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| | Giorgione, da Castelfranco |
 | | Apart from the Sleeping Venus, only four other pictures are generally accepted as unquestionably his: the Castelfranco Altarpiece (sometimes known as the Madonna and Child Enthroned with Two Saints), in the cathedral of Castelfranco; The Three Philosophers, the Portrait of a Lady (both Kunsthistorisches Museum, Vienna); and The Tempest (or Storm) (Accademia, Venice). |
 | | In its symmetrical composition and crisp style, his Castelfranco Altarpiece is related to the work of Bellini (his teacher) and may well be early. |
 | | But otherwise Giorgione may be regarded as an innovator in the development of the oil technique, in rich and warm colour and in a type of painting independent of a particular position or function. |
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