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Topic: Carter Burwell


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In the News (Fri 10 Jul 09)

  
  Carter's Grove   (Site not responding. Last check: 2007-10-21)
Carter Burwell, whose first and last names combined the inheritance of two first families of Virginia, built the main house on 1,400 acres inherited from his grandfather, Robert "King" Carter of Corotoman in Lancaster County.
Burwell is a very pretty, good humored woman." Widowed in 1721 with four minor children, she married Dr. George Nicholas of Williamsburg in April 1724 and died in 1734.
Mollie McCrea, a Petersburg, Virginia, belle, was a collateral descendant of the Burwells.
www.history.org /Almanack/places/hb/hbcgrove.cfm   (1163 words)

  
 Carter Burwell - film composer
Carter Burwell's association with the films of the Coen brothers has brought him widespread recognition.
Burwell's original music both complements this and contrasts with it, being largely based on strings and piano.
For "Being John Malkovich", Burwell's music is based around a chord progression which in a number of different guises supports the weird happenings on screen.
www.mfiles.co.uk /composers/Carter-Burwell.htm   (935 words)

  
 Carter's Grove - Wikipedia, the free encyclopedia
Carter's Grove is currently a 750 acre Virginia plantation on the James River in the Grove Community of southeastern James City County.
Elizabeth Carter (1688-1721) was married to Nathaniel Burwell (1680-1721), of Corotoman, Lancaster County, Virginia in 1709.
Carter Burwell (1716-1777) inherited the property from his grandfather, and built the current house on what was by then a 1,400 acre estate.
en.wikipedia.org /wiki/Carter's_Grove   (816 words)

  
 Carter's Grove   (Site not responding. Last check: 2007-10-21)
Carter's Grove is closed January and February and for the week before Grand Illumination (in order to decorate for Christmas).
Later, grandson Carter Burwell built a Georgian mansion on the property (the central part of the mansion we see today) and is himself credited with the sophisticated design of the mansion.
Carter Burwell lived in the completed mansion for only six months before his death in 1756.
www.americanparknetwork.com /parkinfo/cw/sights/carter.html   (671 words)

  
 ScoreTrack.Net - Music for The Movies: Carter Burwell
Carter Burwell became the father of a baby boy Tycho (named for the great Danish astronomer) in April 2002, and in the autumn of 2002, he completed the NY Marathon!
Carter Burwell was born on November 18, 1955 in New York.
Carter Burwell became the father of a baby boy Tycho (named for the great Danish astronomer) in April 2002, and in the autumn of 2002, at age 46, the lean, fit Burwell ran the NY Marathon!
www.scoretrack.net /cburwell.html   (392 words)

  
 Filmtracks: Simone (Carter Burwell)
Simone: (Carter Burwell) Touted as one of the year's potential hits on the big screen, Simone is the creative tale of Hollywood's first computer-generated actress whose digital genetics are unknown to the public and industry at large.
Composer Carter Burwell, whose technique at composing for a dry sense of humor (especially with so much experience with the Coen Brothers' films) is well documented, provides a similarly snazzy little score for a more futuristic tone.
Even as Burwell maintains the futuristic curve in the music, he manages to insert a few classic moments of old Hollywood glamour --to an almost comical degree of over-dramatism in parts-- and this plays to the all-important finale cue of the film and album.
www.filmtracks.com /titles/simone.html   (789 words)

  
 Carter's Grove--James River Plantations: A National Register of Historic Places Travel Itinerary
Carter's Grove, built from 1750 to 1755, is one of colonial America's most impressive examples of Georgian architecture, noted for its exquisite brickwork and finely crafted, fully-paneled interior.
The house was built for Carter Burwell, grandson of Robert "King" Carter, the wealthiest and most politically influential man in mid-18th-century Virginia, perhaps in all the colonies.
Carter's Grove, a National Historic Landmark, is located on the south side of Virginia Rte.
www.cr.nps.gov /nr/travel/jamesriver/car.htm   (305 words)

  
 Filmtracks: Adaptation (Carter Burwell)
Adaptation: (Carter Burwell) The team of director, screenwriter, and composer that brought you Being John Malkovich is back for a creative encore.
He went ahead and had to score the film as though he personally knew what both the film and the meaning of life are all about, and the resulting collection of inharmonic clangs and suffering mutilations of overlapping themes makes for a ear-wrenching musical experience both in the film and alone on album.
Burwell's sense of humor about the project is perhaps the most intriguing element of the entire project, for the music itself could easily drive a person --or animal, for that matter-- insane.
www.filmtracks.com /titles/adaptation.html   (910 words)

  
 C I N 3 M A - Permanent Waves - Composers - Carter Burwell
Carter Burwell got his start in film music with the first film directed by Joel Coen and written by Ethan and Joel Coen: Blood Simple (1984).
Burwell's talent for bringing emotion to the screen has been sought ever since for small and large pictures alike.
Burwell knows how to portray pain; his minor chords have a way of reaching down into the deepest waters of the soul and pulling heartstrings you never knew you had.
www.cin3ma.tv /permanent_waves/composers/carter_burwell.shtml   (449 words)

  
 Simone by Carter Burwell @ Cinemusic   (Site not responding. Last check: 2007-10-21)
Carter Burwell is a composer best known for his always-appropriate scores for the films of the Coen brothers.
Burwell had no problem coming up with thematic material for the score, as four themes and motifs are utilized.
The rest of the album is a meandering mess of quirky, aimless cues where Burwell tries to throw as much as he can at the listener with increasingly weirder and louder instruments and orchestrations on top of his themes.
www.cinemusic.net /reviews/2002/s1mone.html   (566 words)

  
 A Compleat Guide to All Persons who have any Trade or Concern with the City of London and Ports adjacent. . . .
BURWELL, ELIZABETH (CARTER) Elizabeth Carter(1692-1734), Robert Carter's oldest daughter, married in 1709 Nathaniel Burwell (1680-1721) of "Carter's Creek," Gloucester County, and, in 1724, Dr. George Nicholas.
CARTER, JAMES, (1684-1743), of Stafford County, the younger brother of Carter's dear friend and associate, Captain Thomas Carter of Lancaster County, and was one of Robert Carter's chief managers.
MEEKS, RICHARD, was described by Robert Carter in a letter of July 15, 1720, as the "general overseer" of the property that he consistently referred to by its tobacco mark of a double arrowhead or double "L"; it was the Lloyd properties belonging to John Lloyd, widower of Robert Carter's niece, Elizabeth.
etext.lib.virginia.edu /users/berkeley/public/Cbiodir.html   (6994 words)

  
 John Carter
Carter except as "her son"he provided for his heir as meagerly as decency would permit.
Carter was not chosen as Speaker for the 1698 session, but was in April 1699.
Carter was appointed on 3 June 1699 as colonel and commander-in-chief of the Lancaster-Northumberland
www.carter-cousins.org /kits/17720.htm   (6010 words)

  
 Hamlet by Carter Burwell (Quick-Click Review)
This time Carter Burwell gets the call to provide the full orchestral score that will intermingled with the edgy alternative music comprising the initial soundtrack release for Hamlet.
Carter Burwell takes the listener on this dark journey in an introspective manner.
Burwell is able to communicate the frustration, pain, anger, and confusion polluting the mind of young Hamlet.
www.tracksounds.com /reviews/quickclick/reviews/qchamletcb.htm   (189 words)

  
 Carter Burwell Biography :: Hollywood.com   (Site not responding. Last check: 2007-10-21)
Burwell's work for the duo continued with the hyper-kinetic comedy "Raising Arizona" (1987), in which he assigned each major character a distinctive theme; some were adapted folk melodies, others--like the "Spanish rock opera" that greets the arrival of the "Biker from Hell"--used sampled sounds to even quirkier effect.
Burwell composed his first full orchestral score for "Miller's Crossing" (1990), the Coens' stylish excursion into the gangster film, where his lush melodies served as a counterpoint to the hard-boiled characters' clipped dialogue.
For "Barton Fink" (1991) Burwell, working closely with sound designer Skip Lievsay, devoloped a "minimalist" score that melded with the other sound effects; there were only about 20 bars of music in the entire film.
www.hollywood.com /celebs/fulldetail/id/189735   (322 words)

  
 Carter Burwell - Wikipedia, the free encyclopedia
Carter Burwell (born November 18, 1955, in New York City) is a composer of film film scores.
As a film composer, Burwell has had a long working relationship with film makers the Coen brothers, providing music for every film they have made.
He enjoys working with leftfield directors and has also scored both of Spike Jonze's films.
en.wikipedia.org /wiki/Carter_Burwell   (121 words)

  
 Carter Burwell: Being John Malkovich: Pitchfork Record Review
Burwell's early material appeared almost exclusively in films by Joel and Ethan Coen.
Burwell's task was scoring the pathos of desire and loneliness.
It's Carter Burwell's uncanny knack for lilting melodies that allows "Being John Malkovich" to resonate with such childlike wonder; it's as much evidence of Burwell's authoritative talent for creating a movie's atmosphere as anything else.
www.pitchforkmedia.com /article/record_review/15758/Carter_Burwell_Being_John_Malkovich   (512 words)

  
 WSDG Architectural and Acoustic Design
Carter had very specific requirements for equipment in his control room, as he said, "I wanted all these different species of machine to live together in some symbiotic way.
I've always loved the fact that my life is filled with machines and that they're all going to talk to each other, and new ones will be born and old ones will die.
Carter had indicated that he wanted "...the studio to be an ecology of technology..." WSDG worked in tandem with architect Kathy Chia, who designed the residential space and consulted on the studio, and Burwell's wife, lighting designer Christine Sciulli.
www.wsdg.com /dynamic.php5?id=portfolio/showcase/CARTER   (482 words)

  
 Boston's Weekly Dig: Music: Carter Burwell   (Site not responding. Last check: 2007-10-21)
Coincidentally, that composer, Carter Burwell, has also proven to be the only person capable of providing appropriate sounds for another team of vanguard filmmakers, the Coen Brothers.
With Fargo in particular, Burwell trailblazed a new direction in film music that many copycats have followed.
Aside from the score tracks, feel-good Turtles oldie “Happy Together” — albeit central to the story — is curiously the only one of the songs from the film (which also included Beck, Folk Implosion, Elvis Costell and the Stones) to show up on the soundtrack.
www.weeklydig.com /articles/carter_burwell   (217 words)

  
 Being John Malkovich : Being Carter Burwell
Carter quickly became one of the most significant composers on the indie alt scene, scoring films such as the Brad Pitt / Juliette Lewis / David Duchovny starrer "Kalifornia," and Stephen Gyllenhaal's "Waterland" in addition to the Coen Bros' "Raising Arizona," "Miller's Crossing," "Barton Fink" and "Hudsucker Proxy."
Carter's most recent credits incleude Disney's "Mystery Alaska" (starring Russell Crowe and Burt Reyonlds), "The Corruptor" starring Mark Wahlberg and Chow Yun Fat for New Line, "The General's Daughter" (John Travolta) for Paramount and the Warner Bros. Feature "Three Kings" starring George Clooney and Mark Wahlberg.
Now step into the latest offering from Burwell's creativity, the score for director Spike Jonze's highly anticipated "Being John Malkovich" (John Cusack and Cameron Diaz) for Polygram Filmed Entertainment.
www.astralwerks.com /bjm/cb_bio.html   (233 words)

  
 Conspiracy Theory - Carter Burwell   (Site not responding. Last check: 2007-10-21)
As a result, Carter Burwell's music is somewhat eclectic, but still makes for a hugely enjoyable album.
The mood is not entirely settled, but it is certainly considerably more relaxed than most of the rest of the score (although the swing motif re-appears on a couple of occasions, most notably in Conspiracy Theory and the finale, Riding).
Burwell's penchant for more bizarre orchestral colour is evident in many other cues.
www.soundtrack-express.com /osts/conspiracytheory.htm   (276 words)

  
 Raising Arizona/Blood Simple by Carter Burwell (1987) * (via CobWeb/3.1 planetlab2.cs.umd.edu)   (Site not responding. Last check: 2007-10-21)
One of Burwell's earliest scores, Raising Arizona is heavily synthesized.
As Burwell's first score, Blood Simple is also largely synthesized, with some unusual elements, including some African chants (in "Chain Gang") and various electronic effects.
Burwell has an intuitive feel for connecting noises in a way that is listenable.
www.cinemusic.net.cob-web.org:8888 /reviews/old3/raisingariz.html   (523 words)

  
 Bio for Carter Burwell on MSN Movies
Burwell's signature mournful-yet-hopeful sound has lent itself well to everything from straight drama to cutting fl comedy.
Burwell's work on director Spike Jonze's Being John Malkovich found the composer forming a close relationship with yet another unconventional filmmaker, and Burwell subsequently scored Jonze's follow-up feature, Adaptation, as well.
For inspiration, Burwell often eschews the urban confines of New York City for the nature and serenity of Big Sur, and in 1999, the prolific composer exchanged wedding vows with wife Christine.
movies.msn.com /celebs/celeb.aspx?mp=b&c=58405   (301 words)

  
 Cinemusic.net: Spotlight on Carter Burwell   (Site not responding. Last check: 2007-10-21)
Carter Burwell, 43, got his start in film music with the first film directed by Joel Coen and written by Ethan and Joel Coen: Blood Simple (1984).
Especially prolific in recent years, he wrote scores for seven pictures in 1995, six in 1996, seven in 1997, and five in 1998.
His recent Gods and Monsters joined the ranks of Conspiracy Theory, The Jackal, Fear, and Rob Roy as widely praised film score favorites, as well as being the runner-up for the LA Film Critics Award for Best Music of 1998 (Elliott Goldenthal's The Butcher Boy won the award).
www.cinemusic.net /spotlight/1999/cb-spotlight.html   (5056 words)

  
 Carter Burwell - A Knight's Tale - Soundtrack CD Review at TheCelebrityCafe.com
- Carter Burwell's score album to "A Knight's Tale" was a nice addition to soundtracks in 2001.
The filmmakers did a wonderful thing by letting Burwell bring a fresh aproach while keeping that mystical sound of knights and chivalry.
There is a rousing theme for the jousting scenes and a main theme that is among Burwell's best.
thecelebritycafe.com /cd/full_review/10743.html   (141 words)

  
 Carter's Grove
Landon Carter's father, Robert "King" Carter, one of the wealthiest planters in
, gave the Carter's Grove plantation to his daughter Elizabeth and her husband, Nathaniel Burwell.
The estate was inherited by their son, Carter Burwell, who built the big house and employed the slaves there beginning in the late 1730s.
www.uvawise.edu /history/virginia/quarter.html   (204 words)

  
 Carter Burwell, The Man Who Wasn't There   (Site not responding. Last check: 2007-10-21)
Classical music enthusiasts admit that classical music is an "acquired taste." If this is, in fact, true, the soundtrack to The Man Who Wasn't There is a good, quality place to whet your appetite.
Featuring original compositions (classical, swing) by Burwell, outstanding arrangements of sonatas by Beethoven and a stellar selection from Mozart's "The Marriage of Figaro," The Man Who Wasn't There is there, musically.
Burwell's own compositions prove to be seamless transitions from sonata to sonata, together recounting heightened scenes from the movie.
www.rambles.net /snd_manwasnt01.html   (265 words)

  
 Movie Music UK - Carter Burwell
American composer Carter Burwell graduated from Harvard College, where he studied the unusual combination of animation and electronic music.
Away from film music, Burwell has dabbled the rock scene with several bands in the 1980s, and has written music for dance and the theatre.
A composer with a bright future, Burwell is well-known in the film score community for his unusual and unique orchestrations and penchant for experimental scoring techniques, and is becoming highly sought-after for A-list independent films and movies with a 'quirky edge'.
www.moviemusicuk.us /burwell.htm   (395 words)

  
 The Reel World - July
Carter, based in New York, is the composer of a number of brilliant scores, and best known for his music to the films of Joel and Ethan Coen.
We were collaborating on these shows with Brian Eno, who, in turn was friends with Burwell and had invited him back to our dressing rooms.
In the meantime Carter has distinguished himself at the forefront of modern film scoring with an eclectic and unique style that has brought fresh ideas to the genre.
www.jeffrona.com /reelworldmag/augburwell.html   (2660 words)

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