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| | Dvorak - Symphonies 7-9 [GPJ]: Classical CD Reviews- Nov 2002 MusicWeb(UK) (Site not responding. Last check: 2007-11-07) |
 | | Mackerras, unlike Previn, achieves drama and maximum contrast, drawing out pauses to allow the music to breathe and emphasise the feeling of suspense and expectation. |
 | | None of that here, for the music is, like the first movement, driven forward inexorably, until the ultimate agonised counterpoint of the main themes of first movement and finale achieves a monumental grandeur, surely what the composer wished for (but very rarely gets!). |
 | | Along the way, Mackerras constantly allows us to relish details of the scoring, such as the little semiquaver groups in violas then ’cellos around (track 4) 6:19, or the bassoon counter-melody at 8:09. |
| www.musicweb-international.com /classrev/2002/Dec02/Dvorak_Mackerras.htm (943 words) |
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