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| | Sardinia |
 | | The religious linguistic references are not at all casual; on the contrary, they are intended to underscore, right from the start, the origin and strictly religious nature of the first literary manifestations in the island, subjected, as is well known, to recurrent foreign dominations for two thousand years, a considerable time span. |
 | | Twentieth Century dialect poetry is in Sardinia first of all a poetry, a poetic word that bears the weight of this immense tragedy, of this initial trauma, which has become, as I stated earlier, obsessive. |
 | | And the dialect of poetry regains its "primitive" function of naming objects, places, feelings, a whole civilization of manners, forms, behaviors: the most civilized and honest, the most authentic and freest way to bear witness to an oppositional presence with respect to that "civilization" that has turned even language into a place of widespread pollution. |
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