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| | Online NewsHour: The Career and Work of Chaim Soutine -- August 10-, 1998 |
 | | Their entire house was limited to paintings by Soutine because they felt that he was the modern master who could continue this classical French tradition. |
 | | PAUL SOLMAN: In other words, Soutine could be seen as heir to the great French art movement for the 19th century, especially when he took on French subjects, Chartres Cathedral, for instance, very near the Castaing home, or oh-so-French workers. |
 | | He absolutely became the symbol, and if we look at the exhibition in terms of Soutine, the Jew, which is the way Soutine is always characterized, we have Soutine, the outsider, Soutine, the unassimilable, then Soutine the most highly assimilated Jew, and then the Soutine who becomes the symbol of tragedy and the Holocaust. |
| www.pbs.org /newshour/bb/entertainment/july-dec98/soutine_8-10.html (1456 words) |
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