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| | Drive is Parole |
 | | The vector from jouissance to castration is the expression that, in Encore, vests the phallic jouissance in its opposition to love, that is in the rapport to the Other. |
 | | The case is a waste, a loss of jouissance, castration being but the dramatic figure, as if there was the need of the figure of an Other to attain it, even when that is attained in the real and with no more dramatics than the universal laws of gravity. |
 | | At that moment you don't talk of castration, you say, "There is no such thing as sexual rapport," a formula that says the same thing, yet in a sober and tranquil way, and that eventually tries to adopt a scientific pace so as to treat it. |
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