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Topic: Chano Pozo


In the News (Thu 26 Nov 09)

  
  POZO, Chano : MusicWeb Encyclopaedia of Popular Music   (Site not responding. Last check: 2007-10-17)
He was shot twice in the stomach '43 in fight with a publisher's bodyguard over non-payment of royalties; recovered in expensive Havana hospital courtesy of Trinidad, though he continued to experience pain because surgery was unable to remove a bullet at the base of his spine.
Pozo was shot to death in El Rio Bar and Grill by ex-US Army Corporal Eusebio 'El Cabito' Muñoz (a decorated WWII veteran), who worked as a numbers runner and marijuana dealer; the most likely motive was Cabito's machismo-driven revenge for public humiliation after Pozo physically assaulted him, claiming to have been sold weak dope.
Chano personally was a roughneck.' He taught the band multi-rhythms: 'On the bus, he'd give me a drum, Al McKibbon a drum, and he'd take a drum.
www.musicweb-international.com /encyclopaedia/p/P100.HTM   (766 words)

  
 Article: Remembering Chano Pozo: Fifty Years Of Manteca
We hope that Bobby's latest thoughts on Chano Pozo mark Round One of a regular percussion feature in the Descarga Journal; they were inspired by a tribute to the fiftieth anniversary of Manteca presented last December at the Nuyorican Poets' Cafe.
By the mid 1940's Chano was already well known in Cuba as a composer and rumbero (street drummer, dancer and vocalist).
Chano soon would take the New York jazz community by storm as a featured soloist with the powerhouse big band re-formed by Dizzy Gillespie in 1946; he was introduced to Dizzy by Mario Bauzá.
www.descarga.com /cgi-bin/db/archives/Article1?9DJ2brqj;;137   (814 words)

  
 Chano Pozo - Wikipedia, the free encyclopedia
Chano Pozo (January 7, 1915 - December 2, 1948) was a percussionist with a musical background from Cuban religious cults.
Chano Pozo was killed in a fight in a Harlem, New York bar at the age of 33.
His grandson Joaquín Pozo who lives in Cuba as of 2006, is also a famous conguero.
en.wikipedia.org /wiki/Chano_Pozo   (150 words)

  
 milonga.co.uk - Chano Pozo
A fabulous 3 CD boxed set celebrating the life and music of the legendary Cuban conga drummer Chano Pozo, a key figure in the development of Afro Cuban Jazz or CuBop, who was shot dead in a Harlem bar in 1948 at the height of his fame.
Chano's fame as a rumbero was growing and he became the leader of the house band at the radio station RHC-Cadena Azul, the Conjunto Azul.
Chano was a fabulous drummer, one of the greatest rumberos Cuba ever produced, and it's a delight to listen to his playing
www.milonga.co.uk /cuba/tumbao/tcd305/tcd305.html   (585 words)

  
 Chano Pozo - Biography - AOL Music
Chano Pozo played a major role in the founding of Latin jazz, which was essentially a mixture of bebop and Cuban folk music.
Among his features with Dizzy were "Cubana Be," "Cubana Bop," "Tin Tin Deo," and "Manteca"; Pozo co-wrote the latter two.
Unfortunately, Chano Pozo had a hot temper and he was killed in a Harlem bar a month shy of his 34th birthday.
music.aol.com /artist/chano-pozo/36787/biography   (187 words)

  
 Hour.ca - Music - Jazz Festival: Latin Jazz
Pozo was a force to be reckoned with on stage and at the bar.
Pozo spent just two years in New York, yet that was enough to earn him a place in North American music history.
Pozo played with other musicians of the time, including Charlie Parker, but his most important work was with Gillespie.
www.hour.ca /music/music.aspx?iIDArticle=6446   (783 words)

  
 INGLES GRANMA INTERNACIONAL DIGITAL, CUBA   (Site not responding. Last check: 2007-10-17)
This comedy includes a large amount of fantasy without very many sets — everything takes place in the Africa tenement building; the different settings that the emblematic musician that was Chano Pozo moved through, including Tropicana cabaret and New York, are achieved using lighting and sound effects, costumes and music.
Unfortunately, the French director expresses his displeasure in Chano Pozo with a scene parodying Wenders and Cooder in Havana.
Chano Pozo, a Cuban in New York is a musical comedy that Savary will present, after its Paris debut, in various festivals throughout France.
www.granma.cu /ingles/mayo02-2/19chano-i.html   (617 words)

  
 Café de Artistas (via CobWeb/3.1 planetlab2.isi.jhu.edu)   (Site not responding. Last check: 2007-10-17)
Que justamente llegaron a La Habana a rendirle culto a él, al Chano, el músico que le ofreció un nuevo color al jazz de Estados Unidos y colocó, en sitio de honor, el sonido de la percusión cubana en el ritmo de la improvisación.
Chano –medio hermano del famoso trompetista Félix Chapottin, otro famoso de la música cubana- abandonó la Orquesta de Machito, en 1942, para viajar a Estados Unidos y unirse en Chicago al conjunto de los Jack Cole Dancers, y luego integrarse a la banda de Dizzy Gillespie.
Ahora, cuando se cumplen 55 de su desaparición física, Chano Pozo regresa a su amada capital casi a las puertas de diciembre, en los sonidos del Festival Internacional de Jazz/Plaza.
www.trabajadores.cubaweb.cu.cob-web.org:8888 /fijos/cultura/lecturas/chano.htm   (913 words)

  
 CHANO POZO The Original Conga King Latin Beat Magazine - Find Articles   (Site not responding. Last check: 2007-10-17)
"Chano brought to jazz a vocabulary of West African culture," states trap drummer and Latin music scholar Bobby Sanabria in a phone conversation from his home in NYC.
"Chano was an initiate in the santería and abakuá religions.
Given his volatile temper, the timing was good, since Pozo had burnt a lot of bridges, including getting shot over a royalty dispute.
www.findarticles.com /p/articles/mi_m0FXV/is_9_11/ai_80902500   (891 words)

  
 CUBA  -LA JIRIBILLA (via CobWeb/3.1 planetlab2.isi.jhu.edu)   (Site not responding. Last check: 2007-10-17)
Chano Pozo fue un revolucionario entre los tamboreros de jazz; su influjo fue directo, inmediato, eléctrico.
Días antes de su muerte Chano había puesto fin a una gira con la orquesta de Gillespie, que lo llevó por varias ciudades meridionales de los EE.
Chano se quedó inmóvil un instante con los ojos fijos en el plato negro, mirando embebido cómo se enroscaba la aguja mágica que iba traduciendo en sonidos los compases de su última composición, de su «Manteca», el be-bop triunfal que lo había instalado en el pináculo de la fama vernácula neoyorquina.
www.lajiribilla.cu.cob-web.org:8888 /2003/n135_12/135_15.html   (1128 words)

  
 Lifetime Honors: Jazz Masters: Jazz Appretiation Month 2002
Chano Pozo and I roomed together a few times.
Now Chano, some nights he would feel good and some nights he wouldn’t, because he had three bullets in him.
The bullet was there because Chano, when he was in Cuba, he wrote a song, and it was a hell of a song, a big hit.
arts.endow.gov /national/jazz/JAM/other.html   (560 words)

  
 SPOTLIGHT FOR JANUARY 7TH!! * AL BOW... - Crooners & Songbirds - tribe.net   (Site not responding. Last check: 2007-10-17)
Chano was Cuban born (and a member of the Black Cuban Abakua secret society), he descended from Nigerian slaves brought to Cuba to work the sugarcane fields.
Chano owned a hot temper and, just one month short of his 34th birthday, he was killed during an argument in a Harlem bar over a dispute for drugs.
Chano's contribution to 'Latin-Jazz' is enormous and has effected the attitudes of Jazz musicians throughout the USA.
crooners.tribe.net /thread/07a6bded-fc84-418d-ad3e-75bb6d010c21   (1511 words)

  
 Profiles   (Site not responding. Last check: 2007-10-17)
It has been asserted that Chano Pozo was rejected as a member because he was "too fl" to perform at certain Cuban venues.
Jordi Pujol (writer of the book Chano Pozo: El Tambor De Cuba '01) cites Pozo's involvement in these Dec. '46/Jan. '47 recordings as evidence that it was more likely he relocated to NYC in Jan. '47 rather than May '46 as previously believed.
Valdés facilitated Pozo's first recording date in NYC with Gabriel Oller's Coda label (subsequently renamed SMC), and participated in the resultant session in Feb. '47, contributing conga and vocals to four Afro-Cuban chants issued under the name of Chano Pozo y su Ritmo de Tambores (all four sides incl.
www.latinjamradio.com /html/profiles.html   (7577 words)

  
 BEFORE THE 1950'S   (Site not responding. Last check: 2007-10-17)
The Latin Jazz progressive movement on one side and the Cuban rhythms on the other were far apart initially, but, curiously were converging to a point that set the stage for the mambo.
The effect of Chano Pozo to the attitudes of Jazz musicians in the whole USA was permanent.
Unfortunately, Chano was killed in 1948 on a dispute for drugs.
hometown.aol.com /perezprado/chano.htm   (1360 words)

  
 [No title]
Havana, October 17 (RHC)-- The 12th Chano Pozo Rumba Festival is scheduled to begin on October 23rd in Havana and will be dedicated to the four most outstanding rumba experts of our time: Isabel Ibanez, Manuela Alonso, Caridad Cuervo and the Queen Guaguanco, Celeste Mendoza.
The artistic dierector of the project, Orestes Vasallo, has called the festival "the last rumba of the millennium." The rumba is an Afro-Cuban dance full of complex rythyms that was born in Cuba's urban regions at the end of the 19th century.
Luciano "Chano" Pozo was born on January 7th, 1915.
www.afrocubaweb.com /chanopozorumbafest.htm   (167 words)

  
 CubaLatina.com - Chano Pozo
Jusqu'à l'avènement de "Chano" Pozo, le seul instrument de percussion du Jazz était la batterie.
Pozo travaille pour survivre et fera de nombreux petits boulots, vendeur de journaux, cireur de chaussures et enfin garde du corps du directeur d'une station de radio, il continue à jouer dans des petits clubs.
Chano Pozo arrive ainsi rapidement en pleine gloire et profite alors pleinement de tous les plaisirs qu'il peut trouver à la Havane, femmes, alcool et drogues.
www.cubalatina.com /musique/percussions_chano_pozo.php3   (673 words)

  
 eJazzNews.com : The Number One Jazz News Resource On The Net   (Site not responding. Last check: 2007-10-17)
Among some of Chano Pozo’s many compositions and collaborations in his all too short lifetime, (he was killed in 1948 in a bar fight in Harlem, just shy of his 34th birthday) he co-wrote the great ‘Manteca’ and ‘Tin Tin Deo’ with Dizzy Gillespie.
Bassist Alex Blake has established himself as a drummer's bassist, and after becoming one of the major proponents of the fusion movement in the late 1970’s, he is considered to be an entire rhythm section on his own because of his range and ability to flow between melodic and extremely rhythmic playing.
RANDY WESTON’S AFRICAN RHYTHMS TRIO with Special Guest CANDIDO: Tribute to CHANO POZO will be a concert to remember as this powerful group of artists summon the sprit of the mighty Chano Pozo, the sprits of our ancestors, and the intensities of ancient African rhythms.
www.ejazznews.com /print.php?sid=4429   (1072 words)

  
 Jorge Reyes
In the ensuing years, there were regular meetings with Dizzy Gillespie during which Dizzy’s admiration and friendship with Chano Pozo (who died in 1948), were often the subject of their conversations.
Some of Chano Pozo’s compositions have become legendary: ‘Manteca’ composed together with Dizzy Gillespie and ‘Tin Tin Deo’, collaborating with Walter Fuller.
Jorge Reyes’ tributo a Chano Pozo is an All Star band, with no less than Tata Güines and Panga on conga’s, Changuito on timbales, Pan con salsa on piano, Julio Padron on trumpet, Sopilon: violin, German Velasco: flute and saxophone and Ismael Borges maracas, güiro and lead vocals.
www.jazzconexion.com /jorge/jorge.html   (422 words)

  
 Cachao Discography - Slipcue Cuban Music Guide
This lavish 3-CD set covers the career of Chano Pozo, the live fast-die young percussionist who is frequently cited by jazz historians as the focal point in the birth of latin jazz.
Pozo was only with the band for about a year: in December, 1948 he was shot to death in a brawl in New York City.
This box set collects the bulk of Pozo's recordings and has a big book that includes interviews with Mario Bauza, Dizzy Gillespie, Machito and others who were around to see Pozo in his fiery prime.
www.slipcue.com /music/cuba/cachao.html   (819 words)

  
 Latin Beat Reviews - Reseña Latin Beat Magazine - Find Articles   (Site not responding. Last check: 2007-10-17)
Not too Long ago, Leonardo Acosta --the Cuban executioner of many sacred cows-- wrote that "Chano is perhaps the only myth or legend that is shared by both rumberos and jazzistas." As usual, the world's greatest Cuban jazz musicologist is absolutely correct.
How much of the legend is true is sometimes difficult to determine, but what truly counts is that Pozo was able to adjust his tumbadoras to the rhythmic patterns of bebop in an unprecedented manner.
A relevant detail, by the way, has been ignored by many music historians: Pozo was already playing with the Havana-based Cuarteto de Jazz de Mario Santana before he moved to New York, where his alliance with Dizzy Gillespie (as everyone knows by now) would have an outstanding impact on the musical history of our planet.
www.findarticles.com /p/articles/mi_m0FXV/is_6_11/ai_79585562   (813 words)

  
 Chano Pozo - El Tambor De Cuba - 3 Cd Box Set + Book - Deluxe Series
A compilation without precedence: From the first hits of Chano Pozo as a composer in Havana 1939, until his determining presence in the exciting fusion of Afro-Cuban rhythms and be-bop jazz, or 'Cu-bop', originated.
The books contains Chano Pozo's biography, an exciting story complemented by a large number of graphic documents and photos, many of which have never been published before now.
“Chano Pozo: El Tambor De Cuba charts the career of the elusive Pozo and, along the way, illustrates the connection between American jazz, African rhythms and Cuban music in fascinating detail and with undeniable authority.”
www.freshsoundrecords.com /record_popup.php?record_id=1386   (659 words)

  
 Chano Pozo Music - Favorite Songs - Lyrics From   (Site not responding. Last check: 2007-10-17)
Chano Pozo thereby played a major role in the founding of...
Chano Pozo played a major role in the founding of Latin jazz, which was essentially a mixture of bebop and...
Luciano "Chano" Pozo Gonzalez, known as Chano Pozo, could sing one rhythm, beat another on his drum and...
www.lyricsfrom.com /artists/c/Chano-Pozo.html   (1582 words)

  
 Jose Mangual Jr. MP3 Downloads - Jose Mangual Jr. Music Downloads - Jose Mangual Jr. Music Videos
With the Joe Cuba Sextet's Jimmy Sabater on it, Tribute to Chano Pozo would have to be great, and it is. All but two tracks are absolute percussion killers as well as nice Latin pieces.
Tribute to Chano Pozo is much more than a drum or tribute album; it should appeal to every generation of Latin-music fan.
The two tracks to lose, however, are "Down to Basics," a group of short percussion tracks, and the samba "Sambala." Competent but gratuitous, they only detract from an otherwise stellar set.
www.mp3.com /albums/361635/summary.html   (266 words)

  
 Chano Pozo, El Tambor De Cuba: 3-CD Box Set With 143 Page Book
Finally, a fitting tribute dedicated to the late Chano Pozo, one of the great figures in Afro-Cuban music, and an important figure in the birth of Cubop.
The greatest collection ever of Chano Pozo's compositions and performances, including some of his unheard recordings and spoken anecdotes.
Includes a 148-page book "Chano Pozo: El Tambor de Cuba," with biography, many rare photos and discography.
www.descarga.com /cgi-bin/db/18628.60?h2Bm87j3;;149   (228 words)

  
 Chano Pozo
Pozo co-wrote "Tin Tin Deo" and "Manteca" Unfortunately Chano Pozo had a hot temper and he was killed in a Harlem bar a month shy of his 34th birthday
Chano brought to jazz a vocabulary of West African culture.
He was an initiate in the santería and abakuá religions.
www.mariodelmontejr.bizhosting.com /chano_pozo.html   (274 words)

  
 About José Mangual Jr.   (Site not responding. Last check: 2007-10-17)
Este LP era un homenaje a Chano Pozo, pero era para enseñanzas de ritmos.
EEG: Recuerdo que, tal como dices, adentro del álbum "Tributo a Chano Pozo" venía un folleto.
EEG: En ese mismo álbum incluiste un tema llamado "Recuerdos a Chano Pozo".
www.josemangualjr.com /id17.htm   (9472 words)

  
 Con su Conjunto y Chano Pozo, Machito & Orchestra by Arsenio Rodriguez WIth Chano Pozo & Machito
Con su Conjunto y Chano Pozo, Machito & Orchestra by Arsenio Rodriguez WIth Chano Pozo & Machito
Porque Tu Sufres - Arsenio Rodriguez, Chano Pozo, Machito & His Orchestra
Paso en Tampa - Arsenio Rodriguez, Chano Pozo, Machito & His Orchestra
www.mmguide.musicmatch.com /album/album.cgi?ALBUMID=844629   (188 words)

  
 Chano Pozo - Wikipedia (via CobWeb/3.1 planetlab2.isi.jhu.edu)   (Site not responding. Last check: 2007-10-17)
Mit Chano Pozo's Conga- und Bongo-Spiel entdeckte 1947 Dizzy Gillespie die afrokubanischen Wurzeln des Jazz wieder für den Bebop.
Pozo hatte schon in jungen Jahren westafrikanische Rhythmen studiert, und gehörte zu einem nigerianische Traditionen pflegenden Geheimbund.
Der cholerisch veranlagte Pozo wurde in einer Bar in Harlem im Streit getötet.
de.wikipedia.org.cob-web.org:8888 /wiki/Chano_Pozo   (121 words)

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