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Topic: Cello Sonata No 1 Beethoven


  
  Cello sonata - Wikipedia, the free encyclopedia
A cello sonata usually denotes a sonata written for cello and piano, though other instrumentations are used, such as solo cello.
The most famous Romantic-era cellos sonatas are those written by Johannes Brahms and Ludwig van Beethoven Some of the earliest cello sonatas were written in the 18th century by Francesco Geminiani and Antonio Vivaldi.
Sonata for Arpeggione D.821 in A minor is often transcribed for cello.
en.wikipedia.org /wiki/Cello_sonata   (154 words)

  
 Sonata (music) - Wikipedia, the free encyclopedia
In the classical period and afterwards, sonatas for piano solo were the most common genre of sonata, with sonatas for violin and piano and cello and piano being next.
The sonata da chiesa, generally for one or more violins and bass, consisted normally of a slow introduction, a loosely fugued allegro, a cantabile slow movement and a lively finale in some such binary form as suggests affinity with the dance-tunes of the suite.
The piano sonatas of Scriabin would begin from standard forms of the late romantic period in music, but would progressively abandon the formal markers which were taught, and would be composed as single movement works, he is sometimes thought of as a composer on the boundary between romantic and modern practice of the sonata.
en.wikipedia.org /wiki/Sonata_(music)   (3090 words)

  
 Chamber Repertoire
Sonatas for piano and clarinet, Op 120 No. 1 and 2
Sonata Op 11 no 4 for viola and piano
Sonata Op 25 No 4 for viola and piano
www.mcliu.com /chamber_rep.html   (222 words)

  
 Sonata   (Site not responding. Last check: 2007-10-25)
The style is still traceable in the sonatas of the later classics, whenever a first movement is in a uniform rush of rapid motion, as in Mozart's violin sonata in F (Kochel's Catalogue, No. 377), and in several of
The term "sonata" was increasingly applied to either a work for keyboard alone, or for keyboard and another instrument, often the violin or cello.
would compose three sonatas in the early 1950's, which while they were neither tonal, nor laid out in the standard four movement form, were intended to have the same importance as sonatas.
www.mp3.fm /Sonata.htm   (2894 words)

  
 Amazon.com: Beethoven: Complete Music for Cello & Piano: Music: Maurice Gendron,Mstislav Rostropovich,Jean ...   (Site not responding. Last check: 2007-10-25)
Beethoven was the first great composer of cello sonatas, and he remained really the only one until Brahms wrote two at the end of the last century, and then in our own time Martinu wrote three.
Beethoven based two of the variation sets on Mozart's "Magic Flute," and the third set on Georg Fridrich Handel's "Judas Maccabeus." Jean Francaix (pianist) and Maurice Gendron (cellist) are equally brilliant in their performances of these cello and piano variations.
In the Sonatas, Rostropovich's cello is strong and the difficulty of having the cello and the piano together is remedied wholly by Richter's capable, modulated keyboarding.
www.amazon.com /exec/obidos/tg/detail/-/B0000041A9?v=glance   (1409 words)

  
 Sviatoslav Richter Chronology - 1963
Beethoven: Sonata No. 9, opus 14, no. 1
Beethoven: Cello Sonata No. 1, opus 5, no. 1
Beethoven: Cello Sonata No. 5, opus 102, no. 2
www.trovar.com /str/dates/a1963.html   (343 words)

  
 Tower Records - Beethoven: Cello Sonata no 1, Piano Sonatas no 12 & 31   (Site not responding. Last check: 2007-10-25)
Sonata for Cello and Piano no 1 in F major, Op.
Sonata for Piano no 12 in A flat major, Op.
Beethoven: Piano Sonatas Op 109, 110, 111 / Mitsuko Uchida
www.towerrecords.com /product.aspx?pfid=1099566&urlid=c97c9cf3547b54465d   (237 words)

  
 Beethoven [M.Tevfik Dorak]
String quartet is the most essential medium of Beethoven's last period, as the piano was of his first, and the symphony orchestra of his middle period.
Another common procedure in Beethoven's sonata form movements is that a cadential phrase from the first theme ends the exposition and opens the development (String Quartet in G, Op.18/2).
The model of Beethoven was a prototype for the Romantic artist as he was not conservative in creativity and, tried new ways in expression and communication with no recognition of boundary.
dorakmt.tripod.com /music/beeth.html   (4824 words)

  
 Amazon.com: Jacqueline du PrĂ© ~ Brahms - The Two Cello Sonatas / Barenboim: Music: Johannes Brahms,Daniel ...   (Site not responding. Last check: 2007-10-25)
Cello Sonata No. 2 In F Op.99: III.
Sonata for Cello & Piano No. 1 in E minor, Op.
This performance of Brahms' cello sonatas is a testament to the wonderful musical partnership that existed between Jacqueline du Pr and Daniel Barenboim.
www.amazon.com /exec/obidos/tg/detail/-/B000002S1G?v=glance   (1055 words)

  
 Essentials of Music - Glossary
The opening movement of the sonata cycle, consisting of themes that are stated in the first section (exposition), developed in the second section (development), and restated in the third section (recapitulation).
In this example, the first theme (of two principal themes), an exuberant dance tune in D minor, is stated in the exposition, after which the music makes a transition to a new key (F major), in preparation for the second theme.
General term describing the multimovement structure found in sonatas, string quartets, symphonies, concertos and large-scale works of the eighteenth and nineteenth centuries.
www.essentialsofmusic.com /glossary/s.html   (1327 words)

  
 SA-CD.net - Beethoven: Cello Sonata, Piano Trio - Stark, Shteinbouk, Belkin
In the sonata, which opens the disc, most of the playing is reasonable though without the imagination and joy shared by Lazic and Wispelwey.
Whilst this performance as a whole is of a more convincing nature than the cello sonata, there are still lapses of concentration (particularly from the pianist) when, for a whole week in the studio, a more firmer grasp of the music could have been achieved.
Again, like MNR's disc of Franck and Beethoven, the sound is like what might expect to hear in a practice room not a concert hall of any reputable nature; the sound has no bloom nor does the recording reveal any resonance at all.
www.sa-cd.net /showtitle/3829   (506 words)

  
 [No title]   (Site not responding. Last check: 2007-10-25)
The extraordinary variety of tempo, texture and mood of the sonata is suggested by the rather unconventional headings of its five movements, which might seem more appropriate for a suite than a sonata.
The fourth movement of the sonata, the shortest of the five, is a droll, dissonant parody of a march in which the cello and piano move in lockstep toward a startling climax: a flourish of string harmonics, followed by several whistle-like chromatic slides at the top of the cello range.
Five-minute intermission Samuel Barber, Sonata for Cello and Piano in C minor, Op.
academics.vmi.edu /english/concertprograms/March16_2005.doc   (1436 words)

  
 Music Review: Duo captures spirit of Beethoven sonatas   (Site not responding. Last check: 2007-10-25)
In capable hands, Beethoven's cello sonatas burst forth like a big ensemble, and they were in capable hands last night at Carnegie Music Hall.
But one quality inherent in Beethoven's three periods and in all the cello sonatas is intensity -- even in quiet moments -- and this the duo commanded throughout.
The "chase" motive of Sonata No. 4 or the jagged scherzo of the great A major Sonata, No. 3, found the duo incredibly incisive and expressive in dialogue.
www.post-gazette.com /pg/05111/491969.stm   (565 words)

  
 Beethoven: The Cello Sonatas / Harrell, Ashkenazy | ArkivMusic
Sonata for Cello and Piano no 2 in G minor, Op.
Sonata for Cello and Piano no 3 in A major, Op.
Sonata for Cello and Piano no 5 in D major, Op.
www.arkivmusic.com /classical/album.jsp?album_id=2861   (89 words)

  
 Reissue CDs SEP02, Pt. 1 - AUDIOPHILE AUDITION
121a; Piano Trio in E-flat, WoO 38; Cello Sonata no. 3 in A, Op.
The two cello sonatas with Stephen Kovacevich (aka Stephen Bishop) are heart-throbbing, especially the well esteemed A Major, Op.
No less sumptuous are the Bavarian Radio's response to his leading a 1959 Don Juan and a 1965 Colas Breugnon: each has a patina worthy of the Philadelphia sound as well as a delicious sense of the orchestra's own principals.
www.audaud.com /audaud/SEP02/REISSUES/recds1SEP02.html   (2067 words)

  
 du Pré - The Very Best of Jacqueline du Pré
Cello Concerto No. 2 in D major, H. 7b/2 (Op.
Schumann - Phantasiestücke for clarinet (or cello or violin) and piano, Op.
Fauré - Élégie for cello and piano or orchestra in C minor, Op.
www.jacquelinedupre.net /discographies/cd46.htm   (232 words)

  
 Essentials of Music - Composers
Ludwig van Beethoven is often described by musicians as a "giant straddling two styles": the Classical and the Romantic.
Indeed, it is a testimony to Beethoven's place in history that he is claimed for both periods.
In contrast, Beethoven came of age as an artist when the consequences of revolutions had to be confronted and when the burden of patronage had already shifted to the less reliable mechanisms of the commercial sphere: publications and concerts proceeds, supplemented by sporadic noble patronage.
www.essentialsofmusic.com /composer/beethoven.html   (555 words)

  
 BRAHMS: Cello Sonatas Opp. 38, 78 and 99 by Maria Kliegel, Kristin Merscher at Audio Lunchbox   (Site not responding. Last check: 2007-10-25)
8: SCHUBERT: Arpeggione Sonata / SCHUMANN: Fantasiestucke - SCHUMANN: Adagio and Allegro, Op.
BRAHMS: Cello Sonata No. 1 in E minor, Op.
BRAHMS: Cello Sonata No. 2 in F major, Op.
www.audiolunchbox.com /album?a=23901   (247 words)

  
 Beethoven   (Site not responding. Last check: 2007-10-25)
Although during the eighteenth century the cello had gradually come to be regarded as a solo as well as an accompanying instrument, neither Mozart nor Haydn had composed a cello sonata.
Beethoven was the first major composer to write works with equally important roles for the cello and piano.
The cello surprises (3:47) by substituting an unexpected E-flat in the theme, and this event wrenches the music into the foreign key of A-flat major.
www.artistled.com /html/CD_Beethoven.htm   (3315 words)

  
 Classical Net Review - Beethoven/Brahms/Mozart - Piano Sonatas #30-32/Cello Sonata #1/Piano Concerto #16
Sonata for Piano #32 in C minor, Op.
Johannes Brahms: Sonata #1 for Piano and Cello in E minor, Op.
The last three sonatas were recorded in stereo for Columbia between 1960 and 1976, and I believe he made even earlier recordings of those three works for the same label.
www.classical.net /~music/recs/reviews/d/dgg74328a.html   (558 words)

  
 The Chamber Music Society of Lincoln Center
Tcherepnin Cello Sonata No. 1 in D major, Op.
Saint-Saens Sonata for Cello and Piano No. 1, Op.
Faure Piano Quartet No. 1 in C minor, Op.
www.chambermusicsociety.org /events/subscription_detail.php?id=71   (118 words)

  
 Thursday, March 1
Beethoven: Piano Sonata No. 11 in B-flat, Op.
Prokofiev: Piano Sonata No. 6 in A, Op.
Schmelzer: Sonata No. 1 for Violin and Continuo from Sonatae Unarum Fidium; Romanesca (Harmonia Mundi)
www.whrb.org /pg/MarApr2001.html   (7684 words)

  
 Music Listing - without preview images
Sonata No. 14 "Moonlight" (1st Movement: Adagio sostenuto)
Sonata No. 14 "Moonlight" (3rd Movement: Presto agitato)
Cello Sonata No. 3 in A Major, Op.
www.mutopiaproject.org /cgibin/make-table.cgi?Composer=BeethovenLv   (128 words)

  
 Beethoven: Sonata for Cello and Piano No. 4 - Tracks
Beethoven: Sonata for Cello and Piano No. 4 - Tracks
Beethoven: Sonata for Cello and Piano No. 4
Sonata No. 4 For Cello And Piano In C Major, Op.
www.sonyclassical.com /releases/42121_tracks.htm   (92 words)

  
 Amazon.ca: Cello Sonatas: Music   (Site not responding. Last check: 2007-10-25)
Beethoven: Cello Sonata No.1 in F major, Op.5, No.1
Beethoven: Cello Sonata No.4 in C major, Op.102, No.1
Beethoven: Cello Sonata No.5 in D major, Op.102, No.2
www.amazon.ca /exec/obidos/ASIN/B00005U4WB   (101 words)

  
 Classical Music Symposium Midi Composers Orchestra
Sonata for Violin and Piano in G, 1st Movement
Gavotte for Flute with Harpsichord & Cello Accomp.
Sonata No. 2 in F, K. Sonata in C, K. Nannerl's Notenbuch, Andante in C
members.tripod.com /~MrMaestro/midi.html   (140 words)

  
 Classics Today.com - Your Online Guide to Classical Music
Cello Sonata No. 1 in E minor, Op.
Gregor Piatigorsky (cello); Solomon (piano); Artur Rubinstein (piano); Ivor Newton (piano)
The sound for Piatigorsky and Solomon's 1954 Beethoven Sonata recordings is more focused and better defined than ever before.
www.classicstoday.com /review.asp?ReviewNum=207   (212 words)

  
 KISSIN / ARRAU / ANDSNES / KAPELL
Piano Concerto No. 2 in C minor, Op.
BEETHOVEN: Piano Concerto No. 2 in B flat, Op.
German Dance in B flat, D. 783 No. 6, German Dance in B flat, D. 783 No. 7,Waltz in F, D. 365 No. 34.
classicalcdreview.com /ek.html   (704 words)

  
 du Pré - The Art of Jacqueline du Pré
7~9: Boccherini: Cello Concerto in B Flat Major, (Barenboim, ECO), 17 and 24 Apr 1967.
7~8: Beethoven: Variations from Die Zauberbloete (WoO.46 and Op.66), (Barenboim), 25 and 26 Aug 1970.
5~8: Franck: Cello Sonata in A Major, (Barenboim), 10 and 11 Dec 1971.
www.jacquelinedupre.net /discographies/cd31.htm   (562 words)

  
 Wisconsin Public Radio - The Beethoven Survey   (Site not responding. Last check: 2007-10-25)
We'll be including favorite Beethoven compositions throughout the day.
Violin Sonata No. 3 in E flat, Op.
String Quartet No. 14 in C sharp minor, Op.
www.wpr.org /music/beethoven_survey.htm   (209 words)

  
 South Bay Chamber Music Society 1993-94 Schedule
Violin Sonata No. 2 in G major, Op.
This concert was dedicated to the memory of the great violinist, Louis Kaufman, who performed in four of the first five concerts of this Society in 1964.
The King of the Sun Tableaux for violin, viola, cello, and piano (1988) -- Stephen Hartke (1952 -)
www.palosverdes.com /sbcms/web9394.htm   (561 words)

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