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Topic: Charles Bernstein

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	Charles G. Bernstein, lawyers in Baltimore, MD, Maryland (Site not responding. Last check: 2007-10-12)
		Bernstein extracted his client out from the Navy's jurisdiction, where a Death Penalty was being sought by Secretary of the Navy Webb, and arranged a successful plea agreement in the civilian court which allowed Mr.
		Bernstein did not believe any crime had been committed and obtained a not guilty verdict on all 18 counts after many weeks of trial.
		Bernstein's Motion for Judgment of Acquittal was granted at the end of the state's case.
	www.charlesbernsteinlaw.com /bernstein.jsp (791 words)

	Republics of Reality, 1975-1995 by Charles Bernstein - R A I N T A X I o n l i n e
		Bernstein's name is not one you'd associate with, say, Palmer's or Howe's, as a practitioner of the postmodern lyric, yet many of these poems give off a laughing efflorescence that's both graceful and, of all things, oddly moving.
		This is a poetry of the blink, the wink and the blur.
		Bernstein's prescription for language is one that goes beyond the register of the social protest poem's often simplistic challenge of the political status quo.
	www.raintaxi.com /online/2000summer/bernstein.shtml (1042 words)

	DLB Charles Bernstein (Site not responding. Last check: 2007-10-12)
		Charles Bernstein is mostly widely known for his early influence in Language poetry.
		Bernstein has been acclaimed by such important critics as Marjorie Perloff, Jerome McGann, and John Shoptaw; he is a frequent keynote speaker at major literary events, and there are panels about his writing at gatherings such as the Modern Language Association and the Twentieth Century Literature conferences.
		Bernstein uses the poem to call for heterogeneous writing, not the "paradise" of a rigidly hegemonic model in which all is subordinated to a central image or insight.
	epc.buffalo.edu /authors/bernstein/reviews/glazier.html (6600 words)

	Charles Bernstein: ZoomInfo Business People Information
		Charles S. Bernstein was admitted to practice law before the court of South Carolina in 1951, and has been continuously engaged in the practice of law since 1952.
		Charles has practiced in a wide variety of areas, and in recent years has concentrated his practice in commercial and corporate work, civil litigation and bankruptcy.
		Charles is also active in the community and has served on the boards of his congregation, with the Masonic Lodge (Master), with the Scottish Rite (33rd Degree), with the North Charleston Rotary Club and is a board member of the John Ancrum Society for the Prevention of Cruelty to Animals.
	www.zoominfo.com /people/bernstein_charles_100967685.aspx (367 words)

	Jacket 14 -- Susan M. Schultz -- on Charles Bernstein
		Charles Bernstein, whose relationship with his father was apparently [sic] ambivalent, finds himself performing the same kind of work as his father, though within a different frame, and he hopes without the lock.
		Bernstein’s poem is fascinating in its presentation of the most ordinary of language (plain, common speech) that obviously mirrors an ordinary life that is created, at least in part, out of that language.
		Bernstein, it seems to me, flaunts this distinction between male and female fashion in a poetry that elevates style into content, and foregoes all claims to participating in a "common speech," even when, as it often does, it imitates common speech quite uncommonly.
	www.jacketmagazine.com /14/schultz-bernstein.html (9682 words)

	CD Baby: CHARLES HAROLD BERNSTEIN: Meditation
		These solos and duos composed by Charles Harold Bernstein are performed by various artists many of whom are members of the Los Angeles Chamber Orchestra and are renown in the musical world.
		Born in Los Angeles, Charles Harold Bernstein was a child prodigy pianist who performed as soloist with orchestras by the age of nine.
		Bernstein began composing in 1970, plunging into an intense study of harmony and theory and working closely with such artists as violinist Yoshiko Nakura (founding member of the Tokyo String Quartet), violist Milton Thomas, and violinist Adam Korniszewski.
	cdbaby.com /cd/chbernstein (276 words)

	Charles Bernstein
		Author of 20 books of poetry, Charles Bernstein is also the executive editor and co-founder of The Electronic Poetry Center and editor of The Politics of Poetic Form: Poetry and Public Policy.
		This collection of Bernstein's long poems provides a unique overview of his career." Having taught at Princeton, Brown, UC/San Diego, University of Auckland and the Kootenay School of Writing in Vancouver, Charles Bernstein holds the David Gray Chair of Poetry and Letters at SUNY Buffalo.
		The works published in Bernstein's publication L=A=N=G=U=A=G=E are classified, by Bernstein as poly-referential rather than non-referential because they had many points of reference and these many points of reference affect the way in which poetry is read.
	www.butler.edu /writersstudio/vws/writers/bernstein.html (801 words)

	The Academy of American Poets - Charles Bernstein
		Charles Bernstein's page at the Electronic Poetry Center, which contains a bio, course syllabi, Poetry "Experiments," and information about his e-mail discussion group.
		Charles Bernstein was born in New York City in 1950.
		Bernstein serves as the Executive Editor, and co-founder, of The Electronic Poetry Center at SUNY-Buffalo.
	www.poets.org /poet.php/prmPID/703 (331 words)

	POG: Charles Bernstein
		Charles Bernstein is the author of over twenty collections of poetry, including With Strings (Chicago, 2001), Republics of Reality: 1975 - 1995 (Sun and Moon, 2000), Dark City (Sun and Moon, 1994), The Sophist (Sun and Moon, 1987; rpt Salt Publishing 2004), Islets/Irritations (Jordan Davies, 1983; rpt.
		For several years Bernstein hosted the poetry radio show LINEbreak (available at the EPC website), and at the University of Pennsylvania he is working on a range of digital and sound projects in collaboration with the Center for Programs in Contemporary Writing.
		Bernstein has been the recipient of fellowships from the Guggenheim Foundation, the New York Foundation for the Arts, and the National Endowment for the Arts, and of the Roy Harvey Pearce/Archive for New Poetry Prize of the University of California, San Diego.
	www.u.arizona.edu /~nathanso/pog/flyerbernstein.html (479 words)

	Charles Bernstein \| Shadowtime \| Green Integer Books
		The libretto was written by Charles Bernstein for composer Brian Ferneyhough and had its premiere in May 2004 at the Munich Biennale, with subsequent productions at the Festival d’Automne in Paris, and the Lincoln Center Festival in New York.
		Present are all the ludic disruptions characteristic of Bernstein's work, and his attention to wordplay is as strong and surprising as ever—from transliterations to anagrammatic rearrangements of Benjamin's name (e.g.
		From the sequence's affective register, it becomes clear that Bernstein cares about his subject deeply, and the work belies surprising vulnerability and even intimacy; Bernstein's genius is to reconfigure that intimacy as a measure of one's relationship to language.
	www.greeninteger.com /book.cfm?-Charles-Bernstein-Shadowtime-&BookID=151 (1024 words)

	Amazon.com: With Strings: Books: Charles Bernstein (Site not responding. Last check: 2007-10-12)
		Bernstein has never been an easy pleasure, from the early minimalist sensibility of his Language-oriented work, through his prose poems, collage pieces, and recent poetic incarnation as borscht belt professor.
		Bernstein remains one of America's liveliest advocates and practitioners of radically inventive poetry.
		Charles Bernstein is the Director of the Poetics Program at the State University of New York at Buffalo.
	www.amazon.com /Strings-Charles-Bernstein/dp/0226044602 (1175 words)

	Charles Bernstein - April 2000 Feature
		Charles Bernstein recites some of his finest poems.
		Charles Bernstein was interviewed by David Lehman at The New School University on December 1, 1999, following his poetry reading.
		Special thanks to: David Lehman, Charles Bernstein, Robert Polito, and The New School University for participating in the broadcast of this event.
	www.cortlandreview.com /features/00/04/index.html (116 words)

	Charles Bernstein - Wikipedia, the free encyclopedia
		Charles Bernstein (born April 4, 1950) is an American poet, critic, editor and teacher.
		Bernstein was born in New York City and studied at the Bronx High School of Science and Harvard College, graduating in 1972.
		From 1989 to 2003, Bernstein was David Gray Professor of Poetry and Letters at the University at Buffalo.
	en.wikipedia.org /wiki/Charles_Bernstein (682 words)

	CHARLES BERNSTEIN'S DARK CITY
		Lazer argues that the unorthodox characteristics of so-called Language Poetry, of which Charles Bernstein is a practitioner, cause mainstream poetry publishers and critics to ignore him and his kind.
		" What Bernstein's poetry involves is a resistance to (but not absolute evasion of) self-expression and the poetics of signature, voice, and a homogeneous styl e.
		Bernstein, we learn from Lazer, is not seeking to create a "personal signature" and yet his writing is "distinctive" and thus, in some way, the product of an identifiable persona.
	webpages.ursinus.edu /rrichter/cbernstein.html (815 words)

	Harvard University Press: A Poetics by Charles Bernstein
		In a wild variety of topics, polemic, and styles, Bernstein surveys the current poetry scene and addresses many of the hot issues of poststructuralist literary theory.
		Bernstein finds the answer in dissent, not merely in argument but in form-a poetic language that resists being easily absorbed into the conventions of our culture.
		Insisting on the vital need for radical innovation, Bernstein traces the traditions of modern poetry back to Stein and Wilde, taking issue with those critics who see in the "postmodern" a loss of political and aesthetic relevance.
	www.hup.harvard.edu /catalog/BERPOE.html (234 words)

	Web Log -- Charles Bernstein (Site not responding. Last check: 2007-10-12)
		Grenier in conversation with Charles Bernstein, Oct. 20, 2006 —
		Alongside this footage was an ongoing discussion with Charles Bernstein on the implications of working in video as opposed to film.
		Charles Bernstein is now more clearly what he has always been – a major poet for our time – and then some.
	epc.buffalo.edu /authors/bernstein/blog/index.html (4063 words)

	Register of Charles Bernstein Papers - MSS 0519
		Bernstein and Bee started Asylum's Press, which brought out some of their collaborations as well as the works of other poets who are now well-known.
		Bernstein's work is also significantly influenced by figures such as Gertrude Stein, Laura (Riding) Jackson and Ezra Pound, as well as his background in philosophy, evident in his early work on Wittgenstein.
		The subseries consists of notes and correspondence from Bernstein and Bruce Andrews related to their co-editing of a selection of Language writers' pieces focused on the "line." Also included are the contributors' submissions and correspondence, as well as correspondence between Bernstein and Andrews and the main editors.
	orpheus.ucsd.edu /speccoll/testing/html/mss0519a.html (5060 words)

	Charles Bernstein and Susan Bee (Site not responding. Last check: 2007-10-12)
		Charles will show some slides of his collaborations with Richard Tuttle and also read some poems accompanied by Susan's projected images.
		Charles Bernstein is the author of With Strings (University of Chicago Press, 2001), Republics of Reality: Poems 1975-1984 (Sun & Moon Press, 2000), and My Way: Speeches and Poems (Chicago, 1999) and two new chapbooks, World on Fire, from Nomados Press and Let's Just Say, from Chax Press.
		Bernstein is Professor of English at the University of Pennsylvania, where he is the co-director of PennSound, a web audio archive of poetry readings.
	www.analogous.net /bernsteinbee.html (273 words)

	Charles Bernstein Books - Signed, used, new, out-of-print
		At once the most paradoxically controversial and popular, accessible and most difficult of the L=A=N=G=U=A=G=E poets, Bernstein is also the writer of that group who strove early on to experiment with the extremes of its newly minted methods.
		The libretto by Bernstein was written for the internationally renowned composer Brian Ferneyhough.
		Charles Bernstein here proves them alive and well in poems elegiac, defiant, and resilient to the point of approaching song.
	www.alibris.com /search/books/author/Charles_Bernstein (902 words)

	Charles Bernstein \| Republics of Reality 1975-1995 \| Green Integer Books
		Recognized internationally as one of the major forces of contemporary poetry, Charles Bernstein—formerly the David Gray Professor Poetry and Letters and the State University of New York, Buffalo—is now a professor of literature at the University of Pennsylvania.
		Bernstein co-founded L=A-N=G=U=A=G=E magazine in the late 1970s, giving rise to what has come to be called “Language” poetry.
		However, as these poems reveal, Bernstein's allegiance has not been to any one kind of poetry, but to an “artificed” writing that refuses simple absorption in the society around it.
	www.greeninteger.com /book.cfm?-Charles-Bernstein-Republics-of-Reality-&BookID=128 (272 words)

	Charles Bernstein interviewed by Eric Denut
		Eric Denut interviews Charles Bernstein about the libretto he wrote for the English composer Brian Ferneyhough for an opera on the life and work of Walter Benjamin called Shadowtime.
		Charles Bernstein is Regan Professor of English at the University of Pennsylvania, and is the author of 22 books of poetry, including With Strings, Republics of Reality: 1975-1995, Content's Dream: Essays 1975, A Poetics, Shadowtime, and his most recent Girly Man.
		He was one of the foremost theorists of the L=A=N=G=U=A=G=E group; and his two collections of essays (Content's Dream: Essays 1975 and A Poetics) expand a position on poetry established on his close reading of the philosophy of Marx and Wittgenstein, and the writings of Gertrude Stein, Louis Zukofsky, William Carlos Williams and others.
	www.argotistonline.co.uk /Bernstein%20interview.htm (3096 words)

	Charles Bernstein : A Nightmare on Elm Street - Listen, Review and Buy at ARTISTdirect
		Charles Bernstein : A Nightmare on Elm Street
		Charles Bernstein's score to Wes Craven's 1985 slasher cult classic A Nightmare on Elm Street is very much a product of its time, eschewing traditional orchestral approaches while employing state-of-the-art synthesizers and sound effects to convey the horror of Craven's suburban dreamscapes.
		Bernstein's unsettling cues utilize technology to strong effect, creating sinister atmospheres that effortlessly communicate the threat posed by the film's ghoulish antagonist Freddy Krueger.
	www.artistdirect.com /nad/store/artist/album/0,,51520,00.html (255 words)

	MIPORADIO THE WAY POETRY SOUNDS (Site not responding. Last check: 2007-10-12)
		Charles Bernstein's libretto for Shadowtime is just out from Green Integer, coincdign with the American premiere of the Brian Ferneyhough opera, at Lincoln Center Festival, in July.
		He is the author of 30 books of poetry and libretti, including With Strings (Chicago: University of Chicago Press, 2001), Republics of Reality: 1975-1995 (Los Angeles: Sun and Moon Press, 2000) and World on Fire (Nomados, 2004).
		Bernstein is Regan Professor of English, University of Pennsylvania.
	www.miporadio.net /CHARLES_BERNSTEIN (136 words)

	With Strings - Wal-Mart
		A compilation of sixty-nine poems in various forms and styles, dating mostly from the 1990s, "With Strings" is his most buoyant collection to date.
		With its fractured nursery rhymes, distressed mottoes, runcible riddles, and inscrutable sayings, Bernstein takes us on a poetic trip that swerves from the comic to the political, from the whimsical to the elegiac.
		Charles Bernstein is perhaps best known as one of the founders of the L=A=N=G=U=A=G=E poetry movement of the 1970s.
	www.walmart.com /catalog/product.gsp?product_id=1297036 (676 words)

	Grand Text Auto » Charles Bernstein and PENNsound
		A group blog Grand Text Auto is about computer mediated and computer generated works of many forms: interactive fiction, net.art, electronic poetry, interactive drama, hypertext fiction, computer games of all sorts, shared virtual environments, and more.
		Charles Bernstein was reading; he has recently joined the faculty here at Penn. He is undertaking a project, PENNsound, to create a large, free archive of digital recordings of poets reading poetry.
		Bernstein has written a very nice manifesto for the project, which requires that the per-poem recordings be available in a format that is as useful and non-proprietary as possible, that they be of high enough quality, and that they be indexed and carry bibliographic information with them.
	grandtextauto.gatech.edu /2003/09/27/charles-bernstein-and-pennsound (936 words)

	Report from Liberty Street by Charles Bernstein
		Charles Bernstein is the author of many books of poetry and criticism including With Strings (University of Chicago Press, 2001) and My Way: Speeches and Poems (University of Chicago Press, 1999).
		This essay appeared on the UCP website in October 2001 and was later published in Bernstein’s Girly Man (University of Chicago Press, 2006).
		This text may be used and shared in accordance with the fair-use provisions of U.S. copyright law, and it may be archived and redistributed in electronic form, provided that this entire notice, including copyright information, is carried and provided that the University of Chicago Press is notified and no fee is charged for access.
	www.press.uchicago.edu /News/911bernstein.html (1236 words)

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