| |
| | Caucasian Chalk Circle |
 | | So, in The Caucasian Chalk Circle, Brecht not only puts his play within a play, but also installs a narrator right in the middle of things to keep yanking us back out of any temptation to lose ourselves in Grusha's flight or Azdak's plight. |
 | | The musicians play from under and behind a platform from which the narrator and the chorus observe and control the action, and the timing and sensitivity of the music is therefore seen, and felt, as part of the story-telling, and subtly shapes our responses to it. |
 | | The lighting design, by Chris Saad, is subtle and effective (the way the chalk circle, laboriously drawn by Azkak's assistant and oppressor, Shauva, comes alive as he finishes it is particularly elegant). |
| www.stthomasu.ca /~hunt/reviews/circle.htm (1161 words) |
|