was unafraid to animate camera moves ranging from zooms to pans to crane shots.
		Leaf’s work may not be over; she still paints and makes the occasional short films.
	www.nfb.ca /animation/objanim/en/filmmakers/Caroline-Leaf/overview.php (633 words)

	Caroline Leaf - An Interview
		A Caroline Leaf filmography is at the tail of this interview.
		Caroline Leaf was there from Canada and it was a joy for me to be able to get to know her a little and experience first-hand her generosity of spirit and warmth.
		Caroline Leaf: Looking at my various animation techniques, I differentiate between those that are under-the-camera, and those that aren't.
	www.sensesofcinema.com /contents/03/25/caroline_leaf.html (2362 words)

	Acme Filmworks (Site not responding. Last check: 2007-10-25)
		Caroline Leaf was born and raised in the Boston area.
		She evolved a technique of creating animated movement with images of fine beach sand spread onto a piece of underlit white glass manipulated directly under a camera.
		Caroline's animated films are renowned for their emotional content and graphic style, closely tied to the innovative animation techniques that she has invented.
	www.acmefilmworks.com /dir_folders/dirLeaf/leaf.html (68 words)

	Animation World Magazine (Site not responding. Last check: 2007-10-25)
		On the subject of sand, we hear from Caroline Leaf, Maria Procházková, Eli Noyes and Gerald Conn, and for paint on glass, we hear from Alexander Petrov, Wendy Tilby, Eleanor "Ellen" Ramos and Lyudmila Koshkina.
		This sketch by Caroline Leaf illustrates her recommended set-up for sand animation.
		Caroline Leaf, often referred to as a pioneer of sand animation, is shown here working on her first sand film, The Owl Who Married a Goose.
	mag.awn.com /index.php?article_no=1633 (825 words)

	Animation Department
		Caroline began to make animated films as a student at Harvard University in Boston in 1968.
		Caroline's teaching experience includes many 'hands on' workshops in animation, including The National Film and Television School and the Royal College of Art in London, and one for children at the Walker Art Center, Minneapolis USA.
		Caroline has had commercial animation affiliations with Colossal films in San Francisco and Acme Filmworks in Los Angeles.
	www.nftsanimation.org /department/Caroline_Leaf.htm (410 words)

	The Animation World Network Gallery - Caroline Leaf
		The drawings presented here are works on paper made during the last 10 years.
		They are not related to Caroline Leaf's films.
		The last images are 4 oil paintings made in 2002.
	www.awn.com /gallery/leaf/index.html (58 words)

	LEAF and the University of Hertfordshire to Deliver Sustainable Agriculture Indicators on UK Farms (Site not responding. Last check: 2007-10-25)
		LEAF (Linking Environment And Farming) and the University of Hertfordshire are to collaborate on a MAFF funded project to deliver the national set of sustainable indicators on farms throughout England and Wales.
		LEAF (Linking Environment And Farming) is a national charity, established in 1991, to develop and promote Integrated Farm Management (IFM).
		The LEAF Audit is part of a whole farm management package designed to help farmers record, evaluate and improve their farming practices against the standards of Integrated Farm Management.
	www.herts.ac.uk /natsci/env/aeru/indicators/indicator_home_pr_31-01-2001.htm (736 words)

	Inventory of The Rudyard Kipling Collection:
		TLS, 1 leaf and typed bookseller’s transcription, 1 leaf.
		TLS, 1 leaf; Re: thank you for article on unidentified person’s talk with Amery, returning interview with passages that are not to be used, travel plans.
		Typed excerpts, 1 leaf and photocopy, 1 leaf.
	www.lib.utexas.edu /taro/tamucush/00076/00076-P.html (7666 words)

	University College for the Creative Arts at Canterbury, Epsom, Farnham, Maidstone and Rochester - Press Releases 2003
		Caroline Leaf's animated films are renowned for their emotional content and graphic style, closely tied to the innovative animation techniques that she has invented.
		Her first film was made with beach sand poured onto a lightbox, and her subsequent films have been refinements and extensions of this handcrafted, under-the-camera technique.
		Leaf began to make animated films in 1968 when she was a student at Harvard University in Boston.
	www.surrart.ac.uk /index.cfm?articleid=1225&detailid=1316 (1360 words)

	Four Leaf Public Relations - About Us (Site not responding. Last check: 2007-10-25)
		Diane’s specialty is enhancing positive perception and increasing recognition for her clients through her ability to develop communication strategies, media messaging and corporate positioning; securing media placements in key targeted print and broadcast media; arranging speaker bookings at prestigious industry conferences, and managing critical strategic partner relationships.
		In her work with Four Leaf, Caroline March-Long draws on more than 10 years’ experience in promoting products and services with business and trade media, especially in the technology arena.
		She also understands a reporter’s need to find a good angle, and is expert at producing appealing news releases, white papers, press tours, and coordinating trade show appearances and speaking engagements.
	www.fourleafpr.com /about-bios.htm (821 words)

	Jolly's: Caroline Ballou (Site not responding. Last check: 2007-10-25)
		Caroline creates her fine jewelry collection with a cross- cultural edge, the sophisticated product of worldwide influences filtered through the sensibility of a thoroughly contemporary artist.
		Combining rich colors, textures, rhythms, symbols and patterns, she develops a broad mix of necklaces, cuffs, bracelets, rings and earrings.
		A bit of history is infused into each piece as it is Caroline's interpretation of decorative traditions brought forth from many different cultures.
	www.jollys.com /catalog.php?id=92 (97 words)

	YFC (Site not responding. Last check: 2007-10-25)
		Caroline Drummond, LEAF’s chief executive said: “We are pleased to be working closely with YFC members to help develop further understanding of our work and to help young people think about the positive messages of farming and the environment.”
		LEAF Demonstration Farms are examples of environmental theory being put into practice.
		LEAF’s ‘Speak Out’ ‘Speak Out’ is a complete package to help farmers develop their PR/communication skills.
	www.nfyfc.org.uk /showpage.asp?pg=press&id=93 (652 words)

	AVTrust.ca > Masterworks (Site not responding. Last check: 2007-10-25)
		This renowned animation film by celebrated animator, filmmaker, artist and teacher Caroline Leaf spares no feelings and minces no words.
		Produced early in Caroline Leaf’s nearly 20-year association with the National Film Board of Canada, The Street set a high standard for Ms.
		Leaf to maintain throughout what has become an adventurous artistic career.
	www.avtrust.ca /mw/mw.php?display&en&71 (306 words)

	[Videonews] new Screening Room episode from DER (Site not responding. Last check: 2007-10-25)
		It would require years of =20 litigation up to and including the Supreme Court, but the case was =20 won and the Channel 5 license was given to WCVB-TV.
		Caroline Leaf=92s animated work springs from her expert storytelling =20 and pioneering animation techniques.
		One significant contribution to =20= filmmaking is her technique of manipulating sand on a light-box, =20 which she began as a student at Harvard.
	www.lib.berkeley.edu /pipermail/videonews/2005-October/001210.html (444 words)

	Mind Power News Issue No. 66
		That means lots of fresh foods as close to their natural state as possible, such as meat, fish, chicken and eggs, fresh fruits, vegetables, nuts and seeds, preferably organic.
		Leaf says the worst thing you could give your children is a bowl of highly-processed breakfast cereal, pap or white bread, because of the high-carbohydrate content.
		Leaf joins many international specialists, among them UK nutrition gurus Patrick Holford and Dr John Briffa, in saying that the worst diet for the brain is low-fat, high-carb - the way of eating propagated and popularised by the food industry for decades.
	www.mindpowernews.com /066.htm (3366 words)

	ANIMATED PEARLS
		They can be said to be influential animated films due to their innovative thinking, creativity and artistic quality, and the lasting impression they have made on their audiences.
		The works of animators Caroline Leaf – «The Gate» (1976) – and Jurij Norsten – «The Hedgehog in the Mist» (1974) – have inspired animation filmmakers and earned them a place in this special program.
		Leaf and Norsten attended the Short Film Festival in 1993 and screened these films to an enthusiastic audience in a special program called Animation Gala.
	www.kortfilmfestivalen.no /2002/program/english/xtra_AnimatedPearls.html (1061 words)

	Canadian Masterworks (Site not responding. Last check: 2007-10-25)
		Each stands as a landmark in the creation — or, as the distinguished Canadian film scholar Peter Harcourt puts it, "the beginning of a beginning" — of our modern, distinctive national cinema(s).
		Also screening on the program are two of Canada's most technically innovative and widely admired short animated films, both also produced by the NFB: Norman McLaren's Neighbours (1952) and Caroline Leaf's The Street (1976).
		Acknowledgements: Pacific Cinémathèque is grateful to the Audio-Visual Preservation Trust, the National Film Board of Canada, and, especially, Jane Gutteridge, NFB Toronto, for assistance in making this program possible.
	www.cinematheque.bc.ca /NovDec04/CanadianMasterworks.html (835 words)

	Wick History.
		1 leaf and negative photostat of original letter, 1 leaf.
		Handwritten copy (unknown hand), 1 leaf and typed transcription, 1 leaf.
		Autograph, 1 leaf and typed transcription, 1 leaf.
	www.lib.utexas.edu /taro/tamucush/00076.xml (5182 words)

	Buffalo.com - HomeFinderExtra.com; Buying and Selling Tools and Info.
		The first film in the series “The Point” by Harry Nilsson, was screened before an audience of more than 150 on July 24.
		Caroline Leaf is a contemporary animator whose technique creates animated movement with images of fine beach sand spread onto a piece of underlit glass manipulated directly under a camera.
		Leaf’s films are renowned for their emotional content and graphic style.
	www.buffalo.com /HomeFinderExtra/citylivingstory.asp?R_ID=93 (318 words)

	Moved By Animation - Animation: Genre and Authorship by Paul Wells (London: Wallflower, 2002)
		Wells convincingly argues that several 'live action' films are distinguished far more by the creative presence of this marginal 'special effects specialist' than by the cinematographic efforts of their 'proper' directors.
		In an interesting and very instructive final twist, the avant-garde art of Caroline Leaf can easily be made to conform to the terms of traditional notions of authorship, since it depends upon an intimate, tactile, one-to-one relationship between artist and object.
		Brief interviews with Harryhausen and Leaf, however, may prove illuminating enough for those of us already engaged with the field, but ultimately leave this reader with the feeling of having witnessed two missed-opportunities.
	www.sensesofcinema.com /contents/books/02/21/animation_wells.html (2940 words)

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