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| | The Foundations of the 19th Century, chapter 9b7 |
 | | no way out of it; for in art the most senseless errors are as firmly rooted as in religion, and we cannot rightly estimate either the development of art of the year 1800 or its importance in the nineteenth century till we have cleared away all misconceptions and corrected the distorted misrepresentations of history. |
 | | For Teutonic philosophy is transcendent, and Teutonic religion ideal; both, therefore, remain unexpressed, incommunicable, invisible to most eyes, unconvincing to most hearts, unless art with her freely creative moulding power — i.e., the art of genius — should intervene as mediator. |
 | | Our religion never was history, never exposition of chronicles, but always inner experience and the interpretation, by free, reproductive activity, of this experience as well as of surrounding nature, which means the nature of experience; our whole art, on the other hand, owes its origin to religious myths. |
| www.hschamberlain.net /grundlagen/division3_chapter9b7.html (11028 words) |
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