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Ching Ho Cheng |
 | | Cheng has summarized his work from 1975 to 1980 as follows: "For the past five years, I have been painting ordinary subject matter familiar to all: cigarette butts, matches, a squashed beer can, coat hangers, a shower sprocket, and old chipped enamel bowl, a naked light bulb dangling from the ceiling... |
 | | Cheng's tears cut across the whole composition (which is generally large), creating wide clefts and activating the white backing paper so that the parts break out from the confines of their perimeters and interact with exterior space. |
 | | From the start, Ching Ho Cheng's art has been a search for evidence of connectedness: man with man, man with nature, and man with God.The proliferation of forms in his work in the sixties and early seventies was stylistically in tune with the experimentally induced hallucinations of that time. |
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