Charles J. Correll was born in Peoria, Illinois, in 1890 and earned his first dollar delivering newspapers.
When the town had fiddler's contests, Correll was always on hand as one of the dance contestants, carrying off everything from a sack of flour to what have you as his reward for first place.
He was always about the stage door during rehearsals, and when anyone was needed to chase the hounds across the ice or to substitute for an ailing principal, Correll was there, able and willing to "supe" at a moment's notice.
While the series never specifically identified the characters as fl, it was certainly understood since Correll and Gosden voiced the characters with the kind of exaggerated Negro dialect found in minstrel shows of the day.
The program was so popular on WGN that Correll and Gosden performed regularly in stage appearances as the duo in flface for which they earned $2000 a week, a staggering amount of cash in 1927.
However successful their outside ventures, Correll and Gosden (writing all the scripts and playing all the major roles), were making only $100 a week for the radio program itself.
Correll and Gosden called this a "chainless chain," and realizing the value of the concept, attempted to secure a patent.
Correll and Gosden were fascinated by human nature, and their approach to both comedy and drama drew from their observations of the traits and motivations that drive the actions of all people: while often overlapping popular stereotypes of African-Americans, there was at the same time a universality to their characters which transcended race,
Their plots flowed gradually from one into the next, with minor subplots building in importance until they took over the narrative, before receding to give way to the next major sequence, and seeds for future storylines were often planted months in advance.
Gosden and Correll had previously done radio stints at KYW, WLS and the Edgewater Beach Hotel-based WEBH (where they were paid for their performances with food from the dining room).
When their WGN contract expired not long thereafter, Gosden and Correll entered into an agreement with WMAQ (then owned by the Chicago Daily News) that allowed them to syndicate their broadcasts through recordings.
The California native was the son of Charles J. Correll, who voiced the character of Andy Brown on the "Amos & Andy" radio show.
Charles Jr., Charlie, was a classmate and I'm saddened by the news of his passing.
Charle and I used to live a couple of blocks away from each other as teens, our parent were friends and we managed to get into our share of teenaged michief while growing up.
CharlesCorrell (23 January 1944 – 4 June 2004) was the director of photography for Star Trek III: The Search for Spock.
In addition to this, he also made a brief appearance in the movie - as a worker in the spacedock who watches the Enterprise being stolen - after asking director Leonard Nimoy for a cameo.
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Brother of actor/director Richard Correll, Barbara Correll and Dottie Correll.
Find where CharlesCorrell is credited alongside another name
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The original Amos 'n' Andy; Freeman Gosden, Charles Correll, and the 1928-1943 radio serial Reference & Research ...(Site not responding. Last check: )
The original Amos 'n' Andy; Freeman Gosden, CharlesCorrell, and the 1928-1943 radio serial.
This reexamination of Amos 'n' Andy, the radio show created by CharlesCorrell and Freeman Gosden, relies on scripts from the show's earliest versions, which McLeod contends most clearly reflect the vision of its creators.
McLeod, a journalist and broadcast historian, uses these scripts to refute the blanket condemnations of the show's racism, asserting that the early shows differ markedly from the later ones.
