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| | Baudelaire, Charles Criticism and Essays |
 | | Baudelaire's view of contemporary life also informs his pioneering achievement in the prose poem genre, Petits poèmes en prose: Le spleen de Paris, a collection of short fictional sketches possessing characteristics often associated with poetry: concision, emphasis of images over plot, and heightened attention to word choice, phrasing, and cadence. |
 | | Baudelaire's only other fictional composition, the novella La Fanfarlo, revolves around the artistic aspirations and amorous entanglements of a young Parisian writer and is prized for its autobiographical content and elucidation of Baudelaire's aesthetic theories. |
 | | Critics agree that in La Fanfarlo Baudelaire expresses contempt for the character of Cramer, a man with an overactive imagination and an inclination toward extreme romanticism, and La Fanfarlo is generally considered a reproof to the moralizing stories by Romantic writers in France, who had done little to legitimize the short story as a genre. |
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